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3 )
"Slimbridge" ducks lithograph by Sir Peter Markham Scott (1909-1989) Coloured offset-lithograph "Peter Scott 181" printed by the Curwen Press for Arthur Ackermann & Son Ltd and Sir Peter Markham Scott (1909-1989).
From 1935 up until about 1983 Ackermann's published a limited number of colour prints of Sir Peter's work. Many of the original oils are in major private and public collections, and these prints, signed by the artist.
Signed in pencil by the artist, bottom right, "Peter Scott".
The reverse bears label "Arthur Ackermann & Son Ltd., 3 New Bond Street"
English, circa 1981
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Paintings |
Birds |
Yr: 1981 |
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17 )
A 19th century Versailles / Medici shaped Vase Sarreguemines Majolica boar head vase A 19th century Versailles / Medici shaped Vase Sarreguemines Majolica boar head vase. The heads surround by oak leaves and acorns, the vase similarly decorated with oak leaves and acorns and the interior of the vase is of sky blue colour typical of the production of the Sarreguemines factory at this time.
It bears the Sarreguemines Majolica mark and “909†hollow under cover. In “Guide de l'amateur des faïences de Sarreguemines†by Emile Decker and Christian Thevenin, number 909 is the ‘Versailles Vase’
French, circa 1886
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Objets D'Art |
Boar |
Yr: 1886 |
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18 )
A rare set of boar motif walnut chairs by Maples & Co A rare set of eight boar motif walnut and leather chairs by renowned London makers Maples & Co. With French Baroque stretchers spring leather seats, and leather backs. The backs with central motif of a boar’s head set amongst vine leaves and grapes. Incised with the maker’s mark “MAPLES & CO†and catalogue number “25580â€, and further label:
DRUCE & CO.,
Upholsterers, cabinet Makers, & C.,
68, 69, & 58, BAKER STREET
PORTMAN SQUAREâ€
Druce & Co were renowned antique furniture cabinet makers and furniture restorers based in Baker street London. They would make, upholster and restore furniture for the wealthy clientele throughout the Victorian era.Druce & Co
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Other |
Boar |
Yr: 1870 |
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23 )
Early 20th century Meissen boar after Max Esser, (German, 1885 – 1943) A white hard paste boar standing on it’s front legs, designed in 1922. by Max Esser, (German, 1885 – 1943), for the "Reineke Fuchs" centrepiece.. Marked, on underside of the base, in underglaze blue, with the Meissen ‘crossed swords’ and incised with the model number H247. German, circa 1922.
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Objets D'Art |
Boar |
Yr: 1922 |
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