26 ) The York and Edinburgh Royal Mail Coach trapped in a snow drift by James Pollard (English, 1792–1867)
An oil on canvas of The York and Edinburgh Royal Mail Coach trapped in a snow drift on a country lane by James Pollard (English, 1792–1867). Two coachmen encourage the horses while another man tries to unblock the wheel, and another on one of the horses rides off in the field behind; trees behind for help. The coach fully laden, wears the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the name of the town at the end of the coach’s route.Signed and dated 1827. English 1827.

27 ) Child portrait by Thomas Barber of Nottingham (c.1768-1843
Child portrait by Thomas Barber of Nottingham (c.1768-1843) Oil on canvas of 'Elizabeth Fletcher' 1 year & 11 months T Barber Pinxt 1828'. That same year Barber painted Elizabeth's parents Mr James Fletcher and Mrs Jas Fletcher. Possibly the James and Jas Fletcher's of the Rosehaugh Bennetsfield, Ethie, and Avoch estates.

28 ) "Dogs at Bay", a pencil and chalk drawing of English terriers by Sir Edwin Henry Landseer R.A. (1802-1873) from 1828
"Dogs at Bay”, a pencil drawing of two English terriers playing with a hedgehog by Sir Edwin Henry Landseer R.A. (1802-1873) from 1824. The drawing is illustrated, as a woodblock (Plate XXXII), in “The Works of Sir Edwin Landseer” by W. Comos Monkhouse. Titled “Dogs at Bay”. The author refers to the dogs as ‘English terriers’. Possibly a study for “Jocko” a terrier and hedgehog commissioned for Lieut-Col Peers William, exhibited at the Royal Academy in 1828. The reverse bears label for Watling Street Galleries. English, 1828 Provenance: - Charles William Mansel Lewis - "The Works of Sir Edwin Landseer RA” by W Cosmo Monkhouse, published in 1879 which was "illustrated by 44 steel engravings and about 200 woodcuts". - Watling Street Galleries, 116 Watling Street East, Towcester, Northamptonshire

29 ) Poodle Ink Well
French gilt metal inkwell topped with a seated poodle in a "Lion trim" cut. The interior reveals two ceramic inkwells and pen holders. French, circa 1830.

30 ) Child feeding Spaniel, unsigned, Scandinavian, circa 1830.
Portrait of a boy in red lace trimmed dress feeding a biscuit to his faithful Spaniel, unsigned, Scandinavian, circa 1830.

31 ) A Regency pair of King Charles Cavalier bronze and ormolu candlesticks / sconces
A rare pair of Regency, 19th Century Regency period bronze and ormolu candlesticks / sconces modelled as seated begging King Charles Cavalier Spaniels, the bases applied with applique’s of Chinese musician, with anthemion decorated plinths supported on scrolled bracket feet. English, circa 1830.

32 ) Early 19th century Irish landscape oil by James Arthur O’Connor (Irish, 1792-1841)
An early 19th century Irish landscape oil by James Arthur O’Connor (Irish, 1792-1841). The reverse bears old label “Connor (the Irish Claude)”. Irish, circa 1830.

33 ) Oil of The Donnybrook Horse Fair, Dublin by Richard Barrett Davis (English, 1782-1854)
An oil on canvas of The Donnybrook Horse Fair, Dublin by Richard Barrett Davis (English, 1782-1854), painted on the artist’s visit to Dublin. The historic Donnybrook Fair was founded in 1204 by a royal charter of King John. Held in late August to mid-September, the fair became one of Ireland's principal markets. Today's dictionaries define Donnybrook as a free-for-all or brawl owing to the "rough merriment" for which the fair came to be known. The fair was abolished in 1868. English, circa 1830. Provenance: Vicar Brothers, London Christie's New York, Important British and American Sporting Paintings, June 8, 1984.

34 ) Fish / Dover sole oil by Sir Edwin Henry Landseer RA (British, 1802-1873)
Oil still life study of three fish / Dover Sole placed on a dish by Sir Edwin Henry Landseer (English, 1802-1873). Bears inscription to the reverse, stating the study was a gift to the artist’s host. English, circa 1830.

35 ) “The Spaniel” by John R. Scott, (English, 1774–1827) & John Webb (English late 18th – early 19th) after John Webb (English late 18th – early 19th)
A Water Spaniel standing beside a stream. An engraving commenced by John R. Scott, (English, 1774–1827) finished by John Webb (English late 18th – early 19th) after the painting of 1815 by Richard Ansdell, R.A. (English, 1815-1885). Titled “The Spaniel” and dedicated “To the Right Honourable Baron Northwick F.S.A. &c. &c., this print is with permission humbly dedicated by his lordship's most obedient servants, Moon, Boys & Graves”. “London,Published July 1 1830 by Moon, Boys & Graves. Printsellers to His Majesty, 6.Pall Mall.” There is an example in the Welcome Collection. English, 1830.

36 ) A pencil study of a Bruges lady by Sir Edwin Henry Landseer R.A. (1802-1873)
A pencil study of a cottage girl seated on a low wall by Sir Edwin Henry Landseer R.A. (1802-1873). The reverse bears “Thos. Agnew & Sons Ltd” label “No. 24116” “London 43, Old Bond Street, Piccadilly, W”. Then a further typed label “Sir E. Landseer R.A. (1802-1873) “A Peasant Women Bruges” From a sketch-book”. Circa 1835 Landseer painted Louisa, Marchinoness of Abercorn (1812-1905) as a ‘cottage girl’ in similar attire. Peasant women were not an unfamiliar subject by Landseer there are several such drawings in The Royal Collection. English, circa 1830. Provenance: - Thomas Agnew and Sons No 24116

37 ) A pair early 19th century Ostrich bronze, ormolu cut glass candlesticks / sconces
A rare pair of Regency bronze candlesticks portraying ormolu standing Ostriches amongst scrolling leaf and flower bronze work. Ormolu sconces and canopy with rose decoration from which hangs cut glass prismatic drops. English, circa 1830.

38 ) Magnificent pair of enamel and soft paste Sèvres/Sevres porcelain hunting vases
A magnificent pair of early 19th century, Sèvres, enamel and soft paste porcelain hunting vases. The bases with seated Borzoi and Foxhounds in soft paste porcelain, the bodies polychromed with horseback and dog hunting scenes in tree adorned landscape. Stag and boar heads in soft paste porcelain applied to distinctive 'bleu celeste' border. Marked to the base with the Sèvres 'intertwined' double 'L', inset with an ‘M’, and the painter’s mark ‘277’. French, circa 1830.

39 ) “The Pointer” by John R. Scott, (English, 1774–1827) & John Webb (English late 18th – early 19th) after Martin Theodore Ward (English, c.1799-1874).
A brace of Pointers, in foliage setting. An engraving commenced by John R. Scott (English, 1774–1827) and finished by John Webb (English late 18th – early 19th). After a painting by Martin Theodore Ward (English, c.1799-1874). English, 1831. Titled “The Pointer” and dedicated “To the Right Honourable Baron Northwick F.S.A. &c. &c., this print is with permission humbly dedicated by his lordship's most obedient servants, Moon, Boys & Graves”. “London, Published Jan. 1 1831 by Moon, Boys & Graves. Printsellers to His Majesty, 6.Pall Mall.” English,1831.

40 ) The Yarmouth Mail stationery at the Tree Cups, Colchester by James Pollard (English, 1792–1867)
The Yarmouth Royal Mail “Woodbridge Yoxford” coach with seven up parked at the “Three Cups Hotel” Colchester, outside the offices of “The Old Blue Coach Office” and “Star Coach Office” beneath a full moon evening, by James Pollard (English, 1792-1867). The coach fully laden, wears the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the town name “Woodbridge” and “Yoxford” signifying the coach’s route. The reverse bears the gallery label of “Arthur Ackermann & Sons Ltd 3 Old Bond Street, London W1 Established 1783”. Signed and dated middle bottom “J Pollard 1831”. English, circa 1831. An historic oil, the “Three Cups Hotel”, Colchester stood on the north side of the High Street from 1701 until its demolition in 1972, having been rebuilt in 1886. Pigot's directory stated that the Royal Mail coach left the Cups every night at 12.15 for London. This would seem to be about the time of night Pollard recorded the coach.

41 ) Oil on canvas of lady with Maltese by Gaston Camillo Lenthe (German, 1805-1860)
An oil on canvas of a young lady with her Maltese seated by a red satin draped window. Painted when Lenthe was working with the painter Carl Schumacher (German, 1797 - 1869) on frescoes at Schwerin. Possibly an image of the young Princess Helene of Mecklenburg-Schwerin (1814-1858) Signed and dated 'Gaston Lenthe 1833' German 1833

42 ) Cairn Terrier oil by Alexander Forbes ARSA (Scottish, 1802 -1839)
An oil on canvas of a head study of a Cairn Terrier by Alexander Forbes ARSA (Scottish, 1802 - 1839). Signed bottom left “A Forbes” and dated 1833. The dog wears a linked nickel silver collar bearing the owners’s name “J Gunthrie Esq of Grange”. Alexander Forbes was known as ‘Edwin Landseer of the North’. Scottish, 1833.

43 ) A lithograph of a Setter / Spaniel alarming a Bittern by Thomas Fairland (English, 1804-1852) after Stephen Taylor (English, fl 1808-1849).
A rare lithograph on india paper of a Setter / Spaniel in reeded water bank alarming a wounded Bittern. Printed by Lefevre & Kohler, London, Published November 1st 1834 by J. Mc.Cormick, 147, Strand. English 1834 330 x 365mm. 13 x 14½".

44 ) Painting of a King Charles Cavalier Spaniel by James Ward R.A. (English, R.A. (1769-1859)
Oil on panel in the manner of James Ward R.A. (English, R.A. (1769-1859) of a King Charles Cavalier. To the reverse is titled in ink "Fairy" and dated 1835.

45 ) Iron French, 19th century ‘anneau d’écurie’ stable ring in the form of a Setter’s head
An iron French, 19th century ‘anneau d’écurie’ stable ring in the form of a Setter’s head. Possibly from the Val Osne foundry, established in 1835 by Jean Pierre Andre Victor.

46 ) Iron French, 19th century ‘anneau d’écurie’ stable ring in the form of a boars head
An iron French, 19th century ‘anneau d’écurie’ stable ring in the form of a boar’s head. Possibly from the Val Osne foundry, established in 1835 by Jean Pierre Andre Victor.

47 ) Engraving of "Beauty's Bath" by Samuel Cousins RA (1801-1887), after Sir Edwin Landseer RA(1802-1873)
Engraving was published 1847 by Henry Graves, by the engraver Samuel Cousins RA (1801-1887), after the oil was titled "Beauty's Bath" painted in 1839 by Sir Edwin Landseer (1802-1873) , for Sir Robert Peel, twice British Prime Minister. This is the artist's proof before letters signed in pencil 'E Landseer' and 'Samuel Cousins' further initialled 'EL' with another indecipherable penciled initial. The painting is of Sir Robert Peels's daughter "Miss Elise (Elizabeth) Peel" cuddling her King Charles Cavalier "Fido". (On her marriage she became The Hon. Mrs Francis Stonor).

48 ) 19th century oil painting of a Royal Mail coach / carriage with passengers aboard by John Frederick Herring Sr. (English, 1795 – 1865)
19th century coaching / carriage oil on panel of a Royal Mail four-in-hand coach ‘head on’ with passengers on board by John Frederick Herring Sr. (English, 1795 – 1865). The coach is depicted speeding along a dusty country road, passing a milestone at the brow of a hill. The coach wears the correct Royal Mail livery of a black with red door and lower panels, and Post Office red wheels. Signed and dated lower left “J.F. Herring 1839”. To the reverse remnants of gallery label for Thomas Agnew & Sons. English, 1839.

49 ) Micromosaic / Micro-Mosaic / Micro Mosaic of a King Charles Cavaliar Spaniel SOLD
This spaniel has been recorded in the work of Antonio Aguatti (d1846), of a King Charles Cavaliar Spaniel. English set 9ct gold with opals, setting circa 1840.

50 ) Cameo pin of a seated Setter
A stick pin with an oval Sardonyx Helmet cameo of a seated Setter / Hound. The carving of the dogs head particularly three dimensional. Italian, early 19th century