1 ) “La Foret” wrought iron fire screen by Edgar William Brandt (French, 1880 - 1960)
“La Foret” an elegant hammered and patinated black wrought iron fire screen with openwork decoration depicting leaping wild boar and dear amongst an interlacing foliage of oak leaves and acorns. The decoration edged by Brandt’s Assyrian scrollwork. Stamped “E Brandt”. French, circa 1925.

2 ) A very rare French, circa 1900, rose and elephant handled vase / jardinière by Alfred Broussillon (French, 1859-1922) for Limoges maker Jean Pouyat (French, 1835-1912)
A very rare French circa 1900 vase / jardinière by Alfred Broussillon (French, 1859-1922) for Limoges maker Jean Pouyat (French, 1835-1912). Profusely decorated with roses, gilt feet and gilt elephant head handles. Signed on the side “A Broussillon”. French, circa 1900.

3 ) Rare Japanese, Hokusai, inspired elephant handled vase, by Amédée de Caranza for Jules Vieillard & Cie, of Bordeaux.
Rare Japanese, Hokusai, inspired elephant handled vase, by Amédée de Caranza for Jules Vieillard & Cie. On a blie geometric ground, with central Hokusai inspire and two elephant head handles. The design is illustrated in Jacqueline du Pasquier 2015 book "Vieillard & Cie, Histoire de la faïencerie fine de Bordeaux", plate 111, on page 142. See also Bordeaux 1986, Musée des Arts Décoratifs, exhibition catalogue 'J. Vieillard & Cie. Eclectisme et Japonisme', edited by Jacqueline du Pasquier. A Hokusai plate is in the collection of the British Museum. French, circa 1880.

4 ) A 1930’s bronze Llama by Romano Espinoza Cáceda (Peruvian, 1898-1957) from B. Campaiola Foundry
A circa 1930’s bronze of a recumbent Llama by Romano Espinoza Cáceda (Peruvian, 1898-1957). Cast in the B. Campaiola Foundry in Lima, Peru. In 1937 he participated in the 1st Hall of the Independents of Lima in the Palace of the Exhibition of the Municipality of Lima, where he presented six sculptures, highlighting: Faun and Nymph, Llamas and Tapadas.

5 ) 19th century bronze boar by Alfred Dubucand (French, 1828 – 1894).
A fine 19th century bronze boar standing in long grass by Alfred Dubucand (French, 1828 – 1894). Signed “DUBUCAND”. French, circa 1880.

6 ) A fine quality boar head inkwell by Christophe Fratin (French, 1800-1864)
A fine quality boar head inkwell by Christophe Fratin (French, 1800-1864), complete with original bronze well. French, circa 1850.

7 ) A very fine mid-19th century, Victorian silver deer / stag salts by John Samuel Hunt, (English, 1785-1865)
A very fine set of silver stag salts by John Samuel Hunt (English, 1785-1865). The beautifully modelled stag is recumbent in a rocky outcrop between two gilt lined giant clam shells. Hunt was the renowned silversmith and nephew of the equally reputed silversmith Paul Storr. Assayed London, 1847, with Queen Victoria’ head certifying payment of duty, and bearing makers mark “JSH”. English, 1847S

8 ) An Art Nouveau stylised Borogove / boar jug / sauce boat by Mark V Marshall (English, 1843-1913) for Royal Doulton
An Art Nouveau stylised Borogove / boar stylised designed jug / sauce boat by Mark V Marshall (English, 1843-1913) for Royal Doulton Lambeth Ware. Glazed green, blue and ochre on a mushroom ground. Artist’s monogram “MVM” and factory mark to the base. English, circa 1881.

9 ) Early 20th Meiji period Japanese Buddha bronze by Harumine Tsukuru
Early 20th Meiji period Japanese Amida Buddha by Harumine signed "Harumine Tsukuru" (Made by Harumine). Possibly sold by “N. Nogawa, Manufacturers of bronze & Damascene Ware”.

10 ) A French musical pepper grinder with silver boar and pheasant detail.
A French musical pepper grinder with silver boar and pheasant detail. A rosewood French la chasse musical pepper grinder with silver mountings, including a boar's head spout and pheasant. The base with a wind up music box.

11 ) A Japanese Meiji period woven tapestry / textile of bijin and seated scholars within Gabriel Viardot (French, 1830-1906) dragon fire screen
A Japanese Meiji period woven tapestry / textile of a seated bijin with two seated scholars within elaborately carved Gabriel Viardot (French, 1830-1906) dragon fire screen. Japanese / French, circa 1890

12 ) Solid bronze Roman head studies/ busts with silver and gilt decoration
Solid bronze Roman head studies/ busts with silver and gilt decoration 1. Adriano 2.Antonino Pio 3. Augusto 4.Claudio 5.Commodo 6.Nerone 7.Settimio Severo 8.Tiberio 9.Tiberio 2 10.Vespasiano

13 ) Late 19th century three-fold screen with Japanese Yuzen Birodo (Yuzen-dyed cut velvet) and Art Nouveau beaded glass panels
Late 19th century three-fold screen with two Japanese Yuzen Birodo (Yuzen-dyed cut velvet) panels Mount Fuji and Lakeside scenes and three Art Nouveau beaded glass panels of flowering prunus.

14 ) Silver and horn caviar knife
Silver and horn caviar knife, assayed “925” Sheffield, dated 1918, with silversmith’s mark “PJM”. Possibly Peter Joseph Meek.

15 ) A 19th century blue and white Spode / Copeland & Garett New Blanche 'British Flowers' pattern dog bowl
A Spode / Copeland & Garett New Blanche 'British Flowers' patterndog bowl, printed in underglazed blue. The reverse bears blue printed and impressed backstamp 'Copeland & Garett New Blanche'. The 'British Flowers' pattern which Spode introduced 1828. New Blanche refers to the clay body type. Circa 1850

16 ) A Japanese Meiji period silk embroidery / textile of a river bank scene at Tamagawa near Tokyo
Japanese Meiji period silk embroidery of a river bank scene, at Tamagawa near Tokyo. Complete in original frame. The reverse bears ink label “Tamagawa Tokio”

17 ) A silver plated bon bon dish of a Bactrian camel Arab/camel handler
A silver plated bon bon dish, with a handle formed as a standing Bactrian camel with Arab/camel handler. English, circa 1880

18 ) Weir & Sons boxed set of George V silver boar menu holders by Adie Brothers Ltd.
A Weir & Sons of Dublin London boxed set of four silver menu holders of boar heads by Adie Brothers Ltd., of Birmingham. Each assayed Birmingham 1925, marked “A & Bros. Ltd” and to the base registered design number “75547”. Complete with original box marked “Weir & Sons 96 Grafton Street 1,2, & 3 Wicklow Street Dublin”. English 1925. Adie Brothers were a Birmingham firm of silversmiths with London premises. They were regular exhibitors, and these are possible the work of their chief designer Fernand Piret.

19 ) 1960's silver plated boar's head glass pitcher Jug by Valenti
A large spherical glass pitcher jug with a silver plated boar’s head. The head with glass inlaid eyes. Marked Valenti. Spanish, circa 1960.

20 ) A pair of 19th century French, ormolu and cut glass ram’s head, 'Ryhton' form cornucopia vases
A pair of 19th century French ormolu and cut glass ram’s head, 'Ryhton' form cornucopia vases. Each vase features hexagon cut glass issuing from a ormolu ram's head, on a white marble rectangular base. French circa 1850.

21 ) A 19th century cast iron and brass boar fireplace fender
A 19th century polished cast iron, adjustable fireplace fender. Each end is mounted with a seated boar. The boars are modelled on “Il Porcellino”, the famous boar in the bronze fountain in Florence. The frieze displays a pierced and scrolled cast decoration, a central motif of oak leaves and a number of vines and grapes applied in brass. French, circa 1880.

22 ) A pair early 19th century Ostrich bronze, ormolu cut glass candlesticks / sconces
A rare pair of Regency bronze candlesticks portraying ormolu standing Ostriches amongst scrolling leaf and flower bronze work. Ormolu sconces and canopy with rose decoration from which hangs cut glass prismatic drops. English, circa 1830.

23 ) A pair of 19th century French, 'Ryhton' form cornucopia opaline vases mounted into ormolu bronze boars
A pair of 19th century, French 'Ryhton' form cornucopia opaline glass vases, mounted into ormolu bronze boar’s heads, upon rectangular black marble bases. Each opaline vase is profusely decorated with gilt and polychrome oriental birds, foliage and flowers. Clearly inspired by the architect Alexandre-Théodore Brongniart's (French, 1739 –1813) ‘cornet’ Sevres vases with boars, which are now on display in the Louvre. Brongniart derived the shapes from ancient Rhyton drinking vessels; the ‘Rhyton’ form originates from the ancient Greeks, and forms s conical horn shape, typically formed in the shape of an animal's head. French, circa 1870.

24 ) A magnificent and rare pair of large Louis XVI style gilt and bronze 'Ryhton' form cornucopia boar chenets / firedogs after Alexandre-Théodore Brongniart (French, 1739 –1813)
A magnificent and rare pair of large Louis XVI (1754 –1793) style chenets / firedogs in gilt and bronze. The chenets depict 'Ryhton' form cornucopia with fruiting swags that wrap and fall at the back, and a boar's heads resting on bronze plinths, with a gilt frieze. After architect Alexandre-Théodore Brongniart (French, 1739 –1813), whose son Alexandre Brongniart became a respected director of the Louvre. The Louvre has a pair of Sevres/Sèvres vases by Alexandre-Théodore Brongniart of similar form and shape, said to be the most astonishing pieces created in Sèvres during the First Empire. Brongniart derived the shapes from ancient Rhyton drinking vessels. The ‘Ryhton’ form originates from the ancient Greeks, a conical horn shape, typically formed into the shape of an animal's head. French, circa 1860.

25 ) Late 19th, French bronze and ormolu pair of elephant candelabra / candlesticks
A pair of late French candelabra / candlesticks of kneeling elephants on ormolu bamboo stands, holding leaf decorated sconces with internal drip trays. French, circa 1880.