51 ) Dry-point etching "Baby Heath" Scottish Terrier by Marguerite Kirmse (English, 1885 -1954)
A dry-point etching "Baby Heath" a seated Scottish Terrier by Marguerite Kirmse (English, 1885 -1954). Published November 1925, titled and signed in pencil bottom left, "Baby Heath", bottom right, "Marguerite Kirmse". American, 1925.

52 ) Scottish Terrier dry-point etching "Steal Preferred" by Marguerite Kirmse (English, 1885 -1954)
A dry-point etching, "Steal Preferred" of Scottish Terrier puppies drinking from the milk pail by Marguerite Kirmse (English, 1885 -1954). Published Autumn, 1930. In pencil, titled bottom left "Steal Preferred" and signed bottom right "Marguerite Kirmse". American, 1930.

53 ) Scottish Terrier dry-point etching "Him and Me" by Marguerite Kirmse (English, 1885 -1954)
Dry-point etching, "Him and Me", showing a seated Scottish Terrier beside a boy fishing by Marguerite Kirmse (English, 1885 -1954). Published Autumn, 1930. In pencil, titled bottom left "Him and Me" and signed bottom right "Marguerite Kirmse". American, 1930.

54 ) Scottish Terrier dry-point etching "Watch Me Grow" by Marguerite Kirmse (English, 1885 -1954)
A dry-point etching, "Watch Me Grow" of seated Scottish Terrier puppy by Marguerite Kirmse (English, 1885 -1954). Published Autumn, 1932. In pencil, titled bottom left "Watch Me Grow" and signed bottom right "Marguerite Kirmse". American, 1932.

55 ) Scottish Terrier dry-point etching "Hide and Seek" by Marguerite Kirmse (English, 1885 -1954)
A dry-point etching, "Hide and Seek" of a pair Scottish Terriers at the top of the stairs by Marguerite Kirmse (English, 1885 -1954). Published April, 1928. In pencil, titled bottom left "Hide and Seek" and signed bottom right "Marguerite Kirmse". The reverse bears “SCHWARTZ GALLERIES Art Publishers and Importers 517 Madison Avenue NEW YORK” label On which is typed “ “Hide and Seek” An original Etching by Marguerite Kirmse “. American 1928.

56 ) Scottish Terrier dry-point etching "Steal Preferred" by Marguerite Kirmse (English, 1885 -1954)
A dry-point etching, "Steal Preferred" of Scottish Terrier puppies drinking from the milk pail by Marguerite Kirmse (English, 1885 -1954). Published Autumn, 1930. In pencil, titled bottom left "Steal Preferred" and signed bottom right "Marguerite Kirmse".

57 ) Scottish Terrier dry-point etching "Stymied” by Marguerite Kirmse (English, 1885 -1954)
A dry-point etching, "Stymied", a Scottish Terrier observing a recumbent cat in a shop window by Marguerite Kirmse (English, 1885 -1954). Published Spring,, 1927. In pencil, titled bottom left "Stymied" and signed bottom right "Marguerite Kirmse". American, 1927.

58 ) Scottish Terrier dry-point etching "Let’s Play", by Marguerite Kirmse (English, 1885 -1954)
A dry-point etching, "Let’s Play", a Scottish Terrier looks up at another in an open window by Marguerite Kirmse (English, 1885 -1954). Published Spring,, 1930. In pencil, titled bottom left "Let’s Play" and signed bottom right "Marguerite Kirmse". The reverse “Harlow, McDonald & Co Successors to Arthur H . Harlow & Co. 667 Fifth Avenue New York” label. With pencilled inventory number “28608”. American, 1930.

59 ) Scottish Terrier watercolour by Marguerite Kirmse (English, 1885 -1954)
A watercolour of a Scottish Terrier seated in a flowering grassland by Marguerite Kirmse (English, 1885 -1954). The stunningly observed dog wears a leather collar and silver circular tag. Indistinctly monogramed “MH”. The reverse bears scarcely decipherable pencil inscription “Mrs Woods 3472 ½ girl Gland Haig”. A framer’s label reads “FREDDIE SCHNEIDER PICTURE FRAMES 1338 3RD AVENUE (Between 76th & 77th Streets) NEW YORK , N.Y. 10021 LE 5 – 0160”

60 ) Scottish Terrier dry-point etching "The Black Watch", by Marguerite Kirmse (English, 1885 -1954)
A dry-point etching, "The Black Watch", of four Scottish Terriers standing guard on the front door steps by Marguerite Kirmse (English, 1885 -1954). Published November 1922. In pencil, titled bottom left "The Black Watch” and signed bottom right "Marguerite Kirmse". Interestingly not titled in the margin “The Black Watch” as was the artist’s usual practice, suggesting an artist’s proof. Torn label to the reverse bears “190 E. Colorado St, Pasadena” American, 1922.