26 ) Oil on canvas by Henry Stone (1616 - 1653), known as "Old Stone", after the painting Anthony Van Dyck of "The Three Eldest Children of Charles I", with their King Charles Spaniels. SOLD

27 ) An oil of a child dressed in blue with her beloved Maltese
An oil on canvas of a child in a blue dress, leaning against a drawing room chair with her beloved Maltese. French, circa 1880

28 ) 19th century silhouette of Ships
Painting on glass

29 ) 19th century silhouette of Ships
Painting on glass.

30 ) 19th century silhouette of Ships
Painting on glass.

31 ) Oil on canvas of sows in a barn by Thomas Weaver (English, 1774-1843)
Oil on canvas of sows in a barn by Thomas Weaver (English, 1774-1843) Possibly Gloucester Old Spot Pigs. For other examples See Farm Animal Portraits in Britain 1780-1900, by by Elspeth Moncrieff with Stephen and Joseph Iona published by the Antique Collectors' Club

32 ) Sailing Scene

33 ) Girl in Red Dress SOLD

34 )

35 ) Child with flowers SOLD

36 ) Coloured print of lions after the painting by William Huggins" (English, 1820-1884)
Large coloured print of lions after the painting by William Huggins(English, 1820-1884) English, mid 19th century

37 ) A 15 ct gold bar brooch of a Mallard duck in flight
A 15 carat gold bar brooch of a Mallard duck in flight. The ducks head and neck worked in enamel and platinum detail to one wing. Marked to the reverse of the Mallard's wing 'Platm 15ct', and to the bar '15ct' English, circa 1910

38 ) A still life in oil by Arthur Sheppard (English, exh. 1923)
A still life in oil on “Winsor and Newton” canvas of Blue Chrysanthemums in a terracotta jug standing on a window ledge by Arthur Sheppard (English, exh. 1923). Signed bottom left “A SHEPPARD”. English circa 1930 To the reverse stamped "No. 1 ...... canvas made by Winsor and Newton Ltd”. Arthur Sheppard was from England and painted in San Francisco, and Los Angeles. He exhibited one work at the Royal Academy. He also painted for the film industry.

39 ) A still life in watercolour by Miss Audrey W. Bacon (English, exh, 1940)
A still life in watercolour of mixed flowers in Japanese vase surrounded by objet including Japanese inro, by Miss Audrey W. Bacon (English, exh, 1940). Signed bottom right “A. W. BACON”. Englsh, circa 1920’s. Miss Audrey W. Bacon exhibited one work at the Royal Academy.

40 ) Royal Mail coaching oil by John Charles Maggs (English, 1819 - 1896)
An oil on canvas of a Royal Mail coach laden with passengers and luggage stopping at "Ye Old Hat Whitbread's Entire" by John Charles Maggs (English, 1819 - 1896). The coach wearing the correct Royal Mail livery, black with red door and lower panels, and Post Office red wheels. The original "Old Hat" was on the Uxbridge Road, Ealing, W13, the public house was Flynn's, after a period as the Walsingham Arms. Signed bottom left Signed "J. C. Maggs". English, circa 1880.

41 ) Snipe studies by Boris Stefanovitch Riabouchinsky (French, 1898-1975)
Studies by Boris Stefanovitch Riabouchinsky (French, 1898-1975). Lettered top right "Copyright by Ch. Ducher et Cie. 35 Ave de l'Opera, Paris, No. 741" Posthumously signed in pencil bottom left "B Riab". This re-strike appears in the reprint catalogues appendix to "Riab" by Docteur Jacques Bourdon. French, circa 1980.

42 ) “Children of the Mist” by Sir Thomas Landseer ARA (English, 1795-1880), after Sir Edwin Henry Landseer (English 1802 – 1873).
“Children of the Mist” engraved by Sir Thomas Landseer ARA (English, 1795-1880), after Sir Edwin Henry Landseer (English 1802 – 1873). Alerted stag and hinds scenting danger in misty moorland setting from the painting of 1853 by Edwin Landseer at the Royal Academy 1835. A mixed method stipple engraving etching published signed in pencil.

43 ) Humorist watercolour of a by Charles Ferdinand de Condamy (1855 - 1913)
Humorist watercolour by the famous French canine artist Charles Ferdinand de Condamy (1855 - 1913). A companion work to that of Paul Ernest Boniface de Castellane, Marquis de Castellane (1867-1932). Possibly of Castellane’s friend, Cornelis Theodorus Maria 'Kees' van Dongen (Dutch, 1877 – 1968). Signed bottom right “F de C”. French, circa 1900.

44 ) Watercolour of a Paul Ernest Boniface de Castellane, Marquis de Castellane (1867-1932) by Charles Ferdinand de Condamy (1855 - 1913)
Humorist watercolour by the famous French canine artist Charles Ferdinand de Condamy (1855 - 1913) of Paul Ernest Boniface de Castellane, Marquis de Castellane (1867-1932). Signed bottom right “F de C”. French, circa 1900.

45 ) Fish / Dover sole oil by Sir Edwin Henry Landseer RA (British, 1802-1873)
Oil still life study of three fish / Dover Sole placed on a dish by Sir Edwin Henry Landseer (English, 1802-1873). Bears inscription to the reverse, stating the study was a gift to the artist’s host. English, circa 1830.

46 ) Pen and ink drawing of ‘The Exhibition of Hayter's picture of The Trial of Queen Caroline’ by Sir Edwin Landseer R.A. (English, 1802-1873)
A pen and ink drawing of ‘The Exhibition of Hayter's picture of The Trial of Queen Caroline’ by Sir Edwin Landseer R.A. (English, 1802-1873). The 'trial' of Queen Caroline in 1820 was not technically a trial but a parliamentary debate on a bill designed to grant the King a divorce. Sir George Hayter (1792 – 1871) was a notable English painter, specialising in portraits. Landseer had known George and his brother John since childhood and both contributed major historical paintings to the Duke of Bedford’s gallery at Woburn Abbey. Today Sir George’s painting can be seen in the National Portrait Gallery.

47 ) Mid 19th century English Bristol London Royal Mail coaching oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of the Bristol London Royal Mail passing seated pipe smoker, in heathland setting, approaching town in the distance by Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the name of the town at the start and end of the coach's route “Bristol London”. Signed with discreet monogram to one of the trunks on the roof "CH". English, circa 1850.

48 ) Cock & hen pheasant oil by Brian M Wiggers, (English, late 20th century)
Oil on paper of a cock and hen pheasant in snow landscape by Brian M Wiggers, (English, late 20th century). Signed bottom left “Brian M Wiggers”. He is represented in the Witt Library, London. Circa, 1970.

49 ) Oil of three pigs / sows by George Morland (English, 1763-1804).
An oil on canvas of pigs / hogs in a barn by George Morland (English, 1763-1804). Signed bottom left “G Morland”.

50 ) A pencil study of a Bruges lady by Sir Edwin Henry Landseer R.A. (1802-1873)
A pencil study of a cottage girl seated on a low wall by Sir Edwin Henry Landseer R.A. (1802-1873). The reverse bears “Thos. Agnew & Sons Ltd” label “No. 24116” “London 43, Old Bond Street, Piccadilly, W”. Then a further typed label “Sir E. Landseer R.A. (1802-1873) “A Peasant Women Bruges” From a sketch-book”. Circa 1835 Landseer painted Louisa, Marchinoness of Abercorn (1812-1905) as a ‘cottage girl’ in similar attire. Peasant women were not an unfamiliar subject by Landseer there are several such drawings in The Royal Collection. English, circa 1830. Provenance: - Thomas Agnew and Sons No 24116