Hamshere Gallery - Specialists in Canine & Sporting Antiques

 
 

Medium - Paintings

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1 ) Mid 19th century English Bristol London Royal Mail coaching oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of the Bristol London Royal Mail passing seated pipe smoker, in heathland setting, approaching town in the distance by Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the name of the town at the start and end of the coach's route “Bristol London”. Signed with discreet monogram to one of the trunks on the roof "CH". English, circa 1850.


Paintings | Other | Artist: Charles Cooper Henderson | Yr: 1850 |
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2 ) Mid 19th century English Stroud London Royal Mail coaching oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of the Stroud London Royal Mail meeting a returning coach by Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the name of the town at the end of the coach's route “Stroud London”. Signed with discreet monogram on a passing rock "CH". "R. and A. Ackermann” label to the reverse. Cooper Henderson had a long association with Ackermann. English, circa 1850.


Paintings | Coaching | Artist: Charles Cooper Henderson | Yr: 1850 |
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3 ) Pen and ink drawing of ‘The Exhibition of Hayter's picture of The Trial of Queen Caroline’ by Sir Edwin Landseer R.A. (English, 1802-1873)
A pen and ink drawing of ‘The Exhibition of Hayter's picture of The Trial of Queen Caroline’ by Sir Edwin Landseer R.A. (English, 1802-1873). The 'trial' of Queen Caroline in 1820 was not technically a trial but a parliamentary debate on a bill designed to grant the King a divorce. Sir George Hayter (1792 – 1871) was a notable English painter, specialising in portraits. Landseer had known George and his brother John since childhood and both contributed major historical paintings to the Duke of Bedford’s gallery at Woburn Abbey. Today Sir George’s painting can be seen in the National Portrait Gallery.


Paintings | Other | Artist: Sir Edwin Landseer RA | Yr: 1820 |
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4 ) A 19th century oil of a standing boy feeding his caged canary
A 19th century oil of a standing boy in an interior feeding his caged canary. Monogrammed bottom left.


Paintings | Birds |
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5 ) Fish / Dover sole oil by Sir Edwin Henry Landseer RA (British, 1802-1873)
Oil still life study of three fish / Dover Sole placed on a dish by Sir Edwin Henry Landseer (English, 1802-1873). Bears inscription to the reverse, stating the study was a gift to the artist’s host. English, circa 1830.


Paintings | Other | Artist: Sir Edwin Landseer RA | Yr: 1830 |
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6 ) Watercolour of a Paul Ernest Boniface de Castellane, Marquis de Castellane (1867-1932) by Charles Ferdinand de Condamy (1855 - 1913)
Humorist watercolour by the famous French canine artist Charles Ferdinand de Condamy (1855 - 1913) of Paul Ernest Boniface de Castellane, Marquis de Castellane (1867-1932). Signed bottom right “F de C”. French, circa 1900.


Paintings | Other | Artist: Charles Ferdinand de Condamy | Yr: 1900 |
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7 ) Humorist watercolour of a by Charles Ferdinand de Condamy (1855 - 1913)
Humorist watercolour by the famous French canine artist Charles Ferdinand de Condamy (1855 - 1913). A companion work to that of Paul Ernest Boniface de Castellane, Marquis de Castellane (1867-1932). Possibly of Castellane’s friend, Cornelis Theodorus Maria 'Kees' van Dongen (Dutch, 1877 – 1968). Signed bottom right “F de C”. French, circa 1900.


Paintings | Other | Artist: Charles Ferdinand de Condamy | Yr: 1900 |
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8 ) “Children of the Mist” by Sir Thomas Landseer ARA (English, 1795-1880), after Sir Edwin Henry Landseer (English 1802 – 1873).
“Children of the Mist” engraved by Sir Thomas Landseer ARA (English, 1795-1880), after Sir Edwin Henry Landseer (English 1802 – 1873). Alerted stag and hinds scenting danger in misty moorland setting from the painting of 1853 by Edwin Landseer at the Royal Academy 1835. A mixed method stipple engraving etching published signed in pencil.


Paintings | Other | Artist: Thomas Landseer | Yr: 1853 |
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Click to see full size: Snipe studies by Boris Stefanovitch Riabouchinsky (French, 1898-1975)

9 ) Snipe studies by Boris Stefanovitch Riabouchinsky (French, 1898-1975)
Studies by Boris Stefanovitch Riabouchinsky (French, 1898-1975). Lettered top right Copyright by Ch. Ducher et Cie. 35 Ave de lOpera, Paris, No. 741 Posthumously signed in pencil bottom left B Riab. This re-strike appears in the reprint catalogues appendix to Riab by Docteur Jacques Bourdon. French, circa 1980.


Paintings | Other | Artist: Boris Stefanovitch Riabouchinsky | Yr: 1980 |
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Click to see full size: Recollections of a Record Reign dry point etching of Poodle, English Bulldog, Scottish Terrier and Irish Terrier by Frank Paton (English, 1856-1909)

10 ) Recollections of a Record Reign dry point etching of a coach passing through Temple Bar, London by Frank Paton (English, 1856-1909)
An artist proof dry point etching titled Recollections of a Record Reign by Frank Paton (English, 1856-1909). A coach passing through Temple Bar, London. It had been dismantled very carefully in 1878 and was rebuilt in Paternoster Square in 2004. The central image is surrounded by vignettes representing each year of Victoria's reign until 1896, the year of her Diamond Jubilee. These include: portraits of Prince Albert, Wellington, Disraeli, Dickens, W.C. Grace, Edwin Landseer; and others of the Queens favourites and buildings including St Paul's Cathedral, the Forth Railway Bridge and the Crystal Palce; and inventions including chlorogorm for surgery, dynamite, telephones and bicycles. Published 1898 by E E Leggatt, London, as part of the series of Christmas Cards publish from 1880 to 1909, then costing half-a-guinea each. An example exists in the collection of the British Museum following Edward Ernest Leggatts 1919 donation of a full set of the Christmas series to the museum.


Paintings | Places | Artist: Frank Paton | Yr: 1898 |
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Click to see full size: Early 19th century Irish landscape oil by James Arthur OConnor (Irish, 1792-1841)

11 ) Early 19th century Irish landscape oil by James Arthur OConnor (Irish, 1792-1841)
An early 19th century Irish landscape oil by James Arthur OConnor (Irish, 1792-1841). The reverse bears old label Connor (the Irish Claude). Irish, circa 1830.


Paintings | Places | Artist: James Arthur OConnor | Yr: 1830 |
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Click to see full size: Gouache and watercolour sketch of cattle / cows by a lakeside attributable to thomas sidney cooper cvo ra (english. 1803-1902)

12 ) Gouache and watercolour sketch of cattle / cows by a lakeside attributable to Thomas Sidney Cooper CVO RA (English, 1803 1902)
Gouache and watercolour sketch on buff paper of cattle / cows gathered by a lakeside attributable to Thomas Sidney Cooper CVO RA (English, 1803 1902)


Paintings | Farm Animal | Artist: Thomas Sidney Cooper |
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Click to see full size: A 19th century oil on panel of four goats

13 ) A Victorian oil on panel of four goats / kids.
A mid-19th century Victorian oil on panel of four goats / kids. Indistinguishable signature bottom right. Circa 1850


Paintings | Farm Animal | Yr: 1830 |
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Click to see full size: Royal Mail coaching oil by John Charles Maggs (English, 18191896)

14 ) Royal Mail coaching oil by John Charles Maggs (English, 1819 - 1896)
An oil on canvas of a Royal Mail coach laden with passengers and luggage stopping at "Ye Old Hat Whitbread's Entire" by John Charles Maggs (English, 1819 - 1896). The coach wearing the correct Royal Mail livery, black with red door and lower panels, and Post Office red wheels. The original "Old Hat" was on the Uxbridge Road, Ealing, W13, the public house was Flynn's, after a period as the Walsingham Arms. Signed bottom left Signed "J. C. Maggs". English, circa 1880.


Paintings | Other | Artist: John Charles Maggs | Yr: 1880 |
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Click to see full size: Oil on canvas of horses, mares and foals by Wright Barker

15 ) Oil on canvas of horses, mares and foals by Wright Barker RBA (English, 1864 - 1941)
Oil on canvas of horses, mares and foals in rolling English countryside by Wright Barker RBA (English, 1864 - 1941) Signed bottom left "Wright Barker". English, circa 1900. A similar large oil on canvas of mares and foals by the artist titled "Wright Barker The Beeches Ollerton Newark" was sold at Christies New York, 30th May 2002. This could be the same location


Paintings | Horse | Artist: Wright Barker | Yr: 1900 |
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Click to see full size: A still life in watercolour by Miss Audrey W. Bacon

16 ) A still life in watercolour by Miss Audrey W. Bacon (English, exh, 1940)
A still life in watercolour of mixed flowers in Japanese vase surrounded by objet including Japanese inro, by Miss Audrey W. Bacon (English, exh, 1940). Signed bottom right A. W. BACON. Englsh, circa 1920s. Miss Audrey W. Bacon exhibited one work at the Royal Academy.


Paintings | Other | Artist: Audrey W Bacon | Yr: 1920 |
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Click to see full size: A still life in oil by Arthur Sheppard

17 ) A still life in oil by Arthur Sheppard (English, exh. 1923)
A still life in oil on Winsor and Newton canvas of Blue Chrysanthemums in a terracotta jug standing on a window ledge by Arthur Sheppard (English, exh. 1923). Signed bottom left A SHEPPARD. English circa 1930 To the reverse stamped "No. 1 ...... canvas made by Winsor and Newton Ltd. Arthur Sheppard was from England and painted in San Francisco, and Los Angeles. He exhibited one work at the Royal Academy. He also painted for the film industry.


Paintings | Other | Artist: Arthur Sheppard | Yr: 1930 |
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Click to see full size: An oil of walled garden and pool scene by Philip Eustace Stretton

18 ) An oil of walled garden and pool scene by Philip Eustace Stretton (18651919)
An oil of walled garden and pool scene by Philip Eustace Stretton (18651919)


Paintings | Places | Artist: Philip Eustace Stretton |
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Click to see full size: Oil on canvas of an oxen

19 ) Oil on canvas of an oxen
Oil on canvas of the Durham Ox famous in the early 19th century for its shape, size and weight, and a early example of the Shorthorn breed of cattle. The Durham Ox was born in March 1796 and was bred by Charles Colling of Ketton Hall, Brafferton, near Darlington . In 1801 the ox was sold to John Day of Harmston, near Lincoln. Day renamed it the Durham Ox and had a carriage specially made to transport it, drawn by four horses. For the next five years it toured with him around England and Scotland, exhibited to the public at agricultural fairs and other events. It proved extremely popular. For most of 1802 the Durham Ox was on show in London. For more on the Durham ox See Farm Animal Portraits in Britain 1780-1900, by by Elspeth Moncrieff with Stephen and Joseph Iona published by the Antique Collectors' Club.


Paintings | Farm Animal |
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Click to see full size: A dry-point etching of

20 ) A dry-point etching of "Shaw's Bridge on the Lagan" by Robert Cresswell Boak, ARCA, FRSA (Irish, 1875-1945)
A dry-point etching artists proof of "Shaw's Bridge on the Lagan" near Belfast, County Antrim by Robert Cresswell Boak, ARCA, FRSA (Irish, 1875-1945). Title bottom left in pencil "Shaw's Bridge on the Lagan" and signed bottom right R Cresswell Boak, ARCA. Irish, circa 1920. Robert Creswell Boak was a prominent Irish artist of landscapes in the early 20th century. He was born at Letterkenny, County Donegal, Ireland in 1875, and studied at Londonderry School of Art, Glasgow School of Art, The Royal Cambrian Academy, and also in Paris and Rome. He Exhibited at the R.A., R.H.A., R.Cam.A, and in the Provinces. He was elected A.R.C.A. in 1930. He also lived in Belfast and later in London.-


Paintings | Places | Artist: Robert Cresswell Boak, | Yr: 1920 |
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Click to see full size: Lake District print after Bernard Eyre Walker

21 ) Lake District print after Bernard Eyre Walker A.R.E., S.G.A (English, 1887 - 1972)
Lake District print after Bernard Eyre Walker A.R.E., S.G.A (English, 1887 - 1972). Signed and dated bottom left B Eyre Walker 1945


Paintings | Places | Yr: 1945 |
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Click to see full size: This is a sold item and has been left in the Public Domain for research purposes. Images are available for public use with an acknowledgement to www.hamsheregallery.com

22 ) An oil of a cockerel by Charles Emile Jacque (French, 1813 - 1894)
An oil of a cockerel by Charles Emile Jacque (French, 1813 - 1894). Signed bottom right Ch Jacque. French circa 1880.


Paintings | Farm Animal | Artist: Charles Jacques | Yr: 1880 |
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Click to see full size: Young donkey aquatint dry-point etching by Kurt Meyer Eberhardt

23 ) Young donkey aquatint dry-point etching by Kurt Meyer Eberhardt (German, 1895 - 1957).
Aquatint dry-point etching of a standing young donkey by Kurt Meyer Eberhardt (German, 1895 - 1957). Signed in the margin in pencil bottom right "K M Eberhardt". German circa 1925.


Paintings | Farm Animal | Artist: Kurt Meyer Eberhardt | Yr: 1925 |
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Click to see full size: A watercolour of the Queens Head, Mortlake by

24 ) A watercolour of the Queens Head, Mortlake by
A watercolour of the Queens Head, on the Thames at Mortlake by The Queens Head was situated on Mortlake High Street, built on land once forming the Mortlake Tapestry Works from The public house sign Queens Head John Firmston gives the name of the Licensed Victualler who is recorded with a license from between 1871 to 1878. Another sign reads Phillips & Wigans Entire Fine Old Ales. Charles James Philips and James Wigan were the owners of the local Mortlake Brewey since the 1840s, later acquired in 1889 by James Watney & Co. The Queens Head closed in the 1940s.


Paintings | Places |
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Click to see full size: Watercolour of a hare by Frank Paton

25 ) Watercolour of a hare by Frank Paton (English, 1856-1909)
Watercolour of a running hare by Frank Paton (English, 1856-1909). Signed and dated bottom right Frank Pattern 1900


Paintings | Rabbit | Artist: Frank Paton | Yr: 1900 |
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