Hamshere Gallery - Specialists in Canine & Sporting Antiques

 
 

Medium - Paintings

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Click to see full size: Mallards / ducks etching by George Vernon Stokes RA

1 ) Mallards / ducks etching by George Vernon Stokes RA (English, 1873-1954)
An artist proof limited edition coloured dry-point etching of Wild Ducks & Drakes” by George Vernon Stokes, RA (English, 1873-1954). Coloured dry-point limited edition of 75, signed in pencil in the margin, “G Vernon Stokes”, and numbered “44/75”. The reverse bears gallery label “David C. Brown Fine Art Dealer 482 Sauchiehall Street, Glasgow, C.2” and is inscribed in ink “Signed Proof Etching “Wild Duck & Drake” by G. Vernon Stokes”. English, circa 1930.


Paintings | Farm Animal | Artist: George Vernon Stokes | Yr: 1930 |
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Click to see full size:  A watercolour on buff paper of three Mallards / ducks and drake taking flight from a reed bed by Reuben Ward Binks

2 ) A watercolour on buff paper of three Mallards / ducks and drake taking flight from a reed bed by Reuben Ward Binks (1880 - 1950)
A watercolour on buff paper of three Mallards / ducks and drake taking flight from a reed bed by Reuben Ward Binks (1880 - 1950). Dedicated in ink to the reverse and dated “24th November 1921”. English 1921.


Paintings | Farm Animal | Artist: Reuben Ward Binks | Yr: 1921 |
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Click to see full size:  Watercolour of Mallards / ducks in flight by Thomas Blinks

3 ) Watercolour of Mallards / ducks in flight by Thomas Blinks (English, 1860-1912)
A watercolour on buff paper of three Mallards / ducks and drake in flight by Thomas Blinks (English, 1860-1912). Signed bottom left “T Blinks”. English, circa 1890.


Paintings | Farm Animal | Artist: Thomas Blinks | Yr: 1890 |
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Click to see full size: A pencil study of tiger’s paws and a tiger by Sir Edwin Henry Landseer R.A. Trafalgar Square

4 ) A pencil study of tiger’s paws and a tiger by Sir Edwin Henry Landseer R.A. (1802-1873)
An outline study of a tiger drawn beneath a more detailed study of tigers paws worked in pencil by Sir Edwin Henry Landseer R.A. (1802-1873). Edwin Landseer was drawing tigers and lions at the early age of nine. The reverse bears label for Watling Street Galleries. English, circa 1820. Provenance: - Watling Street Galleries, 116 Watling Street East, Towcester, Northamptonshire


Paintings | Other | Artist: Sir Edwin Landseer RA | Yr: 1820 |
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Click to see full size:    “The Wolf” a pencil study by Sir Edwin Henry Landseer R.A.

5 ) “The Wolf” a pencil study by Sir Edwin Henry Landseer R.A. (1802-1873)
A pencil study of a recumbent wolf by Sir Edwin Henry Landseer R.A. (1802-1873). Titled “The Wolf”. The reverse bears “Thos. Agnew & Sons Ltd” label “No. 24116” “London 43, Old Bond Street, Piccadilly, W”. Then a further typed label “Sir E. Landseer R.A. 1802-1873 “The Wolf” “. English, circa 1820. Provenance: - Thomas Agnew and Sons No 25348


Paintings | Other | Artist: Sir Edwin Landseer RA | Yr: 1820 |
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Click to see full size: A pencil study of a Bruges lady by Sir Edwin Henry Landseer R.A.

6 ) A pencil study of a Bruges lady by Sir Edwin Henry Landseer R.A. (1802-1873)
A pencil study of a cottage girl seated on a low wall by Sir Edwin Henry Landseer R.A. (1802-1873). The reverse bears “Thos. Agnew & Sons Ltd” label “No. 24116” “London 43, Old Bond Street, Piccadilly, W”. Then a further typed label “Sir E. Landseer R.A. (1802-1873) “A Peasant Women Bruges” From a sketch-book”. Circa 1835 Landseer painted Louisa, Marchinoness of Abercorn (1812-1905) as a ‘cottage girl’ in similar attire. Peasant women were not an unfamiliar subject by Landseer there are several such drawings in The Royal Collection. English, circa 1830. Provenance: - Thomas Agnew and Sons No 24116


Paintings | Other | Artist: Sir Edwin Landseer RA | Yr: 1830 |
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7 ) Oil of three pigs / sows by George Morland (English, 1763-1804).
An oil on canvas of pigs / hogs in a barn by George Morland (English, 1763-1804). Signed bottom left “G Morland”.


Paintings | Other | Artist: George Morland |
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8 ) Cock & hen pheasant oil by Brian M Wiggers, (English, late 20th century)
Oil on paper of a cock and hen pheasant in snow landscape by Brian M Wiggers, (English, late 20th century). Signed bottom left “Brian M Wiggers”. He is represented in the Witt Library, London. Circa, 1970.


Paintings | Other | Yr: 1970 |
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9 ) Mid 19th century English Bristol London Royal Mail coaching oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of the Bristol London Royal Mail passing seated pipe smoker, in heathland setting, approaching town in the distance by Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the name of the town at the start and end of the coach's route “Bristol London”. Signed with discreet monogram to one of the trunks on the roof "CH". English, circa 1850.


Paintings | Other | Artist: Charles Cooper Henderson | Yr: 1850 |
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10 ) Mid 19th century English Stroud London Royal Mail coaching oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of the Stroud London Royal Mail meeting a returning coach by Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the name of the town at the end of the coach's route “Stroud London”. Signed with discreet monogram on a passing rock "CH". "R. and A. Ackermann” label to the reverse. Cooper Henderson had a long association with Ackermann. English, circa 1850.


Paintings | Coaching | Artist: Charles Cooper Henderson | Yr: 1850 |
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11 ) Pen and ink drawing of ‘The Exhibition of Hayter's picture of The Trial of Queen Caroline’ by Sir Edwin Landseer R.A. (English, 1802-1873)
A pen and ink drawing of ‘The Exhibition of Hayter's picture of The Trial of Queen Caroline’ by Sir Edwin Landseer R.A. (English, 1802-1873). The 'trial' of Queen Caroline in 1820 was not technically a trial but a parliamentary debate on a bill designed to grant the King a divorce. Sir George Hayter (1792 – 1871) was a notable English painter, specialising in portraits. Landseer had known George and his brother John since childhood and both contributed major historical paintings to the Duke of Bedford’s gallery at Woburn Abbey. Today Sir George’s painting can be seen in the National Portrait Gallery.


Paintings | Other | Artist: Sir Edwin Landseer RA | Yr: 1820 |
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12 ) A 19th century oil of a standing boy feeding his caged canary
A 19th century oil of a standing boy in an interior feeding his caged canary. Monogrammed bottom left.


Paintings | Birds |
Price:

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13 ) Fish / Dover sole oil by Sir Edwin Henry Landseer RA (British, 1802-1873)
Oil still life study of three fish / Dover Sole placed on a dish by Sir Edwin Henry Landseer (English, 1802-1873). Bears inscription to the reverse, stating the study was a gift to the artist’s host. English, circa 1830.


Paintings | Other | Artist: Sir Edwin Landseer RA | Yr: 1830 |
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14 ) Watercolour of a Paul Ernest Boniface de Castellane, Marquis de Castellane (1867-1932) by Charles Ferdinand de Condamy (1855 - 1913)
Humorist watercolour by the famous French canine artist Charles Ferdinand de Condamy (1855 - 1913) of Paul Ernest Boniface de Castellane, Marquis de Castellane (1867-1932). Signed bottom right “F de C”. French, circa 1900.


Paintings | Other | Artist: Charles Ferdinand de Condamy | Yr: 1900 |
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15 ) Humorist watercolour of a by Charles Ferdinand de Condamy (1855 - 1913)
Humorist watercolour by the famous French canine artist Charles Ferdinand de Condamy (1855 - 1913). A companion work to that of Paul Ernest Boniface de Castellane, Marquis de Castellane (1867-1932). Possibly of Castellane’s friend, Cornelis Theodorus Maria 'Kees' van Dongen (Dutch, 1877 – 1968). Signed bottom right “F de C”. French, circa 1900.


Paintings | Other | Artist: Charles Ferdinand de Condamy | Yr: 1900 |
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16 ) “Children of the Mist” by Sir Thomas Landseer ARA (English, 1795-1880), after Sir Edwin Henry Landseer (English 1802 – 1873).
“Children of the Mist” engraved by Sir Thomas Landseer ARA (English, 1795-1880), after Sir Edwin Henry Landseer (English 1802 – 1873). Alerted stag and hinds scenting danger in misty moorland setting from the painting of 1853 by Edwin Landseer at the Royal Academy 1835. A mixed method stipple engraving etching published signed in pencil.


Paintings | Other | Artist: Thomas Landseer | Yr: 1853 |
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Click to see full size: Snipe studies by Boris Stefanovitch Riabouchinsky (French, 1898-1975)

17 ) Snipe studies by Boris Stefanovitch Riabouchinsky (French, 1898-1975)
Studies by Boris Stefanovitch Riabouchinsky (French, 1898-1975). Lettered top right "Copyright by Ch. Ducher et Cie. 35 Ave de l'Opera, Paris, No. 741" Posthumously signed in pencil bottom left "B Riab". This re-strike appears in the reprint catalogues appendix to "Riab" by Docteur Jacques Bourdon. French, circa 1980.


Paintings | Other | Artist: Boris Stefanovitch Riabouchinsky | Yr: 1980 |
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Click to see full size: Recollections of a Record Reign dry point etching of Poodle, English Bulldog, Scottish Terrier and Irish Terrier by Frank Paton (English, 1856-1909)

18 ) "Recollections of a Record Reign" dry point etching of a coach passing through Temple Bar, London by Frank Paton (English, 1856-1909)
An artist proof dry point etching titled "Recollections of a Record Reign" by Frank Paton (English, 1856-1909). A coach passing through Temple Bar, London. It had been dismantled very carefully in 1878 and was rebuilt in Paternoster Square in 2004. The central image is surrounded by vignettes representing each year of Victoria's reign until 1896, the year of her Diamond Jubilee. These include: portraits of Prince Albert, Wellington, Disraeli, Dickens, W.C. Grace, Edwin Landseer; and other's of the Queens favourites and buildings including St Paul's Cathedral, the Forth Railway Bridge and the Crystal Palce; and inventions including chlorogorm for surgery, dynamite, telephones and bicycles. Published 1898 by E E Leggatt, London, as part of the series of Christmas Cards publish from 1880 to 1909, then costing half-a-guinea each. An example exists in the collection of the British Museum following Edward Ernest Leggatt's 1919 donation of a full set of the Christmas series to the museum.


Paintings | Places | Artist: Frank Paton | Yr: 1898 |
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Click to see full size: Early 19th century Irish landscape oil by James Arthur OConnor (Irish, 1792-1841)

19 ) Early 19th century Irish landscape oil by James Arthur OConnor (Irish, 1792-1841)
An early 19th century Irish landscape oil by James Arthur OConnor (Irish, 1792-1841). The reverse bears old label Connor (the Irish Claude). Irish, circa 1830.


Paintings | Places | Artist: James Arthur OConnor | Yr: 1830 |
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Click to see full size: Gouache and watercolour sketch of cattle / cows by a lakeside attributable to thomas sidney cooper cvo ra (english. 1803-1902)

20 ) Gouache and watercolour sketch of cattle / cows by a lakeside attributable to Thomas Sidney Cooper CVO RA (English, 1803 1902)
Gouache and watercolour sketch on buff paper of cattle / cows gathered by a lakeside attributable to Thomas Sidney Cooper CVO RA (English, 1803 1902)


Paintings | Farm Animal | Artist: Thomas Sidney Cooper |
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Click to see full size: A 19th century oil on panel of four goats

21 ) A Victorian oil on panel of four goats / kids.
A mid-19th century Victorian oil on panel of four goats / kids. Indistinguishable signature bottom right. Circa 1850


Paintings | Farm Animal | Yr: 1830 |
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Click to see full size: Royal Mail coaching oil by John Charles Maggs (English, 18191896)

22 ) Royal Mail coaching oil by John Charles Maggs (English, 1819 - 1896)
An oil on canvas of a Royal Mail coach laden with passengers and luggage stopping at "Ye Old Hat Whitbread's Entire" by John Charles Maggs (English, 1819 - 1896). The coach wearing the correct Royal Mail livery, black with red door and lower panels, and Post Office red wheels. The original "Old Hat" was on the Uxbridge Road, Ealing, W13, the public house was Flynn's, after a period as the Walsingham Arms. Signed bottom left Signed "J. C. Maggs". English, circa 1880.


Paintings | Other | Artist: John Charles Maggs | Yr: 1880 |
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Click to see full size: Oil on canvas of horses, mares and foals by Wright Barker

23 ) Oil on canvas of horses, mares and foals by Wright Barker RBA (English, 1864 - 1941)
Oil on canvas of horses, mares and foals in rolling English countryside by Wright Barker RBA (English, 1864 - 1941) Signed bottom left "Wright Barker". English, circa 1900. A similar large oil on canvas of mares and foals by the artist titled "Wright Barker The Beeches Ollerton Newark" was sold at Christies New York, 30th May 2002. This could be the same location


Paintings | Horse | Artist: Wright Barker | Yr: 1900 |
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Click to see full size: A still life in watercolour by Miss Audrey W. Bacon

24 ) A still life in watercolour by Miss Audrey W. Bacon (English, exh, 1940)
A still life in watercolour of mixed flowers in Japanese vase surrounded by objet including Japanese inro, by Miss Audrey W. Bacon (English, exh, 1940). Signed bottom right A. W. BACON. Englsh, circa 1920s. Miss Audrey W. Bacon exhibited one work at the Royal Academy.


Paintings | Other | Artist: Audrey W Bacon | Yr: 1920 |
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Click to see full size: A still life in oil by Arthur Sheppard

25 ) A still life in oil by Arthur Sheppard (English, exh. 1923)
A still life in oil on Winsor and Newton canvas of Blue Chrysanthemums in a terracotta jug standing on a window ledge by Arthur Sheppard (English, exh. 1923). Signed bottom left A SHEPPARD. English circa 1930 To the reverse stamped "No. 1 ...... canvas made by Winsor and Newton Ltd. Arthur Sheppard was from England and painted in San Francisco, and Los Angeles. He exhibited one work at the Royal Academy. He also painted for the film industry.


Paintings | Other | Artist: Arthur Sheppard | Yr: 1930 |
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