51 ) Early 20th Meiji period Japanese Buddha bronze by Harumine Tsukuru
Early 20th Meiji period Japanese Amida Buddha by Harumine signed "Harumine Tsukuru" (Made by Harumine). Possibly sold by “N. Nogawa, Manufacturers of bronze & Damascene Ware”.

52 ) 19th century, French bronze doré hunting / ‘chasse’ boar French horn wall sconces ‘appliques’
A pair of late 19th century bronze and bronze doré hunting / ‘chasse’ triple wall sconces ‘appliques’, the backplate in the form of a boar from head to hoof, with tassel drops. The central sconce arm in the form of a French hunting horn, with the outer sconce arms applied with oak leaf and acorn design. Marked to the reverse “MATIE?”. French, 1895. The 18th century master founder Jean Joseph de Saint-German (French, 1719-1791) cast a similar oak leaf and acorn design, circa 1750, but with boar and deer.

53 ) Pen and ink drawing of ‘The Exhibition of Hayter's picture of The Trial of Queen Caroline’ by Sir Edwin Landseer R.A. (English, 1802-1873)
A pen and ink drawing of ‘The Exhibition of Hayter's picture of The Trial of Queen Caroline’ by Sir Edwin Landseer R.A. (English, 1802-1873). The 'trial' of Queen Caroline in 1820 was not technically a trial but a parliamentary debate on a bill designed to grant the King a divorce. Sir George Hayter (1792 – 1871) was a notable English painter, specialising in portraits. Landseer had known George and his brother John since childhood and both contributed major historical paintings to the Duke of Bedford’s gallery at Woburn Abbey. Today Sir George’s painting can be seen in the National Portrait Gallery.

54 ) “The Wolf” a pencil study by Sir Edwin Henry Landseer R.A. (1802-1873)
A pencil study of a recumbent wolf by Sir Edwin Henry Landseer R.A. (1802-1873). Titled “The Wolf”. The reverse bears “Thos. Agnew & Sons Ltd” label “No. 24116” “London 43, Old Bond Street, Piccadilly, W”. Then a further typed label “Sir E. Landseer R.A. 1802-1873 “The Wolf”". English, circa 1820. Provenance: - Thomas Agnew and Sons No 25348

55 ) A pencil study of tiger’s paws and a tiger by Sir Edwin Henry Landseer R.A. (1802-1873)
An outline study of a tiger drawn beneath a more detailed study of a tiger's paws in pencil by Sir Edwin Henry Landseer R.A. (1802-1873). Edwin Landseer was drawing tigers and lions at the early age of nine. The reverse bears label for Watling Street Galleries. English, circa 1820. Provenance: - Watling Street Galleries, 116 Watling Street East, Towcester, Northamptonshire

56 ) Fish / Dover sole oil by Sir Edwin Henry Landseer RA (British, 1802-1873)
Oil still life study of three fish / Dover Sole placed on a dish by Sir Edwin Henry Landseer (English, 1802-1873). Bears inscription to the reverse, stating the study was a gift to the artist’s host. English, circa 1830.

57 ) A pencil study of a Bruges lady by Sir Edwin Henry Landseer R.A. (1802-1873)
A pencil study of a cottage girl seated on a low wall by Sir Edwin Henry Landseer R.A. (1802-1873). The reverse bears “Thos. Agnew & Sons Ltd” label “No. 24116” “London 43, Old Bond Street, Piccadilly, W”. Then a further typed label “Sir E. Landseer R.A. (1802-1873) “A Peasant Women Bruges” From a sketch-book”. Circa 1835 Landseer painted Louisa, Marchinoness of Abercorn (1812-1905) as a ‘cottage girl’ in similar attire. Peasant women were not an unfamiliar subject by Landseer there are several such drawings in The Royal Collection. English, circa 1830. Provenance: - Thomas Agnew and Sons No 24116

58 ) A pair early 19th century Ostrich bronze, ormolu cut glass candlesticks / sconces
A rare pair of Regency bronze candlesticks portraying ormolu standing Ostriches amongst scrolling leaf and flower bronze work. Ormolu sconces and canopy with rose decoration from which hangs cut glass prismatic drops. English, circa 1830.

59 ) Cairn Terrier oil by Alexander Forbes ARSA (Scottish, 1802 -1839)
An oil on canvas of a head study of a Cairn Terrier by Alexander Forbes ARSA (Scottish, 1802 - 1839). Signed bottom left “A Forbes” and dated 1833. The dog wears a linked nickel silver collar bearing the owners’s name “J Gunthrie Esq of Grange”. Alexander Forbes was known as ‘Edwin Landseer of the North’. Scottish, 1833.

60 ) A early 19th century French gold Greyhound seal
An 18 carat early 19th century agate seal of a seated Greyhound. French, circa 1840.

61 ) 19th century oil study of a Spitz by "Dog-Raphael" Johann Matthias Ranftl (Austrian 1805 - 1854)
A mid-19th century oil sketch of prancing Spitz by Johann Matthias Ranftl (Austrian 1805 - 1854). Austrian 1840

62 ) A very fine mid-19th century, Victorian silver deer / stag salts by John Samuel Hunt, (English, 1785-1865)
A very fine set of silver stag salts by John Samuel Hunt (English, 1785-1865). The beautifully modelled stag is recumbent in a rocky outcrop between two gilt lined giant clam shells. Hunt was the renowned silversmith and nephew of the equally reputed silversmith Paul Storr. Assayed London, 1847, with Queen Victoria’ head certifying payment of duty, and bearing makers mark “JSH”. English, 1847S

63 ) A 19th century blue and white Spode / Copeland & Garett New Blanche 'British Flowers' pattern dog bowl
A Spode / Copeland & Garett New Blanche 'British Flowers' patterndog bowl, printed in underglazed blue. The reverse bears blue printed and impressed backstamp 'Copeland & Garett New Blanche'. The 'British Flowers' pattern which Spode introduced 1828. New Blanche refers to the clay body type. Circa 1850

64 ) A rare 19th century French, double dog bed / 'Chien de lit'in Louis VI style.
A rare 19th century French, double dog bed / 'Chien de lit' in Louis VI style. For a single variant see "Vies de Chiens" by Claude d' Anthenaise published 2000 by Alain de Gourcuff for �Maison de la Chasse & de la Nature, page 89.

65 ) A French 19th century dog bed / 'Chien de lit'.

66 ) Mid 19th century English Bristol London Royal Mail coaching oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of the Bristol London Royal Mail passing seated pipe smoker, in heathland setting, approaching town in the distance by Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the name of the town at the start and end of the coach's route “Bristol London”. Signed with discreet monogram to one of the trunks on the roof "CH". English, circa 1850.

67 ) A fine quality boar head inkwell by Christophe Fratin (French, 1800-1864)
A fine quality boar head inkwell by Christophe Fratin (French, 1800-1864), complete with original bronze well. French, circa 1850.

68 ) A pair of 19th century French, ormolu and cut glass ram’s head, 'Ryhton' form cornucopia vases
A pair of 19th century French ormolu and cut glass ram’s head, 'Ryhton' form cornucopia vases. Each vase features hexagon cut glass issuing from a ormolu ram's head, on a white marble rectangular base. French circa 1850.

69 ) “Children of the Mist” by Sir Thomas Landseer ARA (English, 1795-1880), after Sir Edwin Henry Landseer (English 1802 – 1873).
“Children of the Mist” engraved by Sir Thomas Landseer ARA (English, 1795-1880), after Sir Edwin Henry Landseer (English 1802 – 1873). Alerted stag and hinds scenting danger in misty moorland setting from the painting of 1853 by Edwin Landseer at the Royal Academy 1835. A mixed method stipple engraving etching published signed in pencil.

70 ) An enamel stick pin of "Pincher" from the painting by Abraham Cooper William Essex (English, 1784-1869).
An enamel stick pin of "Pincher" from the painting by Abraham Cooper (1787-1868) of his trusted dog, Work by William Essex (1784-1869) English, circa 1860. "The Royal Collection" today holds a substantial number of enamels by William Essex.

71 ) Enamel stick pin of "Pincher" from the painting by Abraham Cooper William Essex (English, 1784-1869).
An enamel stick pin of "Pincher" from the painting by Abraham Cooper (1787-1868) of his trusted dog, Work by William Essex (1784-1869), set in rose cut diamond, silver set, 15 carat backed frame, English, circa 1860. "The Royal Collection" today holds a substantial number of enamels by William Essex.

72 ) Reverse Intaglio Monochrome Crystal of an Eagle's head
A very early reverse intaglio crystal of an Eagle's head, worked in monochrome and set as a brooch. Mounted as a stick pin, English, circa 1860 Reverse intaglio crystals are commonly and erroneously often called Essex Crystals

73 ) A Japanese Meiji period silk embroidery / textile of cranes flying in snow framed within an Aesthetic School fire screen
A Japanese Meiji period silk embroidery / textile of cranes flying in snow framed within an Aesthetic School fire screen in the manner of Bruce James Talbert (Scottish, 1838 - 1881) or Edward William Goodwin (English, 1833-1866). English, circa 1860

74 ) A 19th century blue and white Spode Verona pattern dog bowl
A Spode Verona pattern dog bowl, printed in underglazed blue. Circa 1860

75 ) Camel epergne by Henry Wilkinson and Company
A very fine gilt / ormolu and silver plated camel epergne by Henry Wilkinson and Company of Sheffield. Assayed to the base with registration mark and stamp “HW&Co”. English circa 1860.