26 ) Ink and pencil sketch on paper of a Shire Horse by Thomas Blinks. English circa 1890.

27 ) Coaching oil on canvas by Heywood Hardy (1843-1933).
An oil on canvas of a four in hand carriage passing a toll house by Heywood Hardy (1843-1933). English, circa 1900.

28 ) Archer enamel titled as "Fred Archer on Ormonde" by John William Bailey (1831 - 1914)
An enamel of "Fred Archer on Ormonde" by John William Bailey (English, 1831 - 1914) after a painting by Emil Adam (English 1834-1924)

29 ) Gold Ivory Horse Whip SOLD

30 ) Horse Whip
SOLD

31 ) Watercolour portrait of a horse by Thomas Percy Earl (1874-1947).
Watercolour portrait of a horse by Thomas Percy Earl (1874-1947). To the reverse is written "Mumtaz Mahal, The flying filly".

32 ) Reverse Intaglio Crystal brooch of two horses heads set in gold.
Marked to the reverse 'Dorothy Cooksey Marcus Xmas 1909' The brooch is further stamped 'Marcus & co', the mark of the highly respected New York jewellery firm, Marcus & Company. Dorothy Cooksey Marcus came to England in 1912, deserting her husband and children claiming her affection were grater for her horses and dogs than her family. It was interestingly reported in The New York Times of 19th August 1915. Reverse intaglio crystals are commonly and erroneously often called Essex Crystals.

33 ) Stick Pin of a Horse
Horse head pin by 'Fix' A stick pin of a bridled horses head by Bijoux Fix. The reverse marked 'FIX' and the pin stamped. FIX (Bijoux FIX) was founded in 1823 and is credited to have invented the laminated gold technique often known today as rolled gold. Lamination bonds a thick layer of gold onto a base metal whereas plating adds a thin layer of gold normally by a chemical or electrolytic process. FIX became a generic name used when speaking of the finest quality gold overlayed products. They produced well designed art-nouveau items that had a substantial gold layer on a base metal. French, circa 1920

34 ) A paste brooch of a horse head
A paste brooch of a horse head. French, circa 1900

35 ) Enamel Kenart brooch of a standing chestnut horse
An enamel brooch of a standing horse by Kenart

36 ) Reverse intaglio gold equestrian horse pin
Gold Equestrian Horse pin circa 1910-20

37 ) An oil of horses and foal by Henri (Henry) Schouten (Belgium, 1857 - 1927)
An oil of a stallion and mare with their foal, in a landscape with trees by Henri (Henry) Schouten (Belgium, 1857 - 1927). Signed bottom left “Henri Schouten”

38 ) A horse racing vase painted by P Räbiger for Dresden
A tall Dresden horse racing vase painted by P Räbiger for Dresden. Decorated with a scene of six riders on the humps course. The scene signed "P Räbiger". With gilt and enamel geometric patterning. The base marked with the crown and "Dresden", numbered "7661", with a further floral motif. German, circa 1900 P Räbiger also painted Royal Vienna Austrian porcelain.

39 ) A patinated bronze and gold horse head stick pin
A patinated bronze horse head, wearing a gold bridle, stick pin. French, circa 1860. Such work was done by Jean-Valentin Morel (1794-1860) et Henri Duponchel (Morel et Duponchel) based at Rue Neuve Saint Augustin. Their work was retailed in the rich Parisian market.

40 ) Royal Mail coaching oil ‘Portsmouth to London’ by H. F Jones (English, op, 1860–1870)
An oil on canvas of a Royal Mail ‘Portsmouth to London (Bull & Mouth)’ coach laden with passengers and luggage crossing English heathland, by H. F. Jones (English, op, 1860–1870). The coach wearing the correct Post Office red wheels, and black panelling but with yellow doors, bearing the livery of the Bull and Mouth, Portsmouth Bull & Mouth London” above an image of a bull. The Bull and Mouth, Bull and Mouth Street (London) was a famous London coaching inn. Signed bottom right " H. F. Jones ". English, circa 1865. “Bull and Mouth” The great coaching-inn of Aldersgate Street, in the old time, was the “Bull and Mouth.” The original name of this inn was “Boulogne Mouth,” in allusion to the town and harbour of Boulogne, besieged by Henry VIII. But the “gne,” being generally pronounced by the Londoners “on,” it gradually became “an,” and it only required the small addition of “d” to make “and” of it. The first part being before this made a “bull” of, it was ultimately converted into the “Bull and Mouth.”

41 ) Royal Mail coaching oil by H. F Jones (English, op, 1860 -1870)
An oil on canvas of a Royal Mail coach laden with passengers and luggage crossing the countryside, having just left a coaching inn in the distance, by H. F Jones (English, op, 1860 - 1870). The coach wearing the correct Post Office red wheels, and black panelling but with ochre doors and displaying destinations and the livery of a painted fox . Signed and dated bottom right " H. F. Jones 1867". English, circa 1867.

42 ) A coaching oil on canvas of the "London to Salisbury" and "Moses Pickwick's" carriages "Passing Stonehenge" by John Charles Maggs (English, 1819-1896)
A wonderful and historic Royal Mail coaching oil on canvas of the "London to Salisbury" coach driving in the opposite direction and Moses Pickwick's coach both "Passing Stonehenge" by John Charles Maggs (English, 1819-1896). The Royal Mail bearing signage "Salisbury London" coach wearing the correct Royal Mail livery, black with red door and lower panels, and Post Office red wheels. The "Mosses Pickwick" coach bearing signed "Pickwick Bath". Moses Pickwick, a coachman who was born in Pickwick, lived in Corsham at the "Hare and Hounds" inn, and ran coaches between Bath and London. (Corsham was the inspiration for Charles Dickens' novel The Pickwick Papers. It is said Dickens borrowed Mosses Pickman's name for his novel Pickwick Papers). Signed and dated bottom left "J. C Maggs /95". The reverse bears gallery label for "Daniel Rees Fine Art Dealer Jackson Michigan", and a further "14. X.26" dated stock label J.C Maggs , 19th Century, English School, titled "Passing Stonehenge". English 1895. Provenance Daniel Rees "Fine Art Dealer" Jackson Michigan. Provenance Daniel Rees "Fine Art Dealer" Jackson Michigan

43 ) Oil of The Donnybrook Horse Fair, Dublin by Richard Barrett Davis (English, 1782-1854)
An oil on canvas of The Donnybrook Horse Fair, Dublin by Richard Barrett Davis (English, 1782-1854), painted on the artist’s visit to Dublin. The historic Donnybrook Fair was founded in 1204 by a royal charter of King John. Held in late August to mid-September, the fair became one of Ireland's principal markets. Today's dictionaries define Donnybrook as a free-for-all or brawl owing to the "rough merriment" for which the fair came to be known. The fair was abolished in 1868. English, circa 1830. Provenance: Vicar Brothers, London Christie's New York, Important British and American Sporting Paintings, June 8, 1984.

44 ) Oil on canvas of horse / hunter and Foxhound by Wright Barker RBA (English, 1864 - 1941)
Oil on canvas of horse / hunter before a stable and fence looking down on a Foxhound by Wright Barker RBA (English, 1864 - 1941). Signed and dated bottom right “W Barker 86”. English, 1886.

45 ) Oil of the Donnybrook Fair by Richard Barrett Davis (English, 1782-1854)
Oil on canvas of the famous Donnybrook Fair, near Dublin by Richard Barrett Davis (English, 1782-1854). The reverse bears the label “Vicars Brothers Fine Art Dealers Printsellers and Publishers 12 Old Bond Street, London WI” and written in ink “Oil Painting, Donnybrook Fair R. B Davis”. The historic Donnybrook Fair was founded in 1204 by a royal charter of King John. Held in late August to mid-September, the fair became one of Ireland's principal markets. Today's dictionaries define donnybrook as a free-for-all or brawl owing to the "rough merriment" for which the fair came to be known. The fair was abolished in 1868. Provenance: Vicar Brothers, London Christie's New York, Important British and American Sporting Paintings, 8th June, 1984

46 ) An oil of a dapple grey shire horse by Miss Florence Jay (English, Fl 1900-1928).
An oil of a dapple grey shire horse standing in a stable by Miss Florence Jay (English, Fl 1900-1928). Signed bottom left “Florence Jay”. English, circa 1920.

47 ) Equestrian horse and bit silver bracelet
Equestrian horse and bit silver bracelet. Assayed.

48 ) A 14 carat gold reverse intaglio crystal Baume & Mercier hunting watch bracelet
A bracelet with a Baume & Mercier of Geneva gold watch, set either side with reverse intaglio crystals of hunters jumping white picket fences, then stirrups and associated tack. Possibly commissioned through / for "The Crossroads of Sport Inc New York". Marked to the reverse “14k”. Swiss / English / America circa 1960’s.

49 ) Oil on board of an horse by J Clarke
Oil on board of a horse in a lane outside a cottage by J Clarke. Signed and dated “J. Clarke -1984-“. English, 1984.

50 ) Horse head etching after Heywood Hardy ARWS, RP, RE, RWA (English, 1842-1933)
An artist's proof of a head study of a harnessed horse after Heywood Hardy ARWS, RP, RE, RWA (1842-1933). Signed, in the margin, bottom left. English, circa 1900.