51 ) Young Girl With Cherries
Oil on Canvas, English, circa 1820. SOLD

52 ) Pen and ink drawing of ‘The Exhibition of Hayter's picture of The Trial of Queen Caroline’ by Sir Edwin Landseer R.A. (English, 1802-1873)
A pen and ink drawing of ‘The Exhibition of Hayter's picture of The Trial of Queen Caroline’ by Sir Edwin Landseer R.A. (English, 1802-1873). The 'trial' of Queen Caroline in 1820 was not technically a trial but a parliamentary debate on a bill designed to grant the King a divorce. Sir George Hayter (1792 – 1871) was a notable English painter, specialising in portraits. Landseer had known George and his brother John since childhood and both contributed major historical paintings to the Duke of Bedford’s gallery at Woburn Abbey. Today Sir George’s painting can be seen in the National Portrait Gallery.

53 ) “The Wolf” a pencil study by Sir Edwin Henry Landseer R.A. (1802-1873)
A pencil study of a recumbent wolf by Sir Edwin Henry Landseer R.A. (1802-1873). Titled “The Wolf”. The reverse bears “Thos. Agnew & Sons Ltd” label “No. 24116” “London 43, Old Bond Street, Piccadilly, W”. Then a further typed label “Sir E. Landseer R.A. 1802-1873 “The Wolf”". English, circa 1820. Provenance: - Thomas Agnew and Sons No 25348

54 ) A pencil study of tiger’s paws and a tiger by Sir Edwin Henry Landseer R.A. (1802-1873)
An outline study of a tiger drawn beneath a more detailed study of a tiger's paws in pencil by Sir Edwin Henry Landseer R.A. (1802-1873). Edwin Landseer was drawing tigers and lions at the early age of nine. The reverse bears label for Watling Street Galleries. English, circa 1820. Provenance: - Watling Street Galleries, 116 Watling Street East, Towcester, Northamptonshire

55 ) The York and Edinburgh Royal Mail Coach trapped in a snow drift by James Pollard (English, 1792–1867)
An oil on canvas of The York and Edinburgh Royal Mail Coach trapped in a snow drift on a country lane by James Pollard (English, 1792–1867). Two coachmen encourage the horses while another man tries to unblock the wheel, and another on one of the horses rides off in the field behind; trees behind for help. The coach fully laden, wears the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the name of the town at the end of the coach’s route.Signed and dated 1827. English 1827.

56 ) Child feeding Spaniel, unsigned, Scandinavian, circa 1830.
Portrait of a boy in red lace trimmed dress feeding a biscuit to his faithful Spaniel, unsigned, Scandinavian, circa 1830.

57 ) Early 19th century Irish landscape oil by James Arthur O’Connor (Irish, 1792-1841)
An early 19th century Irish landscape oil by James Arthur O’Connor (Irish, 1792-1841). The reverse bears old label “Connor (the Irish Claude)”. Irish, circa 1830.

58 ) Fish / Dover sole oil by Sir Edwin Henry Landseer RA (British, 1802-1873)
Oil still life study of three fish / Dover Sole placed on a dish by Sir Edwin Henry Landseer (English, 1802-1873). Bears inscription to the reverse, stating the study was a gift to the artist’s host. English, circa 1830.

59 ) A pencil study of a Bruges lady by Sir Edwin Henry Landseer R.A. (1802-1873)
A pencil study of a cottage girl seated on a low wall by Sir Edwin Henry Landseer R.A. (1802-1873). The reverse bears “Thos. Agnew & Sons Ltd” label “No. 24116” “London 43, Old Bond Street, Piccadilly, W”. Then a further typed label “Sir E. Landseer R.A. (1802-1873) “A Peasant Women Bruges” From a sketch-book”. Circa 1835 Landseer painted Louisa, Marchinoness of Abercorn (1812-1905) as a ‘cottage girl’ in similar attire. Peasant women were not an unfamiliar subject by Landseer there are several such drawings in The Royal Collection. English, circa 1830. Provenance: - Thomas Agnew and Sons No 24116

60 ) A pair early 19th century Ostrich bronze, ormolu cut glass candlesticks / sconces
A rare pair of Regency bronze candlesticks portraying ormolu standing Ostriches amongst scrolling leaf and flower bronze work. Ormolu sconces and canopy with rose decoration from which hangs cut glass prismatic drops. English, circa 1830.

61 ) Iron French, 19th century ‘anneau d’écurie’ stable ring in the form of a boars head
An iron French, 19th century ‘anneau d’écurie’ stable ring in the form of a boar’s head. Possibly from the Val Osne foundry, established in 1835 by Jean Pierre Andre Victor.

62 ) A very fine mid-19th century, Victorian silver deer / stag salts by John Samuel Hunt, (English, 1785-1865)
A very fine set of silver stag salts by John Samuel Hunt (English, 1785-1865). The beautifully modelled stag is recumbent in a rocky outcrop between two gilt lined giant clam shells. Hunt was the renowned silversmith and nephew of the equally reputed silversmith Paul Storr. Assayed London, 1847, with Queen Victoria’ head certifying payment of duty, and bearing makers mark “JSH”. English, 1847S

63 ) Girl in landscape by Rev.William Deey (fl.1829-1874)
Oil on canvas of young girl in landscape in green velvet hat and silk dress holding her hula hoop, by Rev.William Deey (fl.1829-1874)

64 ) A 19th century blue and white Spode / Copeland & Garett New Blanche 'British Flowers' pattern dog bowl
A Spode / Copeland & Garett New Blanche 'British Flowers' patterndog bowl, printed in underglazed blue. The reverse bears blue printed and impressed backstamp 'Copeland & Garett New Blanche'. The 'British Flowers' pattern which Spode introduced 1828. New Blanche refers to the clay body type. Circa 1850

65 ) Mid 19th century English Stroud London Royal Mail coaching oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of the Stroud London Royal Mail meeting a returning coach by Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the name of the town at the end of the coach's route “Stroud London”. Signed with discreet monogram on a passing rock "CH". "R. and A. Ackermann” label to the reverse. Cooper Henderson had a long association with Ackermann. English, circa 1850.

66 ) Mid 19th century English Bristol London Royal Mail coaching oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of the Bristol London Royal Mail passing seated pipe smoker, in heathland setting, approaching town in the distance by Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the name of the town at the start and end of the coach's route “Bristol London”. Signed with discreet monogram to one of the trunks on the roof "CH". English, circa 1850.

67 ) A fine quality boar head inkwell by Christophe Fratin (French, 1800-1864)
A fine quality boar head inkwell by Christophe Fratin (French, 1800-1864), complete with original bronze well. French, circa 1850.

68 ) A pair of 19th century French, ormolu and cut glass ram’s head, 'Ryhton' form cornucopia vases
A pair of 19th century French ormolu and cut glass ram’s head, 'Ryhton' form cornucopia vases. Each vase features hexagon cut glass issuing from a ormolu ram's head, on a white marble rectangular base. French circa 1850.

69 ) Mid 19th century English Louth-London Royal Mail coaching oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of the Louth London Royal Mail coach crossing countryside by Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door. Signed with discreet monogram to one of the packages on the roof "CH". Complete in original Hay & Lyall gilt frame. The reverse bears the remnants of the framer’s label “Hay & Lyall, Decorators, Carvers, Gilders & Printsellers to the Queen, 73 Union Street Aberdeen, established 1811”. Hay received his Royal Appointment as Carver & Gilder to Queen Victoria at Aberdeen in 1846. English, circa 1850.

70 ) Mid 19th century night scene of a Royal Mail carriage / coaching / four-in- hand oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of a Royal Mail carriage progressing at speed at night by Charles Cooper Henderson (English, 1803-1877). The coach displays the correct Royal Mail livery with a black with red door and lower panels, Post Office-red wheels, and The Royal Coat of Arms on the door. Signed with a discreet monogram on one of the packages on the roof "CH". Complete in original Hay & Lyall gilt frame. The reverse bears the remnants of the framer’s label “Hay & Lyall, Decorators, Carvers, Gilders & Printsellers to the Queen, 73 Union Street Aberdeen, established 1811”. Hay received his Royal Appointment as Carver & Gilder to Queen Victoria at Aberdeen in 1846. English, circa 1850.

71 ) Mid 19th snow scene of the London to Leeds Royal Mail carriage / coaching / six-in- hand oil after Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on panel of a London to Leeds Royal Mail coach progressing through deep snow after Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door. Unsigned. Note the necessity for six horses in the deep snow English, circa 1850.

72 ) Oil on canvas of sisters signed and dated "W Fletcher 1853".

73 ) “Children of the Mist” by Sir Thomas Landseer ARA (English, 1795-1880), after Sir Edwin Henry Landseer (English 1802 – 1873).
“Children of the Mist” engraved by Sir Thomas Landseer ARA (English, 1795-1880), after Sir Edwin Henry Landseer (English 1802 – 1873). Alerted stag and hinds scenting danger in misty moorland setting from the painting of 1853 by Edwin Landseer at the Royal Academy 1835. A mixed method stipple engraving etching published signed in pencil.

74 ) Reverse Intaglio Monochrome Crystal of an Eagle's head
A very early reverse intaglio crystal of an Eagle's head, worked in monochrome and set as a brooch. Mounted as a stick pin, English, circa 1860 Reverse intaglio crystals are commonly and erroneously often called Essex Crystals

75 ) A Japanese Meiji period silk embroidery / textile of cranes flying in snow framed within an Aesthetic School fire screen
A Japanese Meiji period silk embroidery / textile of cranes flying in snow framed within an Aesthetic School fire screen in the manner of Bruce James Talbert (Scottish, 1838 - 1881) or Edward William Goodwin (English, 1833-1866). English, circa 1860