26 ) A circa 1900 French Majolica earthenware boar jardinière
A circa 1900 French Majolica earthenware jardinière sculpture of a boar seated beside a pool of reeds and bulrushes. Possibly Sarreguemines majolica. Marked to the base “4044”. French, circa 1905.

27 ) An Art Nouveau stylised Borogove / boar jug / sauce boat by Mark V Marshall (English, 1843-1913) for Royal Doulton
An Art Nouveau stylised Borogove / boar stylised designed jug / sauce boat by Mark V Marshall (English, 1843-1913) for Royal Doulton Lambeth Ware. Glazed green, blue and ochre on a mushroom ground. Artist’s monogram “MVM” and factory mark to the base. English, circa 1881.

28 ) Victorian English, Sheffield, 12 piece silver-plate and cut glass ‘surtout de table’ camel ornamental centrepiece
A grand Victorian English, Sheffield, 12 piece silver-plate and cut glass ‘surtout de table’ camel ornamental centrepiece, comprising epergne, a pair three-light candelabra, a pair of compotes, and pair of vases, each with three recumbent camels to the base, all on a five-piece rectangular mirror plateau. English, circa 1900.

29 ) 19th century bronze boar by Alfred Dubucand (French, 1828 – 1894).
A fine 19th century bronze boar standing in long grass by Alfred Dubucand (French, 1828 – 1894). Signed “DUBUCAND”. French, circa 1880.

30 ) Late 19th, French bronze and ormolu pair of elephant candelabra / candlesticks
A pair of late French candelabra / candlesticks of kneeling elephants on ormolu bamboo stands, holding leaf decorated sconces with internal drip trays. French, circa 1880.

31 ) A magnificent and rare pair of large Louis XVI style gilt and bronze 'Ryhton' form cornucopia boar chenets / firedogs after Alexandre-Théodore Brongniart (French, 1739 –1813)
A magnificent and rare pair of large Louis XVI (1754 –1793) style chenets / firedogs in gilt and bronze. The chenets depict 'Ryhton' form cornucopia with fruiting swags that wrap and fall at the back, and a boar's heads resting on bronze plinths, with a gilt frieze. After architect Alexandre-Théodore Brongniart (French, 1739 –1813), whose son Alexandre Brongniart became a respected director of the Louvre. The Louvre has a pair of Sevres/Sèvres vases by Alexandre-Théodore Brongniart of similar form and shape, said to be the most astonishing pieces created in Sèvres during the First Empire. Brongniart derived the shapes from ancient Rhyton drinking vessels. The ‘Ryhton’ form originates from the ancient Greeks, a conical horn shape, typically formed into the shape of an animal's head. French, circa 1860.

32 ) A pair of 19th century French, 'Ryhton' form cornucopia opaline vases mounted into ormolu bronze boars
A pair of 19th century, French 'Ryhton' form cornucopia opaline glass vases, mounted into ormolu bronze boar’s heads, upon rectangular black marble bases. Each opaline vase is profusely decorated with gilt and polychrome oriental birds, foliage and flowers. Clearly inspired by the architect Alexandre-Théodore Brongniart's (French, 1739 –1813) ‘cornet’ Sevres vases with boars, which are now on display in the Louvre. Brongniart derived the shapes from ancient Rhyton drinking vessels; the ‘Rhyton’ form originates from the ancient Greeks, and forms s conical horn shape, typically formed in the shape of an animal's head. French, circa 1870.

33 ) A pair early 19th century Ostrich bronze, ormolu cut glass candlesticks / sconces
A rare pair of Regency bronze candlesticks portraying ormolu standing Ostriches amongst scrolling leaf and flower bronze work. Ormolu sconces and canopy with rose decoration from which hangs cut glass prismatic drops. English, circa 1830.

34 ) A 19th century cast iron and brass boar fireplace fender
A 19th century polished cast iron, adjustable fireplace fender. Each end is mounted with a seated boar. The boars are modelled on “Il Porcellino”, the famous boar in the bronze fountain in Florence. The frieze displays a pierced and scrolled cast decoration, a central motif of oak leaves and a number of vines and grapes applied in brass. French, circa 1880.

35 ) A pair of 19th century French, ormolu and cut glass ram’s head, 'Ryhton' form cornucopia vases
A pair of 19th century French ormolu and cut glass ram’s head, 'Ryhton' form cornucopia vases. Each vase features hexagon cut glass issuing from a ormolu ram's head, on a white marble rectangular base. French circa 1850.

36 ) 1960's silver plated boar's head glass pitcher Jug by Valenti
A large spherical glass pitcher jug with a silver plated boar’s head. The head with glass inlaid eyes. Marked Valenti. Spanish, circa 1960.

37 ) A fine quality boar head inkwell by Christophe Fratin (French, 1800-1864)
A fine quality boar head inkwell by Christophe Fratin (French, 1800-1864), complete with original bronze well. French, circa 1850.

38 ) Weir & Sons boxed set of George V silver boar menu holders by Adie Brothers Ltd.
A Weir & Sons of Dublin London boxed set of four silver menu holders of boar heads by Adie Brothers Ltd., of Birmingham. Each assayed Birmingham 1925, marked “A & Bros. Ltd” and to the base registered design number “75547”. Complete with original box marked “Weir & Sons 96 Grafton Street 1,2, & 3 Wicklow Street Dublin”. English 1925. Adie Brothers were a Birmingham firm of silversmiths with London premises. They were regular exhibitors, and these are possible the work of their chief designer Fernand Piret.

39 ) A silver plated bon bon dish of a Bactrian camel Arab/camel handler
A silver plated bon bon dish, with a handle formed as a standing Bactrian camel with Arab/camel handler. English, circa 1880

40 ) A Japanese Meiji period silk embroidery / textile of a river bank scene at Tamagawa near Tokyo
Japanese Meiji period silk embroidery of a river bank scene, at Tamagawa near Tokyo. Complete in original frame. The reverse bears ink label “Tamagawa Tokio”

41 ) A 19th century blue and white Spode / Copeland & Garett New Blanche 'British Flowers' pattern dog bowl
A Spode / Copeland & Garett New Blanche 'British Flowers' patterndog bowl, printed in underglazed blue. The reverse bears blue printed and impressed backstamp 'Copeland & Garett New Blanche'. The 'British Flowers' pattern which Spode introduced 1828. New Blanche refers to the clay body type. Circa 1850

42 ) Silver and horn caviar knife
Silver and horn caviar knife, assayed “925” Sheffield, dated 1918, with silversmith’s mark “PJM”. Possibly Peter Joseph Meek.

43 ) Late 19th century three-fold screen with Japanese Yuzen Birodo (Yuzen-dyed cut velvet) and Art Nouveau beaded glass panels
Late 19th century three-fold screen with two Japanese Yuzen Birodo (Yuzen-dyed cut velvet) panels Mount Fuji and Lakeside scenes and three Art Nouveau beaded glass panels of flowering prunus.

44 ) Solid bronze Roman head studies/ busts with silver and gilt decoration
Solid bronze Roman head studies/ busts with silver and gilt decoration 1. Adriano 2.Antonino Pio 3. Augusto 4.Claudio 5.Commodo 6.Nerone 7.Settimio Severo 8.Tiberio 9.Tiberio 2 10.Vespasiano

45 ) A Japanese Meiji period woven tapestry / textile of bijin and seated scholars within Gabriel Viardot (French, 1830-1906) dragon fire screen
A Japanese Meiji period woven tapestry / textile of a seated bijin with two seated scholars within elaborately carved Gabriel Viardot (French, 1830-1906) dragon fire screen. Japanese / French, circa 1890

46 ) A French musical pepper grinder with silver boar and pheasant detail.
A French musical pepper grinder with silver boar and pheasant detail. A rosewood French la chasse musical pepper grinder with silver mountings, including a boar's head spout and pheasant. The base with a wind up music box.