26 ) Pastel of the Pekingese, "Jero's Pu Zin" by Robert C G Allen (English, fl early 20th)
A pastel on paper of the Pekingese "Jero's Pu Zin" by Robert C G Allen (English, fl early 20th). Titled "Jero's Pu Zin" and signed bottom right "C G Allen". Illustrated Our Dogs, January 2003. Provenance: Lot 242, Doyle / Bonhams Dogs in Art, New York 11th February 2003

27 ) Pekingese etching by Leon Danchin (French, 1887-1939)
Early 1920's etching of a Pekingese, by Leon Danchin (French, 1887-1939), This is one of the first breed before Danchin's well known works published by Devambez et Associés with his partner Georges Weil from 1921 to 1931, with the lithographs usually limited from numbered 300 to 400 editions. F L Tournet of 31-33 rue Navarin, Paris label to the reverse

28 ) A Victorian diamond Pekingese brooch
A Victorian diamond brooch of a standing Pekingese, silver set with old cut diamonds, gold backed and cabochon cut ruby eyes.

29 ) Pekingese pastel by Persis Kirmse (English, 1885-1954)
A pastel on buff paper of a recumbent and seated Pekingese by Persis Kirmse (English, 1885-1954). Signed "Persis Kirmse" and dated "1933", bottom right. Reverse bears original French picture label "A LA PALETTE DE RUBENS ENCADREMENTS BEAUX ARTS M.TRAIMIER 9 RUS DES BELGES CANNES"

30 ) Pekingese watercolour by Xavier de Poret (French, 1894 - 1975)
A watercolour and pastel of a Pekingese recumbent in a cabriolet legged drawing room chair by Xavier de Poret (French, 1894 - 1975). Signed bottom right “Xavier de Poret”. French, circa 1950’s. No doubt the same Pekingese as found in the later Hermes commissioned silk “Pekinois” 1965 scarf range that came in two colour variants.

31 ) Oil on canvas of Pekingese and Tibetan by Richard Benno Adam (German, 1873 � 1973).
Oil on canvas of a seated Pekingese and standing Tibetan within formal garden by Richard Benno Adam (German, 1873 - 1973). Signed bottom left �Richard Benno Adam� titled �Burg R�ttgen� and dated �1933�. The Burg R�ttgen a castle in the town of Heumar, in the Rhine district of K�ln was owned in 1933 by the Peter Paul M�hlens (1875-1945), the K�ln businessman and industrialist. 1933, German.

32 ) Pekingese oil by Tadeusz Styka (French/Polish, 1889-1954)
An oil on canvas of a Pekingese being held by its owner by Tadeusz Styka (French/Polish, 1889-1954). Signed bottom left 'Tade.Styka'. It has been suggested that the hands in this painting are those of the former owner, Anna Eugenia La Chapelle Clark. Her husband William Andrews Clark (1839-1925), was painted by Tadeusz Styka, (see Christie's New York, Sale 3479, "An American Dynasty: The Clark Family Treasures", on 18 JUNE 2014, LOT 6 AND 7). The Clark's were prominent American collectors of a vast array artworks, from Antiquities to Impressionism; they had a particular fascination for 19th century French painting. William Clark bequeathed his collection of over 800 artworks to the Corcoran Gallery of Art in Washington D.C. Polish, 1926 Provenance: William Andrews Clark and Anna Eugenia Clark Thence by descent to Huguette Clark Exhibition History: Lodz, Poland, Miejska Galerja Sztuki, 1926

33 ) Pekingese watercolour by Xavier de Poret (French, 1894 - 1975)
A watercolour and pastel of a Pekingese standing on the arm of a sofa by Xavier de Poret (French, 1894 - 1975). Signed bottom right “Xavier de Poret”, and dated “1951”. French, 1951. No doubt the same Pekingese as found in the later Hermes commissioned silk “Pekinois” 1965 scarf range that came in two colour variants.

34 ) Oil on board of a Pekingese by Arthur Wardle, R.I., R.B.C. (English, 1864-1949)
Oil on canvas of a fawn and white Pekingese seated on a luxuriant sofa by Arthur Wardle, R.I., R.B.C. (English, 1864-1949). Signed top right "Arthur Wardle". English, circa 1920

35 ) Pen and ink Pekingese drawing by Marie-Paulette Lagosse (French, 1921-1996)
A pen and ink of a seated Pekingese by Marie-Paulette Lagosse (French, 1921-1996). Signed bottom right "Paulette Lagosse". French, circa 1950's.

36 ) A set of double sided 18ct gold and enamel octagonal chain link cufflinks of miniature in enamel of Pekingese heads.
A set of double sided 18ct gold and enamel octagonal chain link cufflinks of miniature in enamel of Pekingese heads. Marked "18Cá¹®", and "J.W", probably James Walker. These are early images of the breed in Great Britain and are an interesting historical record of the breed. English, circa 1900.

37 ) An early 20th century 9 carat gold Pekingese bar brooch
A 9 carat bar brooch of a standing Pekingese. English, circa 1915

38 ) The Pekingese seated, ‘Duskee of Tzumiao’ by Miss Maud M Turner (English, 1862 - 1947)
An oil on canvas board of a seated Pekingese ‘Duskee of Tzumiao’ by Miss Maud M Turner (English, 1862 - 1947). Titled “Duskee” and signed bottom right “Maud Turner”. ‘Duskee of Tzumiao’ was from the famous Pekingese kennels of Mrs Elsie Gilbert's of Seven Pines, Virginia Water, Surrey. The dog sired ‘Tiny Wee of Homer’. The reverse bears framers label “THE TOWN HOUSE STUDIO HIGH STREET ESHER SURREY. English, circa 1940

39 ) The Pekingese standing, Duskee of Tzumiao by Miss Maud M Turner (English, 1862 - 1947)
An oil on canvas board of standing Pekingese Duskee of Tzumiao by Miss Maud M Turner (English, 1862 - 1947). Titled Duskee and signed bottom right Maud Turner. Duskee of Tzumiao was from the famous Pekingese kennels of Mrs Elsie Gilbert's of Seven Pines, Virginia Water, Surrey. The dog sired Tiny Wee of Homer. The reverse bears framers label THE TOWN HOUSE STUDIO HIGH STREET ESHER SURREY. English, circa 1940

40 ) The Pekingese “ ” by Miss Dorothy S Hallet (English, fl 1913-1934).
Pastel on buff paper of a head study of the Pekingese “ ” by Miss Dorothy S Hallet (English, fl 1913-1934). Signed, bottom right “Dorothy S Hallet” and titled bottom left “ “. The Pekingese breed was on of the artist’s most favourite, and one in which Dorothy Hallett excelled.

41 ) Pekingese bronze bookends by Alexandre Kéléty (Hungarian, 1874-1940).
A pair of bronze bookends of seated Pekingese leaning against ‘Belgium’ black marble by Alexandre Kéléty (Hungarian / French, 1874-1940). Each dog signed “A. Kéléty”. Made whilst the artist was living in France. French, circa 1920’s.

42 ) Chinese courtesan of the Imperial Court reverse glass painting of courtesan of with a Pekingese
Reverse glass ‘export’ painting of a Chinese courtesan of the Imperial Court holding a Pekingese. Pekingese were Palace dogs for the sole enjoyment and preserve of the Emperor, and with his blessing, his family members, his wives, concubines and favoured eunuchs. For the strictest seclusion of the Court, their removal from the Palace precincts was strictly forbidden. Reverse glass paintings were the preserve of Imperial patronage, but also exported and keenly sought for English country house collections in the 18th century.

43 ) Pekingese pastel of “Gale, Katie, Jolie and Merrie” by Marjorie Cox. (English 1915-2003).
A Pekingese pastel of “Gale, Katie, Jolie and Merrie” by Marjorie Cox. (English 1915-2003). Titled bottom left “Marjorie Cox” and titled and dated, bottom “Gale, Katie, Jolie and Merrie October 1962”. English 1962.

44 ) “Dogs of the Imperial Palace”, a 19th century Chinese watercolour of four Pekingese amongst peonies and rocks.
A 19th century Chinese watercolour of four Pekingese playing amongst peonies and rocks. An earlier, Ch’ien Period (1736-1796), can be seen in the collection of the British Museum.

45 ) A Pekingese dog by Charles Vyse (English 1882-1971)
A rare Charles Vyse model of a Pekingese dog, modelled seated, covered in a tenmoku brown glaze Incised Charles Vyse Chelsea to base, 17cm. wide. Provenance The Harriman Judd Collection of British Art Pottery Sotheby's New York, Literature Terence Cartlidge Charles & Nell Vyse Richard Dennis & Ed Pascoe, page 50 this model illustrated.

46 ) A reconstituted stone Pekingese
A reconstituted stone recumbent Pekingese. English, circa 1930.

47 ) "Rosalie", Pekingese, photogravure by Maud Alice Earl (English, 1864-1943)
"Rosalie", Pekingese, before a door, photogravure by Maud Alice Earl (English, 1864-1943). This artist's proof is signed in pencil, bottom left, Maud Earl. Lettered top right Published on December 1st, 1913, by The Berlin Photographic Company Berlin “ London W 149 New Bond Street “ New York 305 Madison Avenue. It is from the "Whose Dog Art Thou?" portfolio, of nine photogravures, with quotations from Omar Khayyam, and an introduction by Samuel Levy Bensusan. published the same, 1913. English, 1913.

48 ) Ivorine miniature of "Susan the Pekingese" by Cecil Charles Windsor Aldin RBA (English, 1870-1935)
An ivorine miniature of "Susan the Pekingese" lying before a cushion by Cecil Charles Windsor Aldin RBA (English, 1870-1935). Signed bottom left “Cecil Aldin”. Illustrated in the artist’s 1933 book “Dogs of Every Day”.

49 ) Bronze Pekingese by Gertrude Katherine Lathrop (American, 1896–1986)
Bronze of a recumbent Pekingese by Gertrude Katherine Lathrop (American, 1896–1986). Signed on the base, “G.K. Lathrop”. American, circa 1920.

50 ) A watercolour the Pekingese Chu-Erh by Reuben Ward Binks (English, 1880 - 1950)
A watercolour with heightening of the Pekingese Chu-Erh standing in an interior setting by Reuben Ward Binks (English, 1880 - 1950). Titled bottom left “CHU-ERH of TRAFFORD”. Signed and dated bottom right "R Ward Binks 1922". The reverse bears label “E. H. WHITE PRINTSELLER RESTORERS PICTURE FRAME MAKERS & GUILDER 35 BEDFORD STREET LEAMINGTON SPA”. English 1922.