1 ) "Slimbridge" ducks lithograph by Sir Peter Markham Scott (1909-1989)
Coloured offset-lithograph "Peter Scott 181" printed by the Curwen Press for Arthur Ackermann & Son Ltd and Sir Peter Markham Scott (1909-1989). From 1935 up until about 1983 Ackermann's published a limited number of colour prints of Sir Peter's work. Many of the original oils are in major private and public collections, and these prints, signed by the artist. Signed in pencil by the artist, bottom right, "Peter Scott". The reverse bears label "Arthur Ackermann & Son Ltd., 3 New Bond Street" English, circa 1981

2 ) A 19th century oil of a standing boy feeding his caged canary
A 19th century oil of a standing boy in an interior feeding his caged canary. Monogrammed bottom left.

3 ) 20th century white faïence / terracotta boar tureen by Jean-Paul Gourdon, (French, b. April 1956)
A 20th century white faïence / terracotta recumbent boar tureen by Jean-Paul Gourdon, (French, b. April 1956) from Puymiclan, Marmandais. The boar sits on a bed of oak leaves and acorn, boar images around the side.

4 ) Mid 19th century English Stroud London Royal Mail coaching oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of the Stroud London Royal Mail meeting a returning coach by Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the name of the town at the end of the coach's route “Stroud London”. Signed with discreet monogram on a passing rock "CH". "R. and A. Ackermann” label to the reverse. Cooper Henderson had a long association with Ackermann. English, circa 1850.

5 ) Mid 19th century English Louth-London Royal Mail coaching oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of the Louth London Royal Mail coach crossing countryside by Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door. Signed with discreet monogram to one of the packages on the roof "CH". Complete in original Hay & Lyall gilt frame. The reverse bears the remnants of the framer’s label “Hay & Lyall, Decorators, Carvers, Gilders & Printsellers to the Queen, 73 Union Street Aberdeen, established 1811”. Hay received his Royal Appointment as Carver & Gilder to Queen Victoria at Aberdeen in 1846. English, circa 1850.

6 ) Mid 19th century night scene of a Royal Mail carriage / coaching / four-in- hand oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of a Royal Mail carriage progressing at speed at night by Charles Cooper Henderson (English, 1803-1877). The coach displays the correct Royal Mail livery with a black with red door and lower panels, Post Office-red wheels, and The Royal Coat of Arms on the door. Signed with a discreet monogram on one of the packages on the roof "CH". Complete in original Hay & Lyall gilt frame. The reverse bears the remnants of the framer’s label “Hay & Lyall, Decorators, Carvers, Gilders & Printsellers to the Queen, 73 Union Street Aberdeen, established 1811”. Hay received his Royal Appointment as Carver & Gilder to Queen Victoria at Aberdeen in 1846. English, circa 1850.

7 ) A pair of snow scene carriage / coaching / four-in- hand oils by Henry Thomas Alken Snr. (English, 1785 – 1851)
A pair of oils depicting Royal Mail coaches in snowy landscapes by Henry Thomas Alken Snr. (English, 1785 – 1851). The fully-laden coaches wear the correct Royal Mail livery, black with red doors and lower panels, Post Office-red wheels, and The Royal Coat of Arms on the door with the name of the town at the end of the coach’s route.

8 ) Mid 19th snow scene of the London to Leeds Royal Mail carriage / coaching / six-in- hand oil after Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on panel of a London to Leeds Royal Mail coach progressing through deep snow after Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door. Unsigned. Note the necessity for six horses in the deep snow English, circa 1850.

9 ) 19th century oil of Hackney Carriage horses by Albert Clark (English, 1843 – 1892)
A 19th century oil on canvas of a pair of harnessed Hackney Carriage horses and terrier within a stable yard Albert Clark (English, 1843 – 1892). The horse wearing bridle, collar,saddle, bellyband all highly decorated with gilt fittings. Signed, in red, bottom left. English, circa 1860. Albert Clark was regularly commissioned to produce paintings of race horses, shire horse and such carriage horses. As a London equestrian and local to the Islington Agricultural Hall, Albert Clark also had the accolade of producing portraits for the Islington Horse Show prize winners.

10 ) Dalmation Painting
SOLD

11 ) Highland Cattle by William Watson Jnr. (English, 1831-1921).
Highland Cattle in Highland scene by William Watson Jnr. (English, 1831-1921) signed "W. Watson 1878".

12 ) Rooster /Cockrell by Charles Jacques (1813-1894)
Rooster /Cockrell by Charles Jacques (1813-1894). Oil on canvas. Signed "CH. Jacques". French, circa 1880.

13 ) Oil of a prize boar of the Berkshire Pig
Oil of a prize boar of the Berkshire Pig type, English provincial school, signed and dated 1861. SOLD

14 ) Oil on canvas of the Durham Ox famous in the early 19th century for its shape, size and weight, and a early example of the Shorthorn breed of cattle.
Oil on canvas of the Durham Ox famous in the early 19th century for its shape, size and weight, and a early example of the Shorthorn breed of cattle. The Durham Ox was born in March 1796 and was bred by Charles Colling of Ketton Hall, Brafferton, near Darlington . In 1801 the ox was sold to John Day of Harmston, near Lincoln. Day renamed it the Durham Ox and had a carriage specially made to transport it, drawn by four horses. For the next five years it toured with him around England and Scotland, exhibited to the public at agricultural fairs and other events. It proved extremely popular. For most of 1802 the Durham Ox was on show in London, For more on the Durham ox See Farm Animal Portraits in Britain 1780-1900, by Elspeth Moncrieff with Stephen and Joseph Iona published by the Antique Collectors' Club.

15 ) Oil on canvas of prize sows in a barn by George Morland (English, 1763-1804)
Oil on canvas of prize sows in a barn by George Morland (English, 1763-1804) Possibly Gloucester Old Spot Pigs. For other examples See Farm Animal Portraits in Britain 1780-1900, by Elspeth Moncrieff with Stephen and Joseph Iona published by the Antique Collectors' Club.

16 ) Young donkey aquatint dry-point etching by Kurt Meyer Eberhardt (German, 1895 - 1957).
Aquatint dry-point etching of a standing young donkey by Kurt Meyer Eberhardt (German, 1895 - 1957). Signed in the margin in pencil bottom right "K M Eberhardt". German circa 1925.

17 ) An oil of a cockerel by Charles Emile Jacque (French, 1813 - 1894)
An oil of a cockerel by Charles Emile Jacque (French, 1813 - 1894). Signed bottom right "Ch Jacque". French circa 1880.

18 ) Oil on canvas of an oxen
Oil on canvas of the Durham Ox famous in the early 19th century for its shape, size and weight, and a early example of the Shorthorn breed of cattle. The Durham Ox was born in March 1796 and was bred by Charles Colling of Ketton Hall, Brafferton, near Darlington . In 1801 the ox was sold to John Day of Harmston, near Lincoln. Day renamed it the Durham Ox and had a carriage specially made to transport it, drawn by four horses. For the next five years it toured with him around England and Scotland, exhibited to the public at agricultural fairs and other events. It proved extremely popular. For most of 1802 the Durham Ox was on show in London. For more on the Durham ox See Farm Animal Portraits in Britain 1780-1900, by by Elspeth Moncrieff with Stephen and Joseph Iona published by the Antique Collectors' Club.

19 ) A Victorian oil on panel of four goats / kids.
A mid-19th century Victorian oil on panel of four goats / kids. Indistinguishable signature bottom right. Circa 1880.

20 ) Gouache and watercolour sketch of cattle / cows by a lakeside attributable to Thomas Sidney Cooper CVO RA (English, 1803 – 1902)
Gouache and watercolour sketch on buff paper of cattle / cows gathered by a lakeside attributable to Thomas Sidney Cooper CVO RA (English, 1803 – 1902)

21 ) Watercolour of Mallards / ducks in flight by Thomas Blinks (English, 1860-1912)
A watercolour on buff paper of three Mallards / ducks and drake in flight by Thomas Blinks (English, 1860-1912). Signed bottom left “T Blinks”. English, circa 1890.

22 ) A watercolour on buff paper of three Mallards / ducks and drake taking flight from a reed bed by Reuben Ward Binks (1880 - 1950)
A watercolour on buff paper of three Mallards / ducks and drake taking flight from a reed bed by Reuben Ward Binks (1880 - 1950). Dedicated in ink to the reverse and dated “24th November 1921”. English 1921.

23 ) Mallards / ducks etching by George Vernon Stokes RA (English, 1873-1954)
An artist proof limited edition coloured dry-point etching of Wild Ducks & Drakes” by George Vernon Stokes, RA (English, 1873-1954). Coloured dry-point limited edition of 75, signed in pencil in the margin, “G Vernon Stokes”, and numbered “44/75”. The reverse bears gallery label “David C. Brown Fine Art Dealer 482 Sauchiehall Street, Glasgow, C.2” and is inscribed in ink “Signed Proof Etching “Wild Duck & Drake” by G. Vernon Stokes”. English, circa 1930.

24 ) Oil on canvas of horses, mares and foals by Wright Barker RBA (English, 1864 - 1941)
Oil on canvas of horses, mares and foals in rolling English countryside by Wright Barker RBA (English, 1864 - 1941) Signed bottom left "Wright Barker". English, circa 1900. A similar large oil on canvas of mares and foals by the artist titled "Wright Barker The Beeches Ollerton Newark" was sold at Christies New York, 30th May 2002. This could be the same location

25 ) The York and Edinburgh Royal Mail Coach trapped in a snow drift by James Pollard (English, 1792–1867)
An oil on canvas of The York and Edinburgh Royal Mail Coach trapped in a snow drift on a country lane by James Pollard (English, 1792–1867). Two coachmen encourage the horses while another man tries to unblock the wheel, and another on one of the horses rides off in the field behind; trees behind for help. The coach fully laden, wears the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the name of the town at the end of the coach’s route.Signed and dated 1827. English 1827.