76 ) A Meiji period, Japanese Yuzen Birodo (Yuzen-dyed cut velvet) textile of hen and chickens framed within a fire screen / tsuitate

77 ) A Japanese Meiji period silk embroidery / textile of a tiger beneath moonlit grasses

78 ) A Japanese Meiji period silk embroidery / textile of cranes flying in snow framed within an Aesthetic School fire screen
A Japanese Meiji period silk embroidery / textile of cranes flying in snow framed within an Aesthetic School fire screen in the manner of Bruce James Talbert (Scottish, 1838 - 1881) or Edward William Goodwin (English, 1833-1866). English, circa 1860

79 ) Rare cufflinks 18 carat platinum and diamonds, a driver at the steering wheel
Rare cufflinks 18 carat platinum and diamonds, a driver at the steering wheel French, circa 1910

80 ) Reverse intaglio coaching crystal set ring of coach and four in hand.
A reverse intaglio coaching crystal pendant of a black and yellow painted coach with yellow wheels and seven up, passing a milestone, set in a gold ring. Reverse intaglio crystals are commonly and erroneously often called Essex Crystals. French, circa 1890.

81 ) Oil on canvas of a coaching scene the "Warwick Star" by Henry Frederick Lucas-Lucas (1845-1943).
An oil on canvas of a coaching scene the "Warwick Star" by Henry Frederick Lucas-Lucas (1845-1943). This four in hand coach passes the famous ruins of Kenilworth castle and the church at Kenilworth, and it was clearly painted when Henry Frederick Lucas-Lucas was living close by at Rugby. Signed bottom right "H F Lucas Lucas" and dated �99�. The reverse bearing label: "Messrs Fores Repository of Works of Art 41, Piccadilly, (corner of Sackville Street,) London" Messrs Fores of Piccadilly were famous for publishing English sporting prints. Henry Frederick Lucas-Lucas was published by Fores. Fores who clearly acquired this oil painting from the artist. English, circa 1899.

82 ) Newlyn school Arts & Crafts copper coaching / carriage / four-in-hand mirror
A large Newlyn school Arts & Crafts copper clad mirror depicting typical hand worked repousée of coach and four in hand and eight up leaving inn. Over looked by a stylised smiling repousée worked sun. The copper frame typically hand hammered with dimples, holds the original bevelled mirror plate. English, circa 1900

83 ) Mid 19th century English coaching oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of the Brighton Royal Mail at speed overtaking a farm wagon by Charles Cooper Henderson (English, 1803-1877). Signed with monogram "CH", to wrapped case hanging in front of the door.

84 ) Silver and horn caviar knife
Silver and horn caviar knife, assayed “925” Sheffield, dated 1918, with silversmith’s mark “PJM”. Possibly Peter Joseph Meek.

85 ) A 19th century blue and white Spode / Copeland & Garett New Blanche 'British Flowers' pattern dog bowl
A Spode / Copeland & Garett New Blanche 'British Flowers' patterndog bowl, printed in underglazed blue. The reverse bears blue printed and impressed backstamp 'Copeland & Garett New Blanche'. The 'British Flowers' pattern which Spode introduced 1828. New Blanche refers to the clay body type. Circa 1850

86 ) A still life in oil of "Zinnias & Dahlias" by William Arthur Chase ARWA (English, 1878-1844)
A still life in oil of "Zinnias & Dahlias" in a terracotta pot by William Arthur Chase ARWA (English, 1878-1844). Signed bottom right "WA. CHASE". To the stretcher is inscribed "Zinnias & Dahlias "40". To the reverse part label for "James Bourlet & Sons,Ltd., / Fine Art Packers, Frame Makers 17 & 18, Nassau Street". English, circa 1910.

87 ) A still life in oil by Arthur Sheppard (English, exh. 1923)
A still life in oil on “Winsor and Newton” canvas of Blue Chrysanthemums in a terracotta jug standing on a window ledge by Arthur Sheppard (English, exh. 1923). Signed bottom left “A SHEPPARD”. English circa 1930 To the reverse stamped "No. 1 ...... canvas made by Winsor and Newton Ltd”. Arthur Sheppard was from England and painted in San Francisco, and Los Angeles. He exhibited one work at the Royal Academy. He also painted for the film industry.

88 ) A still life in watercolour by Miss Audrey W. Bacon (English, exh, 1940)
A still life in watercolour of mixed flowers in Japanese vase surrounded by objet including Japanese inro, by Miss Audrey W. Bacon (English, exh, 1940). Signed bottom right “A. W. BACON”. Englsh, circa 1920’s. Miss Audrey W. Bacon exhibited one work at the Royal Academy.

89 ) Coaching oil, the Leeds Royal Mail by Samuel Henry Alken (English, 1810-1894)
Coaching oil of a Royal Mail coach crossing landscape passing seated man with his dog by Samuel Henry Alken (English, 1810-1894). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the name of the town at the end of the coach's route.Signed bottom left "H Alken". Frame bears label for HENRY ALKEN Jnr. (1810-1894), being Samuel Henry Alken. English, circa 1885 Provenance: Leger Galleries, 13 Old Bond Street June 1969 Christies London.

90 ) Royal Mail coaching oil by John Charles Maggs (English, 1819 - 1896)
An oil on canvas of a Royal Mail coach laden with passengers and luggage stopping at "Ye Old Hat Whitbread's Entire" by John Charles Maggs (English, 1819 - 1896). The coach wearing the correct Royal Mail livery, black with red door and lower panels, and Post Office red wheels. The original "Old Hat" was on the Uxbridge Road, Ealing, W13, the public house was Flynn's, after a period as the Walsingham Arms. Signed bottom left Signed "J. C. Maggs". English, circa 1880.

91 ) An Edwardian motoring / Panhard car reverse intaglio crystal gold and diamond set brooch
A rare motoring reverse intaglio crystal gold and diamond set stock pin / brooch, Said to be The Lord Nuffield, then William Richard Morris, 1st Viscount Nuffield GBE CH FRS (1877 - 1963) and wife with chauffeur. Though possibly Lord Dudly's four-cylinder chain-driven 1901 Panhard. English circa 1901.

92 ) A 15 carat, enamel and platinum Mallard duck bar brooch
A 15 carat bar brooch depicting a Mallard in flight. The Mallard detailed in enamel and platinum, and marked to the reverse 'PLATm. 15 Cá¹®'. The bar marked '15cá¹®'. English circa 1915.

93 ) A rare 19th century French, double dog bed / 'Chien de lit'in Louis VI style.
A rare 19th century French, double dog bed / 'Chien de lit' in Louis VI style. For a single variant see "Vies de Chiens" by Claude d' Anthenaise published 2000 by Alain de Gourcuff for �Maison de la Chasse & de la Nature, page 89.

94 ) A French 19th century dog bed / 'Chien de lit'.

95 ) A blue enamel and gilt metal Playgoers Club button badge for the “President” contained in orig. plush-lined blue morocco gilt case by D. & J. Wellby Ltd., Garrick Street, London.
A blue enamel and gilt metal Playgoers” Club button badge for the President, contained in orig. plush-lined blue morocco gilt case by D. & J. Wellby Ltd., Garrick Street, London. Believed worn by Club President Sir Edward Marshall Hall, KC, (1858 –1927). English, circa 1912 Founded by Heneage Mandell in 1884, the London Playgoers Club met regularly “to afford members facilities for Critical Theatrical Discussions… in the form of… debate[s].” Playgoers in Victorian England did not generally enjoy a favorable reputation, stereotyped as abrasive at best and dangerous at worst. Mandell and his colleagues sought to promote a more genteel image of playgoers while nurturing a relationship between the players and audience.

96 ) A Nymphenburg Pekingese sculpture by Konrad Schmid (Swiss, 1899-1979
A Nymphenburg hand painted underglazed porcelain sculpture of a seated Pekingese designed by Konrad Schmid (Swiss, 1899-1979) in 1927. Marked to the base with the artist's initials and "KS", and the model number "632". German, 1927.

97 ) A reverse intaglio crystal stick pin of a yachting ensign of a dove
A circular reverse intaglio 18 carat gold set crystal stick pin of a yachting ensign of a dove. The dove being the symbol of peace. Marked to the reverse �18ct�. English circa 1900. Reverse intaglio crystals are commonly and erroneously often called Essex Crystals.

98 ) An equestrian reverse intaglio crystal gold stick pin of a steeplechaser before a water fence.
An equestrian circular reverse intaglio gold stick pin of a steeplechaser before a water fence. The jockey in yellow and red silks. Fine ropework beading. English circa 1890. Reverse intaglio crystals are commonly and erroneously often called Essex Crystals.

99 ) An early 20th century 9 carat gold Pekingese brooch
A 9 carat brooch of a standing Pekingese. Marked “9ct”. English, circa 1915

100 ) 1940’s gouache design for Bristol Motor Car 400
1940’s gouache design for Bristol Motor Car 400. Note similarity to last pre-war BMW’s.