51 ) A pencil drawing of a Donkey by Christopher Gifford Ambler (English, 1886-1965)
Pencil drawing on paper of a standing donkey by Christopher Gifford Ambler (English, 1886-1965). Signed bottom right "C Ambler". English, circa 1940’s.

52 ) "Attelage en Arbalète", Hermès silk scarf after Philippe Ledoux (French, 1903-1974)
"Attelage en Arbalète", Hermès silk scarf depicting coaching / carriage horses and their tack after Philippe Ledoux (French, 1903-1974). Titled in the scarf "Attelage en Arbalète, Hermès Paris” and marked “Ledoux “.

53 ) Goldsmith & Silversmith boxed set of George V silver fox menu / place settings / card holders.
A Sampson & Mordan boxed set of four silver menu / place settings / card holders of fox masks. Assayed Chester 1937 and 1938, and marked “G & SC”. Complete with original box, “By appointment to H. M. The King The Goldsmith & Silversmith Company Ltd 112, Regent Street, London, W1”.

54 ) Sampson & Mordan boxed set of George V silver fox menu / place settings / card holders.
A Sampson & Mordan boxed set of four silver menu / place settings / card holders of fox masks. The foxes with cabochon cut sapphire inlaid eyes. Each assayed London, 1922, and marked “SM & Co”. Complete with original box, “To His Majesty The King, Sorley, 93 & 97 St Vincent St & Renfield St Corner, Glasgow”.

55 ) Sampson & Mordan set of George V silver fox menu / place settings/ card holders.
A Sampson & Mordan boxed set of four silver menu / place settings / card holders of fox masks. The foxes with garnet inlaid eyes. Each assayed Chester 1913, and marked “SM & Co”. Complete with original box.

56 ) 19th century bronze boar by Alfred Dubucand (French, 1828 – 1894).
A fine 19th century bronze boar standing in long grass by Alfred Dubucand (French, 1828 – 1894). Signed “DUBUCAND”. French, circa 1880.

57 ) 19th century oval ivory miniature of young lady
19th century oval ivory miniature of young lady in a fine silk hat and dress with ruffles. In gilt hand made oval pendent frame behind convex glass. Card to reverse bears frame makers name “Aug. Walker Miniature Frame Maker, 118, New Bond Street, London, W.”. Unsigned. English, circa 1900.

58 ) Late 19th, French bronze and ormolu pair of elephant candelabra / candlesticks
A pair of late French candelabra / candlesticks of kneeling elephants on ormolu bamboo stands, holding leaf decorated sconces with internal drip trays. French, circa 1880.

59 ) A magnificent and rare pair of large Louis XVI style gilt and bronze 'Ryhton' form cornucopia boar chenets / firedogs after Alexandre-Théodore Brongniart (French, 1739 –1813)
A magnificent and rare pair of large Louis XVI (1754 –1793) style chenets / firedogs in gilt and bronze. The chenets depict 'Ryhton' form cornucopia with fruiting swags that wrap and fall at the back, and a boar's heads resting on bronze plinths, with a gilt frieze. After architect Alexandre-Théodore Brongniart (French, 1739 –1813), whose son Alexandre Brongniart became a respected director of the Louvre. The Louvre has a pair of Sevres/Sèvres vases by Alexandre-Théodore Brongniart of similar form and shape, said to be the most astonishing pieces created in Sèvres during the First Empire. Brongniart derived the shapes from ancient Rhyton drinking vessels. The ‘Ryhton’ form originates from the ancient Greeks, a conical horn shape, typically formed into the shape of an animal's head. French, circa 1860.

60 ) A pair of 19th century French, 'Ryhton' form cornucopia opaline vases mounted into ormolu bronze boars
A pair of 19th century, French 'Ryhton' form cornucopia opaline glass vases, mounted into ormolu bronze boar’s heads, upon rectangular black marble bases. Each opaline vase is profusely decorated with gilt and polychrome oriental birds, foliage and flowers. Clearly inspired by the architect Alexandre-Théodore Brongniart's (French, 1739 –1813) ‘cornet’ Sevres vases with boars, which are now on display in the Louvre. Brongniart derived the shapes from ancient Rhyton drinking vessels; the ‘Rhyton’ form originates from the ancient Greeks, and forms s conical horn shape, typically formed in the shape of an animal's head. French, circa 1870.

61 ) A pair early 19th century Ostrich bronze, ormolu cut glass candlesticks / sconces
A rare pair of Regency bronze candlesticks portraying ormolu standing Ostriches amongst scrolling leaf and flower bronze work. Ormolu sconces and canopy with rose decoration from which hangs cut glass prismatic drops. English, circa 1830.

62 ) A 19th century cast iron and brass boar fireplace fender
A 19th century polished cast iron, adjustable fireplace fender. Each end is mounted with a seated boar. The boars are modelled on “Il Porcellino”, the famous boar in the bronze fountain in Florence. The frieze displays a pierced and scrolled cast decoration, a central motif of oak leaves and a number of vines and grapes applied in brass. French, circa 1880.

63 ) A pair of 19th century French, ormolu and cut glass ram’s head, 'Ryhton' form cornucopia vases
A pair of 19th century French ormolu and cut glass ram’s head, 'Ryhton' form cornucopia vases. Each vase features hexagon cut glass issuing from a ormolu ram's head, on a white marble rectangular base. French circa 1850.

64 ) An early 20th Century easel back silver photograph frame depicting farm girl walking geese
An early 20th Century oak easel back silver rectangular photograph / picture frame in the Art Nouveau style girl walking with five geese. Bears silver registration mark bottom left, “Rᴰ Nᴼ 445749”, a British Registry Design for 1904. English, circa 1904.

65 ) A 19th century gold, diamond and demantoid coaching / carriage brooch
A very finely worked and well detailed 19th century gold, platinum, 43 old cut matching diamond and 46 demantiod garnet brooch in the form of a Royal Mail four-in-hand coaching / carriage. The carriage with two movable wheels, features gold detail including seats, shutters and a swingle tree. English, circa 1890.

66 ) Oil of a fluffle of rabbits in a woodland setting by William Luker jnr., RBA (English, 1867 - 1951).
An oil on canvas of a fluffle of rabbits, mother and bunnies, by their burrow in a woodland setting by William Luker jnr., RBA (English, 1867 - 1951). Signed and dated bottom left “W Luker, 1887”. English, 1887.

67 ) Mallards / ducks etching by George Vernon Stokes RA (English, 1873-1954)
An artist proof limited edition coloured dry-point etching of Wild Ducks & Drakes” by George Vernon Stokes, RA (English, 1873-1954). Coloured dry-point limited edition of 75, signed in pencil in the margin, “G Vernon Stokes”, and numbered “44/75”. The reverse bears gallery label “David C. Brown Fine Art Dealer 482 Sauchiehall Street, Glasgow, C.2” and is inscribed in ink “Signed Proof Etching “Wild Duck & Drake” by G. Vernon Stokes”. English, circa 1930.

68 ) A watercolour on buff paper of three Mallards / ducks and drake taking flight from a reed bed by Reuben Ward Binks (1880 - 1950)
A watercolour on buff paper of three Mallards / ducks and drake taking flight from a reed bed by Reuben Ward Binks (1880 - 1950). Dedicated in ink to the reverse and dated “24th November 1921”. English 1921.

69 ) Watercolour of Mallards / ducks in flight by Thomas Blinks (English, 1860-1912)
A watercolour on buff paper of three Mallards / ducks and drake in flight by Thomas Blinks (English, 1860-1912). Signed bottom left “T Blinks”. English, circa 1890.

70 ) A late 19th century reverse intaglio crystal coaching / carriage / four in hand gold brooch.
A late 19th century reverse intaglio crystal coaching / carriage / four in hand gold brooch, unusually depicting the carriage head on. In original sculptured box bearing jewellers label “S Kohn & Co. Princess, St. North, Dunedin, Watchmakers, Gold & Silversmiths”. Kohn & Co, were jewellers in Lambton Quay, Wellington, New Zealand, run by Mr Siegfried Kohn. New Zealand / English, circa 1880.

71 ) 1960's silver plated boar's head glass pitcher Jug by Valenti
A large spherical glass pitcher jug with a silver plated boar’s head. The head with glass inlaid eyes. Marked Valenti. Spanish, circa 1960.

72 ) A fine quality boar head inkwell by Christophe Fratin (French, 1800-1864)
A fine quality boar head inkwell by Christophe Fratin (French, 1800-1864), complete with original bronze well. French, circa 1850.

73 ) A pencil study of tiger’s paws and a tiger by Sir Edwin Henry Landseer R.A. (1802-1873)
An outline study of a tiger drawn beneath a more detailed study of a tiger's paws in pencil by Sir Edwin Henry Landseer R.A. (1802-1873). Edwin Landseer was drawing tigers and lions at the early age of nine. The reverse bears label for Watling Street Galleries. English, circa 1820. Provenance: - Watling Street Galleries, 116 Watling Street East, Towcester, Northamptonshire

74 ) “The Wolf” a pencil study by Sir Edwin Henry Landseer R.A. (1802-1873)
A pencil study of a recumbent wolf by Sir Edwin Henry Landseer R.A. (1802-1873). Titled “The Wolf”. The reverse bears “Thos. Agnew & Sons Ltd” label “No. 24116” “London 43, Old Bond Street, Piccadilly, W”. Then a further typed label “Sir E. Landseer R.A. 1802-1873 “The Wolf”". English, circa 1820. Provenance: - Thomas Agnew and Sons No 25348

75 ) A pencil study of a Bruges lady by Sir Edwin Henry Landseer R.A. (1802-1873)
A pencil study of a cottage girl seated on a low wall by Sir Edwin Henry Landseer R.A. (1802-1873). The reverse bears “Thos. Agnew & Sons Ltd” label “No. 24116” “London 43, Old Bond Street, Piccadilly, W”. Then a further typed label “Sir E. Landseer R.A. (1802-1873) “A Peasant Women Bruges” From a sketch-book”. Circa 1835 Landseer painted Louisa, Marchinoness of Abercorn (1812-1905) as a ‘cottage girl’ in similar attire. Peasant women were not an unfamiliar subject by Landseer there are several such drawings in The Royal Collection. English, circa 1830. Provenance: - Thomas Agnew and Sons No 24116