26 ) The artist’s Pug “Annabel” looking at "Annabel at Three Months”, an oil titled “Her Portrait” by 'Henry Koehler (American, b1927)
“Annabel” looking at "Annabel at Three Months", an oil on canvas on panel board, of the artist’s Pug by 'Henry Koehler (American, b1927). Signed 'Henry Koehler' lower left. Then titled, dated and inscribed in ink on the reverse, “Her Portrait ©Henry Koehler 1985 Oil on canvas on panel 12 x 18” (Annabel looking at "Annabel at Three Months”)”. American, 1985.

27 ) The artist’s Pug “Oliver”, an oil titled “The New Basket” by Henry Koehler (American, b1927)
"The New Basket”, an oil on canvas, of the artist’s Pug at rest in his new basket by 'Henry Koehler (American, b1927). Signed 'Henry Koehler' lower right. Then titled, dated and inscribed in ink on the reverse, “The New Basket ©Henry Koehler 1991 Oil on Canvas 11 x 14” (Oliver)”. American, 1991.

28 ) The artist’s Pugs Anabel and Oliver, an oil titled “Winter Sun” by Henry Koehler (American, b1927)
“Winter Sun”, an oil on canvas on panel, of the artist’s Pugs Anabel and Oliver at rest in front of another Koehler oil by 'Henry Koehler (American, b1927). Signed 'Henry Koehler' lower right. Then titled, dated and inscribed in ink on the reverse, “Winter Sun © Henry Koehler 1984 oil on canvas on panel 11 x 14” (Anabel & Oliver, Southampton)”. American, 1984.

29 ) The artist’s Pugs Anabel and Oliver, an oil titled “Papa's Slippers” by Henry Koehler (American, b1927)
Papa's Slippers, an oil on canvas on panel, of the artist’s Pugs Anabel and Oliver attending Koehler’s slippers by Henry Koehler (American, b1927). Signed 'Henry Koehler' lower right. Then titled, dated and inscribed in ink on the reverse, “Papa's Slippers © Henry Koehler 1985 oil on wood panel 12¼ x 11¼ (Anabel & Oliver). American, 1985.

30 ) A watercolour the Pekingese Chu-Erh by Reuben Ward Binks (English, 1880 - 1950)
A watercolour with heightening of the Pekingese Chu-Erh standing in an interior setting by Reuben Ward Binks (English, 1880 - 1950). Titled bottom left “CHU-ERH of TRAFFORD”. Signed and dated bottom right "R Ward Binks 1922". The reverse bears label “E. H. WHITE PRINTSELLER RESTORERS PICTURE FRAME MAKERS & GUILDER 35 BEDFORD STREET LEAMINGTON SPA”. English 1922.

31 ) The Duke of Portland Clumber Spaniels at Welbeck Abbey by Benedict Angell Hyland (English, 1859-1933)
The Duke of Portland Clumber Spaniels in the kennels at Welbeck Abbey by Benedict Angell Hyland (English, 1859-1933). Signed and dated 1884.

32 ) Gouache of the Maltese Champion Triogen ‘Toppet’French by Bridget P. Olerenshaw (English, d.1989)
Gouache of the Maltese Champion Triogen Toppet standing in show pose by Bridget P. Olerenshaw (English, d.1989). Signed and dated bottom right "B.P.Olerenshaw ‘67".and titled in the centre ‘CH TRIOGEN TOPPET’. The reverse bears the label “ “CANINE PORTRIATS” Mrs. Bridget P. Olerenshaw, 118, London Road, Amesbury, Wilts.” English 1967.

33 ) 19th century oil of the Maltese dogs Carmen, Gib & Moralès by Louis Eugène Cambert (French, 1825-1900)
An oil of head studies of three Maltese dogs, titled ‘Carmen’, ‘Gib’ and ‘Moralès’ by Louis Eugène Cambert (French, 1825-1900). Signed lower right, dedicated: "à mon ami X de Montepin" and dated ‘1862’. French, 1862.

34 ) Ink with heightening on paper of English Pointers by Arthur Wardle RI RBC PS (1864-1949)
A ink drawing with white heightening on buff paper of two English Pointers, one orange and white, standing in a grass moor, by Arthur Wardle RI RBC PS (1864-1949). Signed bottom middle, in ink, “Arthur Wardle”. English, circa 1900.

35 ) Ink with heightening on paper of Belton English Setters by Arthur Wardle RI RBC PS (1864-1949)
A ink drawing with white and orange heightening on buff paper of two Belton English Setters, standing in a grass moor, by Arthur Wardle RI RBC PS (1864-1949). Signed bottom middle, in ink, “Arthur Wardle”. English, circa 1900.

36 ) Ink with heightening on paper of Black and White Scottish Terrier by Arthur Wardle RI RBC PS (1864-1949)
A ink drawing with white heightening on buff paper of two inquisitive Scottish Terriers, one Black, one White, and a curled hedgehog by Arthur Wardle RI RBC PS (1864-1949). Signed bottom middle, in ink, “Arthur Wardle”. English, circa 1900.

37 ) Ink with heightening on paper of a tri-colour Smooth-haired Fox Terrier by Arthur Wardle RI RBC PS (1864-1949)
A ink drawing with on buff paper of a fine tri-colour Smooth-haired Fox Terrier, with white and tan heightened coat, standing over a riding crop by Arthur Wardle RI RBC PS (1864-1949). Signed to the right, in ink, “Arthur Wardle”. English, circa 1900.

38 ) Ink with heightening on paper of an Irish Terrier by Arthur Wardle RI RBC PS (1864-1949)
A ink drawing with on buff paper of a fine Irish Terrier, with red heightened coat, standing over a riding crop by Arthur Wardle RI RBC PS (1864-1949). Signed bottom middle, in ink, “Arthur Wardle”. English, circa 1900.

39 ) An oil a lady, her hunter and Bichon by Charles Augustus Henry Lutyens RA (English, 1829-1915
An oil on Wood & Co canvas of a lady, her hunter and Bichon by Charles Augustus Henry Lutyens RA (English, 1829-1915). Signed bottom left “C Lutyens” and dated “79”. The canvas stencilled to the reverse “ WOOD & Co - 190 - BROMPTON ROAD / LONDON S.W.’”. Then a partly legible label to the reverse reads “3rd daughter of Lawrence …” English 1879.

40 ) “Micky” Irish Wolfhound dry-point etching by Cecil Charles Windsor Aldin RBA (English, 1870-1935)
“Micky”, a dry-point etching of the artist’s Irish Wolfhound, his head over the sofa by Cecil Charles Windsor Aldin RBA (English, 1870-1935). Numbered in the margin, in pencil, bottom left, “27/100” and signed bottom right “Cecil Aldin”. The reverse base label “Original Etching Irish Wolfhound Herbert Dicksee R.E. The Horner Galleries (F.J.Horner) THE CATHEDRAL CORNER 2, Church Street, Sheffield Telephone 26214 Established in 1886.English, circa 1925.

41 ) An oil on canvas of a Yorkshire Terrier by Henry Crowther (fl early 20th, English)
An oil on canvas of a head study of a Yorkshire Terrier, by Henry Crowther (fl early 20th, English). Signed and dated bottom left "H Crowther 1914". The canvas stencilled “WINDSOR & NEWTON’S ARTIST’S CANVAS LONDON W.” English 1914.

42 ) “Lusette” Pug oil by Ida Eléonora Davida von Schulzenheim (Swedish, 1859–1940)
“Lusette” an oil on a “Panneau Hollandais de Valle” panel of a Pug seated at a red draped covered table by Ida Eléonora Davida von Schulzenheim (Swedish, 1859–1940). Titled top right, “Lusette.” and signed and dated bottom right E. Schulzenheim – 91”. The reverse stencilled “PANNEAU HOLLANDAIS DE VALLE PARIS” and another “E. PICANT -14- Rue de Bas PARIS”. French 1891.

43 ) Oil of a Pug by Carl Gerber (German, 1839 - 1866)
An oil on panel of a seated Pug by Carl Gerber (German, 1839 - 1866). Signed middle left “C Gerber”. German, circa 1860.

44 ) “The Black Piper”, Labrador by William Goadby Lawerence (American, 1913 - 2002)
An oil on canvas of a young seated black Labrador, titled “The black Piper” by William Goadby Lawerence (American, 1913 - 2002). Signed bottom left “Wm Goadby Lawerence”. Inscribed in ink to the reverse “THE BLACK PIPER Wm Goadby Lawerence, Navesink River Road, Red Bank, NJ”. American, circa 1960.

45 ) Yorkshire Terrier oil by Joseph Bail (French, 1862-1921)
An oil on panel of a recumbent Yorkshire Terrier wearing a blue satin bow by Joseph Bail (French, 1862-1921). Signed bottom right “Bail Joseph”.

46 ) 19th century, Staffordshire Bull Terrier oil by Richard Hermann Strebel (German, 1861 - 1946)
An oil on canvas of a Staffordshire Bull Terrier proudly standing beside a silver headed walking cane before a wall by Richard Hermann Strebel (German, 1861 - 1946). Signed and dated, in red, bottom right “Richard Strebel 86”. German 1886.

47 ) Terrier oil by Rudolf Carl Huber (Austrian, 1839 - 1896)
A very fine oil of a terrier seated on velvet covering before a floral display by Rudolf Carl Huber (Austrian, 1839 - 1896). The pampered pet wears a pink silk bow, with a silver bowl and waits expectedly besides his owner’s gloves and cane for a walk. Signed “R Carl Huber” and dated 66/5, May, 1866. The reverse bears Vienna gallery label. Austrian 1866.

48 ) "Faithful to the Last" / "The Empty Chair", a Scottish Deerhound engraving after Briton Riviere, RA (British, 1840-1920)
An artist’s proof, "Faithful to the Last" a mixed media engraving after Briton Riviere, RA (British, 1840-1920) 1860 oil. Also known as "The Empty Chair". A Scottish Deerhound stands by his master's empty chair. Signed in pencil, bottom left “Briton Riviere".

49 ) "Fire worshippers"dry-point etching by Herbert Thomas Dicksee (1862-1942)
"Fire worshippers", a pencil signed artist's proof dry-point etching of a King Charles Cavalier Spaniel and a Scottish Deerhound by Herbert Thomas Dicksee R.E (1862-1942. Exhibited, 1899 at the Royal Academy, exhibit number 1515. Lettered middle bottom "London, Published 1899, by C E Clifford & Co., 21 Haymarket SW", beneath signed in pencil "Herbert Dicksee". It was first published, 1899, by printsellers C E Clifford & Co., of 200 Piccadilly, later of 21 Haymarket. Frost and Reed further published the work in 1906. There is an example of the etching in the National Trust property, Tyntesfield, North Somerset. In original black ebonised frame. English, 1899.

50 ) Wire-haired Fox Terrier Scottish Terrier oil by René Philippe Delin (Belgium, 1877-1961)
A group of four Wire-haired Fox Terriers standing in landscape setting by René Philippe Delin (Belgium, 1877-1961). Signed and dated bottom left "R Delin 1927". A Belgium artist who pupiled at the Académie Royale des Beaux-Arts - École supérieure des Arts de la Ville de Bruxelles, whose work in this painting bears a resemblance to Frederick Thomas Daws (1878-1949)