26 ) Young Roe Deer etching by artist Kurt Meyer-Eberhardt (German, 1895 - 1977)
Young Roe Deer etching by artist Kurt Meyer-Eberhardt (German, 1895 - 1977). Etching on paper, signed in pencil "Kert Meyer-Eberhardt", published by Hanfstaengl Munich. SOLD

27 ) Young donkey aquatint dry-point etching by Kurt Meyer Eberhardt (German, 1895 - 1957).
Aquatint dry-point etching of a standing young donkey by Kurt Meyer Eberhardt (German, 1895 - 1957). Signed in the margin in pencil bottom right "K M Eberhardt". German circa 1925.

28 ) Oil on canvas of a Lady by Edouard Bisson (French 1856-1939)
Oil on canvas of a Lady by Edouard Bisson (French 1856-1939). SOLD

29 ) Gold brooch and pendant of an enameled kingfisher
Gold brooch and pendant of an enameled kingfisher framed in setting of rubies and pearls. English circa 1915

30 ) Miniature on ivory of a young girl by Mrs Minnie Fox (English, 1875-1976)
Circular miniature on ivory of a young girl by Mrs Minnie Fox (English, 1875-1976), Believed to be Mrs Minnie Fox's daughter, unsigned, English, circa 1910. Provenance By descent from the family

31 ) A fine quality boar head inkwell by Christophe Fratin (French, 1800-1864)
A fine quality boar head inkwell by Christophe Fratin (French, 1800-1864), complete with original bronze well. French, circa 1850.

32 ) 20th century white faïence / terracotta boar tureen by Jean-Paul Gourdon, (French, b. April 1956)
A 20th century white faïence / terracotta recumbent boar tureen by Jean-Paul Gourdon, (French, b. April 1956) from Puymiclan, Marmandais. The boar sits on a bed of oak leaves and acorn, boar images around the side.

33 ) Mid 19th century English Stroud London Royal Mail coaching oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of the Stroud London Royal Mail meeting a returning coach by Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the name of the town at the end of the coach's route “Stroud London”. Signed with discreet monogram on a passing rock "CH". "R. and A. Ackermann” label to the reverse. Cooper Henderson had a long association with Ackermann. English, circa 1850.

34 ) Mid 19th century English Bristol London Royal Mail coaching oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of the Bristol London Royal Mail passing seated pipe smoker, in heathland setting, approaching town in the distance by Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the name of the town at the start and end of the coach's route “Bristol London”. Signed with discreet monogram to one of the trunks on the roof "CH". English, circa 1850.

35 ) Mid 19th century English Louth-London Royal Mail coaching oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of the Louth London Royal Mail coach crossing countryside by Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door. Signed with discreet monogram to one of the packages on the roof "CH". Complete in original Hay & Lyall gilt frame. The reverse bears the remnants of the framer’s label “Hay & Lyall, Decorators, Carvers, Gilders & Printsellers to the Queen, 73 Union Street Aberdeen, established 1811”. Hay received his Royal Appointment as Carver & Gilder to Queen Victoria at Aberdeen in 1846. English, circa 1850.

36 ) Mid 19th century night scene of a Royal Mail carriage / coaching / four-in- hand oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of a Royal Mail carriage progressing at speed at night by Charles Cooper Henderson (English, 1803-1877). The coach displays the correct Royal Mail livery with a black with red door and lower panels, Post Office-red wheels, and The Royal Coat of Arms on the door. Signed with a discreet monogram on one of the packages on the roof "CH". Complete in original Hay & Lyall gilt frame. The reverse bears the remnants of the framer’s label “Hay & Lyall, Decorators, Carvers, Gilders & Printsellers to the Queen, 73 Union Street Aberdeen, established 1811”. Hay received his Royal Appointment as Carver & Gilder to Queen Victoria at Aberdeen in 1846. English, circa 1850.

37 ) Mid 19th snow scene of the London to Leeds Royal Mail carriage / coaching / six-in- hand oil after Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on panel of a London to Leeds Royal Mail coach progressing through deep snow after Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door. Unsigned. Note the necessity for six horses in the deep snow English, circa 1850.

38 ) A very fine mid-19th century, Victorian silver deer / stag salts by John Samuel Hunt, (English, 1785-1865)
A very fine set of silver stag salts by John Samuel Hunt (English, 1785-1865). The beautifully modelled stag is recumbent in a rocky outcrop between two gilt lined giant clam shells. Hunt was the renowned silversmith and nephew of the equally reputed silversmith Paul Storr. Assayed London, 1847, with Queen Victoria’ head certifying payment of duty, and bearing makers mark “JSH”. English, 1847S

39 ) Rooster /Cockrell by Charles Jacques (1813-1894)
Rooster /Cockrell by Charles Jacques (1813-1894). Oil on canvas. Signed "CH. Jacques". French, circa 1880.

40 ) An oil of a cockerel by Charles Emile Jacque (French, 1813 - 1894)
An oil of a cockerel by Charles Emile Jacque (French, 1813 - 1894). Signed bottom right "Ch Jacque". French circa 1880.

41 ) "Christmas greetings"
"Christmas Greetings" personal private unpublished etching by Marguerite Kirmse (1885-1954)

42 ) “Children of the Mist” by Sir Thomas Landseer ARA (English, 1795-1880), after Sir Edwin Henry Landseer (English 1802 – 1873).
“Children of the Mist” engraved by Sir Thomas Landseer ARA (English, 1795-1880), after Sir Edwin Henry Landseer (English 1802 – 1873). Alerted stag and hinds scenting danger in misty moorland setting from the painting of 1853 by Edwin Landseer at the Royal Academy 1835. A mixed method stipple engraving etching published signed in pencil.

43 ) Fish / Dover sole oil by Sir Edwin Henry Landseer RA (British, 1802-1873)
Oil still life study of three fish / Dover Sole placed on a dish by Sir Edwin Henry Landseer (English, 1802-1873). Bears inscription to the reverse, stating the study was a gift to the artist’s host. English, circa 1830.

44 ) Pen and ink drawing of ‘The Exhibition of Hayter's picture of The Trial of Queen Caroline’ by Sir Edwin Landseer R.A. (English, 1802-1873)
A pen and ink drawing of ‘The Exhibition of Hayter's picture of The Trial of Queen Caroline’ by Sir Edwin Landseer R.A. (English, 1802-1873). The 'trial' of Queen Caroline in 1820 was not technically a trial but a parliamentary debate on a bill designed to grant the King a divorce. Sir George Hayter (1792 – 1871) was a notable English painter, specialising in portraits. Landseer had known George and his brother John since childhood and both contributed major historical paintings to the Duke of Bedford’s gallery at Woburn Abbey. Today Sir George’s painting can be seen in the National Portrait Gallery.

45 ) A pencil study of a Bruges lady by Sir Edwin Henry Landseer R.A. (1802-1873)
A pencil study of a cottage girl seated on a low wall by Sir Edwin Henry Landseer R.A. (1802-1873). The reverse bears “Thos. Agnew & Sons Ltd” label “No. 24116” “London 43, Old Bond Street, Piccadilly, W”. Then a further typed label “Sir E. Landseer R.A. (1802-1873) “A Peasant Women Bruges” From a sketch-book”. Circa 1835 Landseer painted Louisa, Marchinoness of Abercorn (1812-1905) as a ‘cottage girl’ in similar attire. Peasant women were not an unfamiliar subject by Landseer there are several such drawings in The Royal Collection. English, circa 1830. Provenance: - Thomas Agnew and Sons No 24116

46 ) “The Wolf” a pencil study by Sir Edwin Henry Landseer R.A. (1802-1873)
A pencil study of a recumbent wolf by Sir Edwin Henry Landseer R.A. (1802-1873). Titled “The Wolf”. The reverse bears “Thos. Agnew & Sons Ltd” label “No. 24116” “London 43, Old Bond Street, Piccadilly, W”. Then a further typed label “Sir E. Landseer R.A. 1802-1873 “The Wolf”". English, circa 1820. Provenance: - Thomas Agnew and Sons No 25348

47 ) A pencil study of tiger’s paws and a tiger by Sir Edwin Henry Landseer R.A. (1802-1873)
An outline study of a tiger drawn beneath a more detailed study of a tiger's paws in pencil by Sir Edwin Henry Landseer R.A. (1802-1873). Edwin Landseer was drawing tigers and lions at the early age of nine. The reverse bears label for Watling Street Galleries. English, circa 1820. Provenance: - Watling Street Galleries, 116 Watling Street East, Towcester, Northamptonshire

48 ) Oil of a fluffle of rabbits in a woodland setting by William Luker jnr., RBA (English, 1867 - 1951).
An oil on canvas of a fluffle of rabbits, mother and bunnies, by their burrow in a woodland setting by William Luker jnr., RBA (English, 1867 - 1951). Signed and dated bottom left “W Luker, 1887”. English, 1887.

49 ) Royal Mail coaching oil by John Charles Maggs (English, 1819 - 1896)
An oil on canvas of a Royal Mail coach laden with passengers and luggage stopping at "Ye Old Hat Whitbread's Entire" by John Charles Maggs (English, 1819 - 1896). The coach wearing the correct Royal Mail livery, black with red door and lower panels, and Post Office red wheels. The original "Old Hat" was on the Uxbridge Road, Ealing, W13, the public house was Flynn's, after a period as the Walsingham Arms. Signed bottom left Signed "J. C. Maggs". English, circa 1880.

50 ) An Art Nouveau stylised Borogove / boar jug / sauce boat by Mark V Marshall (English, 1843-1913) for Royal Doulton
An Art Nouveau stylised Borogove / boar stylised designed jug / sauce boat by Mark V Marshall (English, 1843-1913) for Royal Doulton Lambeth Ware. Glazed green, blue and ochre on a mushroom ground. Artist’s monogram “MVM” and factory mark to the base. English, circa 1881.