26 ) Mid 19th snow scene of the London to Leeds Royal Mail carriage / coaching / six-in- hand oil after Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on panel of a London to Leeds Royal Mail coach progressing through deep snow after Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door. Unsigned. Note the necessity for six horses in the deep snow English, circa 1850.

27 ) Rooster /Cockrell by Charles Jacques (1813-1894)
Rooster /Cockrell by Charles Jacques (1813-1894). Oil on canvas. Signed "CH. Jacques". French, circa 1880.

28 ) An oil of a cockerel by Charles Emile Jacque (French, 1813 - 1894)
An oil of a cockerel by Charles Emile Jacque (French, 1813 - 1894). Signed bottom right "Ch Jacque". French circa 1880.

29 ) "Christmas greetings"
"Christmas Greetings" personal private unpublished etching by Marguerite Kirmse (1885-1954)

30 ) “Children of the Mist” by Sir Thomas Landseer ARA (English, 1795-1880), after Sir Edwin Henry Landseer (English 1802 – 1873).
“Children of the Mist” engraved by Sir Thomas Landseer ARA (English, 1795-1880), after Sir Edwin Henry Landseer (English 1802 – 1873). Alerted stag and hinds scenting danger in misty moorland setting from the painting of 1853 by Edwin Landseer at the Royal Academy 1835. A mixed method stipple engraving etching published signed in pencil.

31 ) Fish / Dover sole oil by Sir Edwin Henry Landseer RA (British, 1802-1873)
Oil still life study of three fish / Dover Sole placed on a dish by Sir Edwin Henry Landseer (English, 1802-1873). Bears inscription to the reverse, stating the study was a gift to the artist’s host. English, circa 1830.

32 ) Pen and ink drawing of ‘The Exhibition of Hayter's picture of The Trial of Queen Caroline’ by Sir Edwin Landseer R.A. (English, 1802-1873)
A pen and ink drawing of ‘The Exhibition of Hayter's picture of The Trial of Queen Caroline’ by Sir Edwin Landseer R.A. (English, 1802-1873). The 'trial' of Queen Caroline in 1820 was not technically a trial but a parliamentary debate on a bill designed to grant the King a divorce. Sir George Hayter (1792 – 1871) was a notable English painter, specialising in portraits. Landseer had known George and his brother John since childhood and both contributed major historical paintings to the Duke of Bedford’s gallery at Woburn Abbey. Today Sir George’s painting can be seen in the National Portrait Gallery.

33 ) A pencil study of a Bruges lady by Sir Edwin Henry Landseer R.A. (1802-1873)
A pencil study of a cottage girl seated on a low wall by Sir Edwin Henry Landseer R.A. (1802-1873). The reverse bears “Thos. Agnew & Sons Ltd” label “No. 24116” “London 43, Old Bond Street, Piccadilly, W”. Then a further typed label “Sir E. Landseer R.A. (1802-1873) “A Peasant Women Bruges” From a sketch-book”. Circa 1835 Landseer painted Louisa, Marchinoness of Abercorn (1812-1905) as a ‘cottage girl’ in similar attire. Peasant women were not an unfamiliar subject by Landseer there are several such drawings in The Royal Collection. English, circa 1830. Provenance: - Thomas Agnew and Sons No 24116

34 ) “The Wolf” a pencil study by Sir Edwin Henry Landseer R.A. (1802-1873)
A pencil study of a recumbent wolf by Sir Edwin Henry Landseer R.A. (1802-1873). Titled “The Wolf”. The reverse bears “Thos. Agnew & Sons Ltd” label “No. 24116” “London 43, Old Bond Street, Piccadilly, W”. Then a further typed label “Sir E. Landseer R.A. 1802-1873 “The Wolf”". English, circa 1820. Provenance: - Thomas Agnew and Sons No 25348

35 ) A pencil study of tiger’s paws and a tiger by Sir Edwin Henry Landseer R.A. (1802-1873)
An outline study of a tiger drawn beneath a more detailed study of a tiger's paws in pencil by Sir Edwin Henry Landseer R.A. (1802-1873). Edwin Landseer was drawing tigers and lions at the early age of nine. The reverse bears label for Watling Street Galleries. English, circa 1820. Provenance: - Watling Street Galleries, 116 Watling Street East, Towcester, Northamptonshire

36 ) Oil of a fluffle of rabbits in a woodland setting by William Luker jnr., RBA (English, 1867 - 1951).
An oil on canvas of a fluffle of rabbits, mother and bunnies, by their burrow in a woodland setting by William Luker jnr., RBA (English, 1867 - 1951). Signed and dated bottom left “W Luker, 1887”. English, 1887.

37 ) Royal Mail coaching oil by John Charles Maggs (English, 1819 - 1896)
An oil on canvas of a Royal Mail coach laden with passengers and luggage stopping at "Ye Old Hat Whitbread's Entire" by John Charles Maggs (English, 1819 - 1896). The coach wearing the correct Royal Mail livery, black with red door and lower panels, and Post Office red wheels. The original "Old Hat" was on the Uxbridge Road, Ealing, W13, the public house was Flynn's, after a period as the Walsingham Arms. Signed bottom left Signed "J. C. Maggs". English, circa 1880.

38 ) Oil on canvas of prize sows in a barn by George Morland (English, 1763-1804)
Oil on canvas of prize sows in a barn by George Morland (English, 1763-1804) Possibly Gloucester Old Spot Pigs. For other examples See Farm Animal Portraits in Britain 1780-1900, by Elspeth Moncrieff with Stephen and Joseph Iona published by the Antique Collectors' Club.

39 ) Oil of three pigs / sows by George Morland (English, 1763-1804).
An oil on canvas of pigs / hogs in a barn by George Morland (English, 1763-1804). Signed bottom left “G Morland”.

40 ) Early 19th century Irish landscape oil by James Arthur O’Connor (Irish, 1792-1841)
An early 19th century Irish landscape oil by James Arthur O’Connor (Irish, 1792-1841). The reverse bears old label “Connor (the Irish Claude)”. Irish, circa 1830.

41 ) Watercolour of a hare by Frank Paton (English, 1856-1909)
Watercolour of a running hare by Frank Paton (English, 1856-1909). Signed and dated bottom right “Frank Pattern 1900”

42 ) "Recollections of a Record Reign" dry point etching of a coach passing through Temple Bar, London by Frank Paton (English, 1856-1909)
An artist proof dry point etching titled "Recollections of a Record Reign" by Frank Paton (English, 1856-1909). A coach passing through Temple Bar, London. It had been dismantled very carefully in 1878 and was rebuilt in Paternoster Square in 2004. The central image is surrounded by vignettes representing each year of Victoria's reign until 1896, the year of her Diamond Jubilee. These include: portraits of Prince Albert, Wellington, Disraeli, Dickens, W.C. Grace, Edwin Landseer; and other's of the Queens favourites and buildings including St Paul's Cathedral, the Forth Railway Bridge and the Crystal Palce; and inventions including chlorogorm for surgery, dynamite, telephones and bicycles. Published 1898 by E E Leggatt, London, as part of the series of Christmas Cards publish from 1880 to 1909, then costing half-a-guinea each. An example exists in the collection of the British Museum following Edward Ernest Leggatt's 1919 donation of a full set of the Christmas series to the museum.

43 ) The York and Edinburgh Royal Mail Coach trapped in a snow drift by James Pollard (English, 1792–1867)
An oil on canvas of The York and Edinburgh Royal Mail Coach trapped in a snow drift on a country lane by James Pollard (English, 1792–1867). Two coachmen encourage the horses while another man tries to unblock the wheel, and another on one of the horses rides off in the field behind; trees behind for help. The coach fully laden, wears the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the name of the town at the end of the coach’s route.Signed and dated 1827. English 1827.

44 ) “Écureuils”, Red Squirrel pencil with watercolour drawing by Xavier de Poret (French, 1894 - 1975)
A pencil with watercolour on paper of various studies of “Écureuils”, Red Squirrels by Xavier de Poret (French, 1894 - 1975). Signed “Xavier de Poret”, French. These are the studies for some of the same Squirrels as found in the later Hermes commissioned silk “Pekinois” 1967 scarf range that came in different colourways.

45 ) “les Biches”, Fallow Deer pencil with watercolour drawing by Xavier de Poret (French, 1894 - 1975)
A pencil with watercolour drawing on paper of various studies of “Les Biches”, Fallow Deer by Xavier de Poret (French, 1894 - 1975). Signed “Xavier de Poret”, French. These are the studies for some of the same hounds as found in the later Hermes commissioned silk “Les Biches” 1958 scarf range that came in different colourways.

46 ) Snipe studies by Boris Stefanovitch Riabouchinsky (French, 1898-1975)
Studies by Boris Stefanovitch Riabouchinsky (French, 1898-1975). Lettered top right "Copyright by Ch. Ducher et Cie. 35 Ave de l'Opera, Paris, No. 741" Posthumously signed in pencil bottom left "B Riab". This re-strike appears in the reprint catalogues appendix to "Riab" by Docteur Jacques Bourdon. French, circa 1980.

47 ) A still life in oil by Arthur Sheppard (English, exh. 1923)
A still life in oil on “Winsor and Newton” canvas of Blue Chrysanthemums in a terracotta jug standing on a window ledge by Arthur Sheppard (English, exh. 1923). Signed bottom left “A SHEPPARD”. English circa 1930 To the reverse stamped "No. 1 ...... canvas made by Winsor and Newton Ltd”. Arthur Sheppard was from England and painted in San Francisco, and Los Angeles. He exhibited one work at the Royal Academy. He also painted for the film industry.

48 ) "A walk by the river" by Elinor Bellingham-Smith (1906-1988).

49 ) Oil on canvas by Henry Stone (1616 - 1653), known as "Old Stone", after the painting Anthony Van Dyck of "The Three Eldest Children of Charles I", with their King Charles Spaniels. SOLD

50 ) An oil of walled garden and pool scene by Philip Eustace Stretton (1865–1919)
An oil of walled garden and pool scene by Philip Eustace Stretton (1865–1919)