1 ) A pair of snow scene carriage / coaching / four-in- hand oils by Henry Thomas Alken Snr. (English, 1785 – 1851)
A pair of oils depicting Royal Mail coaches in snowy landscapes by Henry Thomas Alken Snr. (English, 1785 – 1851). The fully-laden coaches wear the correct Royal Mail livery, black with red doors and lower panels, Post Office-red wheels, and The Royal Coat of Arms on the door with the name of the town at the end of the coach’s route.

2 ) A pencil drawing of a Donkey by Christopher Gifford Ambler (English, 1886-1965)
Pencil drawing on paper of a standing donkey by Christopher Gifford Ambler (English, 1886-1965). Signed bottom right "C Ambler". English, circa 1940’s.

3 ) A still life in watercolour by Miss Audrey W. Bacon (English, exh, 1940)
A still life in watercolour of mixed flowers in Japanese vase surrounded by objet including Japanese inro, by Miss Audrey W. Bacon (English, exh, 1940). Signed bottom right “A. W. BACON”. Englsh, circa 1920’s. Miss Audrey W. Bacon exhibited one work at the Royal Academy.

4 ) “Say Good Night!” Groupil & Co photogravure of Princess Margaret and Prince Arthur as Princess and Prince of Connaught, published by B. Brooks & Sons after Charles Burton Barber (English, 1845-1894)
“Say Good Night!” a rare signed artist proof, Groupil & Co photogravure of Princess Margaret and Prince Arthur as Princess and Prince of Connaught, published by B. Brooks & Sons, after Charles Burton Barber (English, 1845-1894). The Princess, to the left, pictured standing holding a doll in right hand, with left hand extended towards her brother, Prince Arthur who pets a one of the Queen Victoria’s Collies. With a Terrier to the right and a toy horse on wheels to the left, within the Queen’s sitting-room. Signed bottom left “Burton Barber”. Lettered “London Published June 1st 1886 by B. Brooks & Sons, 171 Strand”. English 186

5 ) Oil on canvas of horses, mares and foals by Wright Barker RBA (English, 1864 - 1941)
Oil on canvas of horses, mares and foals in rolling English countryside by Wright Barker RBA (English, 1864 - 1941) Signed bottom left "Wright Barker". English, circa 1900. A similar large oil on canvas of mares and foals by the artist titled "Wright Barker The Beeches Ollerton Newark" was sold at Christies New York, 30th May 2002. This could be the same location

6 ) Portrait of a Young Girl.
Portrait of a young girl. Oil on canvas by Sir. William Beechy (1753 - 1839). Possibly a portrait of Catherine Oddey (1786 - 1882). SOLD

7 ) Watercolour of Wastwater and Great Gable by Reuben Ward Binks (English, 1880-1950)
Watercolour on card of head of Wastwater and Great Gable by Reuben Ward Binks (1880-1950). The head of the Wasdale Valley is surrounded by some of the highest mountains in England, including Scafell Pike, Great Gable and Lingmell. Unsigned. Ward Binks is best known for his canine works but retained a studio in Appleby, Westmorland, where he much time in his beloved Lake District and eventually retired.

8 ) Watercolour of Lake District village by Reuben Ward Binks (English, 1880-1950)
Watercolour of a Lake District village by Reuben Ward Binks (1880-1950). Unsigned. Ward Binks is best known for his canine works but retained a studio in Appleby, Westmorland, where he much time in his beloved Lake District and eventually retired.

9 ) A watercolour on buff paper of three Mallards / ducks and drake taking flight from a reed bed by Reuben Ward Binks (1880 - 1950)
A watercolour on buff paper of three Mallards / ducks and drake taking flight from a reed bed by Reuben Ward Binks (1880 - 1950). Dedicated in ink to the reverse and dated “24th November 1921”. English 1921.

10 ) Watercolour on paper hunting scene by Thomas Blinks (1860-1912)
Watercolour on paper hunting scene by Thomas Blinks (1860-1912). Signed and dated "Thomas Blinks 1890", further titled "No 2 Holward" "He is determined to have a good stat". Circa 1890.

11 ) Watercolour of Mallards / ducks in flight by Thomas Blinks (English, 1860-1912)
A watercolour on buff paper of three Mallards / ducks and drake in flight by Thomas Blinks (English, 1860-1912). Signed bottom left “T Blinks”. English, circa 1890.

12 ) A dry-point etching of "Shaw's Bridge on the Lagan" by Robert Cresswell Boak, ARCA, FRSA (Irish, 1875-1945)
A dry-point etching artist’s proof of "Shaw's Bridge on the Lagan" near Belfast, County Antrim by Robert Cresswell Boak, ARCA, FRSA (Irish, 1875-1945). Title bottom left in pencil "Shaw's Bridge on the Lagan" and signed bottom right “R Cresswell Boak, ARCA”. Irish, circa 1920. Robert Creswell Boak was a prominent Irish artist of landscapes in the early 20th century. He was born at Letterkenny, County Donegal, Ireland in 1875, and studied at Londonderry School of Art, Glasgow School of Art, The Royal Cambrian Academy, and also in Paris and Rome. He Exhibited at the R.A., R.H.A., R.Cam.A, and in the Provinces. He was elected A.R.C.A. in 1930. He also lived in Belfast and later in London.-

13 ) 19th century oil of Hackney Carriage horses by Albert Clark (English, 1843 – 1892)
A 19th century oil on canvas of a pair of harnessed Hackney Carriage horses and terrier within a stable yard Albert Clark (English, 1843 – 1892). The horse wearing bridle, collar,saddle, bellyband all highly decorated with gilt fittings. Signed, in red, bottom left. English, circa 1860. Albert Clark was regularly commissioned to produce paintings of race horses, shire horse and such carriage horses. As a London equestrian and local to the Islington Agricultural Hall, Albert Clark also had the accolade of producing portraits for the Islington Horse Show prize winners.

14 ) Humorist watercolour of a by Charles Ferdinand de Condamy (1855 - 1913)
Humorist watercolour by the famous French canine artist Charles Ferdinand de Condamy (1855 - 1913). A companion work to that of Paul Ernest Boniface de Castellane, Marquis de Castellane (1867-1932). Possibly of Castellane’s friend, Cornelis Theodorus Maria 'Kees' van Dongen (Dutch, 1877 – 1968). Signed bottom right “F de C”. French, circa 1900.

15 ) Watercolour of a Paul Ernest Boniface de Castellane, Marquis de Castellane (1867-1932) by Charles Ferdinand de Condamy (1855 - 1913)
Humorist watercolour by the famous French canine artist Charles Ferdinand de Condamy (1855 - 1913) of Paul Ernest Boniface de Castellane, Marquis de Castellane (1867-1932). Signed bottom right “F de C”. French, circa 1900.

16 ) Gouache and watercolour sketch of cattle / cows by a lakeside attributable to Thomas Sidney Cooper CVO RA (English, 1803 – 1902)
Gouache and watercolour sketch on buff paper of cattle / cows gathered by a lakeside attributable to Thomas Sidney Cooper CVO RA (English, 1803 – 1902)

17 ) Girl in landscape by Rev.William Deey (fl.1829-1874)
Oil on canvas of young girl in landscape in green velvet hat and silk dress holding her hula hoop, by Rev.William Deey (fl.1829-1874)

18 ) Young Roe Deer etching by artist Kurt Meyer-Eberhardt (German, 1895 - 1977)
Young Roe Deer etching by artist Kurt Meyer-Eberhardt (German, 1895 - 1977). Etching on paper, signed in pencil "Kert Meyer-Eberhardt", published by Hanfstaengl Munich. SOLD

19 ) Young donkey aquatint dry-point etching by Kurt Meyer Eberhardt (German, 1895 - 1957).
Aquatint dry-point etching of a standing young donkey by Kurt Meyer Eberhardt (German, 1895 - 1957). Signed in the margin in pencil bottom right "K M Eberhardt". German circa 1925.

20 ) Oil on canvas of a Lady by Edouard Bisson (French 1856-1939)
Oil on canvas of a Lady by Edouard Bisson (French 1856-1939). SOLD

21 ) 20th century white faïence / terracotta boar tureen by Jean-Paul Gourdon, (French, b. April 1956)
A 20th century white faïence / terracotta recumbent boar tureen by Jean-Paul Gourdon, (French, b. April 1956) from Puymiclan, Marmandais. The boar sits on a bed of oak leaves and acorn, boar images around the side.

22 ) Mid 19th century English Stroud London Royal Mail coaching oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of the Stroud London Royal Mail meeting a returning coach by Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the name of the town at the end of the coach's route “Stroud London”. Signed with discreet monogram on a passing rock "CH". "R. and A. Ackermann” label to the reverse. Cooper Henderson had a long association with Ackermann. English, circa 1850.

23 ) Mid 19th century English Bristol London Royal Mail coaching oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of the Bristol London Royal Mail passing seated pipe smoker, in heathland setting, approaching town in the distance by Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the name of the town at the start and end of the coach's route “Bristol London”. Signed with discreet monogram to one of the trunks on the roof "CH". English, circa 1850.

24 ) Mid 19th century English Louth-London Royal Mail coaching oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of the Louth London Royal Mail coach crossing countryside by Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door. Signed with discreet monogram to one of the packages on the roof "CH". Complete in original Hay & Lyall gilt frame. The reverse bears the remnants of the framer’s label “Hay & Lyall, Decorators, Carvers, Gilders & Printsellers to the Queen, 73 Union Street Aberdeen, established 1811”. Hay received his Royal Appointment as Carver & Gilder to Queen Victoria at Aberdeen in 1846. English, circa 1850.

25 ) Mid 19th century night scene of a Royal Mail carriage / coaching / four-in- hand oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of a Royal Mail carriage progressing at speed at night by Charles Cooper Henderson (English, 1803-1877). The coach displays the correct Royal Mail livery with a black with red door and lower panels, Post Office-red wheels, and The Royal Coat of Arms on the door. Signed with a discreet monogram on one of the packages on the roof "CH". Complete in original Hay & Lyall gilt frame. The reverse bears the remnants of the framer’s label “Hay & Lyall, Decorators, Carvers, Gilders & Printsellers to the Queen, 73 Union Street Aberdeen, established 1811”. Hay received his Royal Appointment as Carver & Gilder to Queen Victoria at Aberdeen in 1846. English, circa 1850.