76 ) English, circa 1890 reverse intaglio running fox crystal brooch
An English, circa 1890 reverse intaglio crystal brooch of a Fox running across grassland. Mother of pearl backed. English, circa 1890

77 ) Victorian reverse intaglio crystal gold set stick pin of a fox
A reverse intaglio crystal 9 carat gold set stick pin of a fox’s head and shoulders. Mother of pearl backed. English, circa 1890. Reverse intaglio crystals are commonly and erroneously often called Essex Crystals.

78 ) Oil of three pigs / sows by George Morland (English, 1763-1804).
An oil on canvas of pigs / hogs in a barn by George Morland (English, 1763-1804). Signed bottom left “G Morland”.

79 ) A pair of 18 Carat gold brooch clips by Mellerio of Madrid in the form of coaching / carriage lamps
A pair of 18 Carat gold brooch clips by Mellerio of Paris in the form of carriage lamps. Each lamp with bevelled flawless rock crystal and ruby flames. Marked “Mellerio”, and assayed. French, circa 1940.

80 ) Cock & hen pheasant oil by Brian M Wiggers, (English, late 20th century)
Oil on paper of a cock and hen pheasant in snow landscape by Brian M Wiggers, (English, late 20th century). Signed bottom left “Brian M Wiggers”. He is represented in the Witt Library, London. Circa, 1970.

81 ) Mid 19th century English Bristol London Royal Mail coaching oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of the Bristol London Royal Mail passing seated pipe smoker, in heathland setting, approaching town in the distance by Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the name of the town at the start and end of the coach's route “Bristol London”. Signed with discreet monogram to one of the trunks on the roof "CH". English, circa 1850.

82 ) Mid 19th century English Stroud London Royal Mail coaching oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of the Stroud London Royal Mail meeting a returning coach by Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the name of the town at the end of the coach's route “Stroud London”. Signed with discreet monogram on a passing rock "CH". "R. and A. Ackermann” label to the reverse. Cooper Henderson had a long association with Ackermann. English, circa 1850.

83 ) Pen and ink drawing of ‘The Exhibition of Hayter's picture of The Trial of Queen Caroline’ by Sir Edwin Landseer R.A. (English, 1802-1873)
A pen and ink drawing of ‘The Exhibition of Hayter's picture of The Trial of Queen Caroline’ by Sir Edwin Landseer R.A. (English, 1802-1873). The 'trial' of Queen Caroline in 1820 was not technically a trial but a parliamentary debate on a bill designed to grant the King a divorce. Sir George Hayter (1792 – 1871) was a notable English painter, specialising in portraits. Landseer had known George and his brother John since childhood and both contributed major historical paintings to the Duke of Bedford’s gallery at Woburn Abbey. Today Sir George’s painting can be seen in the National Portrait Gallery.

84 ) A 19th century oil of a standing boy feeding his caged canary
A 19th century oil of a standing boy in an interior feeding his caged canary. Monogrammed bottom left.

85 ) Circa 1900, 14 carat gold egg shaped reverse intaglio crystal pendant of a hare
A 14 carat gold egg shaped reverse intaglio crystal pendant of a hare in grassland. Marked to the reverse 585.

86 ) Miniature silver pendant containing a pack of playing cards
A miniature silver box shaped pendant containing a pack of playing cards. One side depicts hand holding a heart, club diamond and spade cards. The other marked silver. English, circa 1900.

87 ) Fish / Dover sole oil by Sir Edwin Henry Landseer RA (British, 1802-1873)
Oil still life study of three fish / Dover Sole placed on a dish by Sir Edwin Henry Landseer (English, 1802-1873). Bears inscription to the reverse, stating the study was a gift to the artist’s host. English, circa 1830.

88 ) Weir & Sons boxed set of George V silver boar menu holders by Adie Brothers Ltd.
A Weir & Sons of Dublin London boxed set of four silver menu holders of boar heads by Adie Brothers Ltd., of Birmingham. Each assayed Birmingham 1925, marked “A & Bros. Ltd” and to the base registered design number “75547”. Complete with original box marked “Weir & Sons 96 Grafton Street 1,2, & 3 Wicklow Street Dublin”. English 1925. Adie Brothers were a Birmingham firm of silversmiths with London premises. They were regular exhibitors, and these are possible the work of their chief designer Fernand Piret.

89 ) Camel epergne by Henry Wilkinson and Company
A very fine gilt / ormolu and silver plated camel epergne by Henry Wilkinson and Company of Sheffield. Assayed to the base with registration mark and stamp “HW&Co”. English circa 1860.

90 ) A silver plated bon bon dish of a Bactrian camel Arab/camel handler
A silver plated bon bon dish, with a handle formed as a standing Bactrian camel with Arab/camel handler. English, circa 1880

91 ) Watercolour of a Paul Ernest Boniface de Castellane, Marquis de Castellane (1867-1932) by Charles Ferdinand de Condamy (1855 - 1913)
Humorist watercolour by the famous French canine artist Charles Ferdinand de Condamy (1855 - 1913) of Paul Ernest Boniface de Castellane, Marquis de Castellane (1867-1932). Signed bottom right “F de C”. French, circa 1900.

92 ) Humorist watercolour of a by Charles Ferdinand de Condamy (1855 - 1913)
Humorist watercolour by the famous French canine artist Charles Ferdinand de Condamy (1855 - 1913). A companion work to that of Paul Ernest Boniface de Castellane, Marquis de Castellane (1867-1932). Possibly of Castellane’s friend, Cornelis Theodorus Maria 'Kees' van Dongen (Dutch, 1877 – 1968). Signed bottom right “F de C”. French, circa 1900.

93 ) “Children of the Mist” by Sir Thomas Landseer ARA (English, 1795-1880), after Sir Edwin Henry Landseer (English 1802 – 1873).
“Children of the Mist” engraved by Sir Thomas Landseer ARA (English, 1795-1880), after Sir Edwin Henry Landseer (English 1802 – 1873). Alerted stag and hinds scenting danger in misty moorland setting from the painting of 1853 by Edwin Landseer at the Royal Academy 1835. A mixed method stipple engraving etching published signed in pencil.

94 ) Reverse intaglio crystal double sided game bird cufflinks
A set of reverse intaglio crystal double sided 18 carat gold set game bird cufflinks. Each cufflink with a different bird, including Partridge Pheasant and Woodcock to the other. Deeply and finely carved, and finely painted. Marked “18c”. English, circa, 1900

95 ) A Japanese Meiji period silk embroidery / textile of a river bank scene at Tamagawa near Tokyo
Japanese Meiji period silk embroidery of a river bank scene, at Tamagawa near Tokyo. Complete in original frame. The reverse bears ink label “Tamagawa Tokio”

96 ) Snipe studies by Boris Stefanovitch Riabouchinsky (French, 1898-1975)
Studies by Boris Stefanovitch Riabouchinsky (French, 1898-1975). Lettered top right "Copyright by Ch. Ducher et Cie. 35 Ave de l'Opera, Paris, No. 741" Posthumously signed in pencil bottom left "B Riab". This re-strike appears in the reprint catalogues appendix to "Riab" by Docteur Jacques Bourdon. French, circa 1980.

97 ) "Recollections of a Record Reign" dry point etching of a coach passing through Temple Bar, London by Frank Paton (English, 1856-1909)
An artist proof dry point etching titled "Recollections of a Record Reign" by Frank Paton (English, 1856-1909). A coach passing through Temple Bar, London. It had been dismantled very carefully in 1878 and was rebuilt in Paternoster Square in 2004. The central image is surrounded by vignettes representing each year of Victoria's reign until 1896, the year of her Diamond Jubilee. These include: portraits of Prince Albert, Wellington, Disraeli, Dickens, W.C. Grace, Edwin Landseer; and other's of the Queens favourites and buildings including St Paul's Cathedral, the Forth Railway Bridge and the Crystal Palce; and inventions including chlorogorm for surgery, dynamite, telephones and bicycles. Published 1898 by E E Leggatt, London, as part of the series of Christmas Cards publish from 1880 to 1909, then costing half-a-guinea each. An example exists in the collection of the British Museum following Edward Ernest Leggatt's 1919 donation of a full set of the Christmas series to the museum.

98 ) Early 19th century Irish landscape oil by James Arthur O’Connor (Irish, 1792-1841)
An early 19th century Irish landscape oil by James Arthur O’Connor (Irish, 1792-1841). The reverse bears old label “Connor (the Irish Claude)”. Irish, circa 1830.

99 ) Gouache and watercolour sketch of cattle / cows by a lakeside attributable to Thomas Sidney Cooper CVO RA (English, 1803 – 1902)
Gouache and watercolour sketch on buff paper of cattle / cows gathered by a lakeside attributable to Thomas Sidney Cooper CVO RA (English, 1803 – 1902)

100 ) An equestrian reverse intaglio crystal gold stick pin of a steeplechaser before a water fence.
An equestrian circular reverse intaglio gold stick pin of a steeplechaser before a water fence. The jockey in yellow and red silks. Fine ropework beading. English circa 1890. Reverse intaglio crystals are commonly and erroneously often called Essex Crystals.