51 ) “The Wolf” a pencil study by Sir Edwin Henry Landseer R.A. (1802-1873)
A pencil study of a recumbent wolf by Sir Edwin Henry Landseer R.A. (1802-1873). Titled “The Wolf”. The reverse bears “Thos. Agnew & Sons Ltd” label “No. 24116” “London 43, Old Bond Street, Piccadilly, W”. Then a further typed label “Sir E. Landseer R.A. 1802-1873 “The Wolf”". English, circa 1820. Provenance: - Thomas Agnew and Sons No 25348

52 ) A pencil study of tiger’s paws and a tiger by Sir Edwin Henry Landseer R.A. (1802-1873)
An outline study of a tiger drawn beneath a more detailed study of a tiger's paws in pencil by Sir Edwin Henry Landseer R.A. (1802-1873). Edwin Landseer was drawing tigers and lions at the early age of nine. The reverse bears label for Watling Street Galleries. English, circa 1820. Provenance: - Watling Street Galleries, 116 Watling Street East, Towcester, Northamptonshire

53 ) A pencil drawing of a Donkey by Christopher Gifford Ambler (English, 1886-1965)
Pencil drawing on paper of a standing donkey by Christopher Gifford Ambler (English, 1886-1965). Signed bottom right "C Ambler". English, circa 1940’s.

54 ) “Écureuils”, Red Squirrel pencil with watercolour drawing by Xavier de Poret (French, 1894 - 1975)
A pencil with watercolour on paper of various studies of “Écureuils”, Red Squirrels by Xavier de Poret (French, 1894 - 1975). Signed “Xavier de Poret”, French. These are the studies for some of the same Squirrels as found in the later Hermes commissioned silk “Pekinois” 1967 scarf range that came in different colourways.

55 ) “les Biches”, Fallow Deer pencil with watercolour drawing by Xavier de Poret (French, 1894 - 1975)
A pencil with watercolour drawing on paper of various studies of “Les Biches”, Fallow Deer by Xavier de Poret (French, 1894 - 1975). Signed “Xavier de Poret”, French. These are the studies for some of the same hounds as found in the later Hermes commissioned silk “Les Biches” 1958 scarf range that came in different colourways.

56 ) “Say Good Night!” Groupil & Co photogravure of Princess Margaret and Prince Arthur as Princess and Prince of Connaught, published by B. Brooks & Sons after Charles Burton Barber (English, 1845-1894)
“Say Good Night!” a rare signed artist proof, Groupil & Co photogravure of Princess Margaret and Prince Arthur as Princess and Prince of Connaught, published by B. Brooks & Sons, after Charles Burton Barber (English, 1845-1894). The Princess, to the left, pictured standing holding a doll in right hand, with left hand extended towards her brother, Prince Arthur who pets a one of the Queen Victoria’s Collies. With a Terrier to the right and a toy horse on wheels to the left, within the Queen’s sitting-room. Signed bottom left “Burton Barber”. Lettered “London Published June 1st 1886 by B. Brooks & Sons, 171 Strand”. English 186

57 ) Portrait of a Young Girl.
Portrait of a young girl. Oil on canvas by Sir. William Beechy (1753 - 1839). Possibly a portrait of Catherine Oddey (1786 - 1882). SOLD

58 ) 19th century oil on canvas of a girl / boy/ child with bonnet
19th century oil on canvas of a girl / boy/ child with bonnet. SOLD

59 ) Young Girl With Cherries
Oil on Canvas, English, circa 1820. SOLD

60 ) Oil on canvas of a Lady by Edouard Bisson (French 1856-1939)
Oil on canvas of a Lady by Edouard Bisson (French 1856-1939). SOLD

61 ) Girl in landscape by Rev.William Deey (fl.1829-1874)
Oil on canvas of young girl in landscape in green velvet hat and silk dress holding her hula hoop, by Rev.William Deey (fl.1829-1874)

62 ) Oil on canvas of sisters signed and dated "W Fletcher 1853".

63 ) Oil on canvas of girl with her wheelbarrow.
Oil on canvas of girl with her wooden wheelbarrow and rag doll striding passed green painted Cornish panel fence of red roses. English, circa 1800 With blue eyes, blushed cheeks and beautiful curling brown hair, she wears a long and flowing white silk dress extensively detailed in lace and a blue silk sash and matching blue silk shoes, suggesting a girl from the upper reaches of the aristocracy.

64 ) Naive portrait of children, titled "Brother and Sister"
Oil on canvas naive portrait of children, titled "Brother and Sister" French school , late 19th century.

65 ) Child portrait of "Sisters" oil on canvas French circa 1880. Signed "Collet".
"Sisters" oil on canvas French circa 1880. Signed "Collet".

66 ) "A walk by the river" by Elinor Bellingham-Smith (1906-1988).

67 ) Watercolour of Wastwater and Great Gable by Reuben Ward Binks (English, 1880-1950)
Watercolour on card of head of Wastwater and Great Gable by Reuben Ward Binks (1880-1950). The head of the Wasdale Valley is surrounded by some of the highest mountains in England, including Scafell Pike, Great Gable and Lingmell. Unsigned. Ward Binks is best known for his canine works but retained a studio in Appleby, Westmorland, where he much time in his beloved Lake District and eventually retired.

68 ) Watercolour of Lake District village by Reuben Ward Binks (English, 1880-1950)
Watercolour of a Lake District village by Reuben Ward Binks (1880-1950). Unsigned. Ward Binks is best known for his canine works but retained a studio in Appleby, Westmorland, where he much time in his beloved Lake District and eventually retired.

69 ) A watercolour of the Queen’s Head, Mortlake by
A watercolour of the Queen’s Head, on the Thames at Mortlake by The Queen’s Head was situated on Mortlake High Street, built on land once forming the Mortlake Tapestry Works from The public house sign “Queen’s Head John Firmston” gives the name of the Licensed Victualler who is recorded with a license from between 1871 to 1878. Another sign reads “Phillips & Wigans Entire Fine Old Ales”. Charles James Philips and James Wigan were the owners of the local Mortlake Brewey since the 1840s, later acquired in 1889 by James Watney & Co. The Queen’s Head closed in the 1940’s.

70 ) Lake District print after Bernard Eyre Walker A.R.E., S.G.A (English, 1887 - 1972)
Lake District print after Bernard Eyre Walker A.R.E., S.G.A (English, 1887 - 1972). Signed and dated bottom left “B Eyre Walker 1945”

71 ) A dry-point etching of "Shaw's Bridge on the Lagan" by Robert Cresswell Boak, ARCA, FRSA (Irish, 1875-1945)
A dry-point etching artist’s proof of "Shaw's Bridge on the Lagan" near Belfast, County Antrim by Robert Cresswell Boak, ARCA, FRSA (Irish, 1875-1945). Title bottom left in pencil "Shaw's Bridge on the Lagan" and signed bottom right “R Cresswell Boak, ARCA”. Irish, circa 1920. Robert Creswell Boak was a prominent Irish artist of landscapes in the early 20th century. He was born at Letterkenny, County Donegal, Ireland in 1875, and studied at Londonderry School of Art, Glasgow School of Art, The Royal Cambrian Academy, and also in Paris and Rome. He Exhibited at the R.A., R.H.A., R.Cam.A, and in the Provinces. He was elected A.R.C.A. in 1930. He also lived in Belfast and later in London.-

72 ) An oil of walled garden and pool scene by Philip Eustace Stretton (1865–1919)
An oil of walled garden and pool scene by Philip Eustace Stretton (1865–1919)

73 ) Early 19th century Irish landscape oil by James Arthur O’Connor (Irish, 1792-1841)
An early 19th century Irish landscape oil by James Arthur O’Connor (Irish, 1792-1841). The reverse bears old label “Connor (the Irish Claude)”. Irish, circa 1830.

74 ) "Recollections of a Record Reign" dry point etching of a coach passing through Temple Bar, London by Frank Paton (English, 1856-1909)
An artist proof dry point etching titled "Recollections of a Record Reign" by Frank Paton (English, 1856-1909). A coach passing through Temple Bar, London. It had been dismantled very carefully in 1878 and was rebuilt in Paternoster Square in 2004. The central image is surrounded by vignettes representing each year of Victoria's reign until 1896, the year of her Diamond Jubilee. These include: portraits of Prince Albert, Wellington, Disraeli, Dickens, W.C. Grace, Edwin Landseer; and other's of the Queens favourites and buildings including St Paul's Cathedral, the Forth Railway Bridge and the Crystal Palce; and inventions including chlorogorm for surgery, dynamite, telephones and bicycles. Published 1898 by E E Leggatt, London, as part of the series of Christmas Cards publish from 1880 to 1909, then costing half-a-guinea each. An example exists in the collection of the British Museum following Edward Ernest Leggatt's 1919 donation of a full set of the Christmas series to the museum.

75 ) French child portrait with Pointer / Braque Français in oil.
An oil on canvas of brother and sister with their Braque Français. French, circa 1880.