101 ) 19th century, French, Persian influence, elephant handled earthen ware / faïence jardinière / ‘cache-pot’ by Théodore Deck for Jules Viellard & Cie héodo
A rare and important, 19th century, ovoid, Persian influence, finely enamelled elephant mask handled jardinière / ‘cache-pot’ with geometric, lambrequin and floral decoration by Théodore Deck for Jules Viellard & Cie of Bordeaux. French, circa 1880.

102 ) Large silver boar stirrup cup by Karl Kurz Silberwarenfabrik of Kesselstadt
A large and fine Hanau silver stirrup cup by Karl Kurz Silberwarenfabrik of Kesselstadt. Assayed with the Karl Kurz mark for ‘925’ silver and marked ‘925’. Circa 1870 This a SOLD item and has been left in the Public Domain for research purposes.

103 ) Kayserzinn boar platter / plaque probably by Hugo Leven (German, 1874-1956) for J.P. Kayser & Sohn AG
An oval Kayserzinn platter / plaque depicting a running boar probably by Hugo Leven (German, 1874-1956) for J.P. Kayser & Sohn AG. The edge decorated in pine cones and needles, Model number 4344. Marked to the back “Kayserzinn 4344”. German, circa 1900.

104 ) Kayserzinn Bernese / St. Bernard sculpture by J.P. Kayser & Sohn AG
A rare Kayserzinn sculpture of a recumbent Bernese / St Bernard J.P. Kayser & Sohn AG. German, circa 1900.

105 ) Yorkshire Terrier " Terrier du Yorkshire" by Louis-Eugène Lambert (French, 1825-1900)
Oil on canvas of a recumbent Yorkshire Terrier, "Terrier du Yorkshire". Signed bottom right "L. Eug Lambert". A sketch of this same dog titled "Terrier du Yorkshire" is illustrated in “Les Chiens et Les Chats d'Eugene Lambert" by G. de Cherville published Librairie de l'Art, 1888. French, circa 1885.

106 ) Circa 1900, miniature on ivory of a Norfolk Terrier by “NH”
A very fine miniature on ivory of a Norfolk Terrier seated on his rear legs besides a blue crochet shawl. Signed in monogram bottom left “N.H”. English, circa 1900.

107 ) A 19th century Greyhound gold agate seal
A 19th century gold and agate seal, of a fine sculpture of a Greyhound’s head. The Greyhound set with cabochon cut ruby eyes, and the agate seal bearing a monogram. English, circa 1880.

108 ) Late 19th century, French, oil of a Briard by Jules-Bertrand Gélibert (1834-1916)
An oval head and shoulders of a black Briard by Jules-Bertrand Gélibert (1834-1916). Signed and dated “Jules Gélibert 1894. French, 1894.

109 ) Mid 19th snow scene of the London to Leeds Royal Mail carriage / coaching / six-in- hand oil after Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on panel of a London to Leeds Royal Mail coach progressing through deep snow after Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door. Unsigned. Note the necessity for six horses in the deep snow English, circa 1850.

110 ) A rare pair of mid 19th, French, ormolu and bronze Poodle / Barbet chenets / fire dogs / andirons inspired by designs by Jacques Caffieri (French, 1678-1755)
A rare pair of mid 19th, French, ormolu and bronze Poodle / Barbet chenets / fire dogs / andirons inspired by designs by Jacques Caffieri (1678-1755), the famous bronzier and Parisian sculptor, who received commissions from Cardinal Mazarin. The dogs are seated on velvet tasselled cushions and neoclassical plinths. French, circa 1860.

111 ) The York and Edinburgh Royal Mail Coach trapped in a snow drift by James Pollard (English, 1792–1867)
An oil on canvas of The York and Edinburgh Royal Mail Coach trapped in a snow drift on a country lane by James Pollard (English, 1792–1867). Two coachmen encourage the horses while another man tries to unblock the wheel, and another on one of the horses rides off in the field behind; trees behind for help. The coach fully laden, wears the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the name of the town at the end of the coach’s route.Signed and dated 1827. English 1827.

112 ) The Yarmouth Mail stationery at the Tree Cups, Colchester by James Pollard (English, 1792–1867)
The Yarmouth Royal Mail “Woodbridge Yoxford” coach with seven up parked at the “Three Cups Hotel” Colchester, outside the offices of “The Old Blue Coach Office” and “Star Coach Office” beneath a full moon evening, by James Pollard (English, 1792-1867). The coach fully laden, wears the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door with the town name “Woodbridge” and “Yoxford” signifying the coach’s route. The reverse bears the gallery label of “Arthur Ackermann & Sons Ltd 3 Old Bond Street, London W1 Established 1783”. Signed and dated middle bottom “J Pollard 1831”. English, circa 1831. An historic oil, the “Three Cups Hotel”, Colchester stood on the north side of the High Street from 1701 until its demolition in 1972, having been rebuilt in 1886. Pigot's directory stated that the Royal Mail coach left the Cups every night at 12.15 for London. This would seem to be about the time of night Pollard recorded the coach.

113 ) “The Sentinel”, ‘Duke of Beaufort's Lion and Dash’, pencil drawing by Thomas Landseer ARA (1794 – 1880) after Sir Edwin Henry Landseer RA (1802 –1873)
“The Sentinel” A pencil drawing by Thomas Landseer ARA (1793 or 1794 – 20 January 1880) after Sir Edwin Henry Landseer RA (7 March 1802 – 1 October 1873) oil painting of the same. A black Spaniel (Dash) dog barks at a recumbent St Bernard (Lion), Being portraits of Lion and Dash, the Duke of Beaufort's dogs, from the painting Edwin Landseer exhibited at the Royal Academy in 1840. Thomas Landseer engraved a mixed media on chine collé print of the work, published 18th June, 1844 by Henry Graves & Co. English, circa 1844.

114 ) Oil of “Putz” a Norfolk Terrier by George Thomas Paice (1854 – 1925)
Oil on canvas of “Putz” a seated Norfolk Terrier in an interior by George Thomas Paice (24 November 1854 – 14 March 1925). Signed and dated bottom left "G Paice 95” and titled centre “Putz”. English 1895.

115 ) Oil on canvas of a Greyhound by John Emms (English, 1843-1912).
Oil on canvas of a young fawn Greyhound seated in a garden ready to play ball by John Emms (English, 1843-1912). Signed bottom left “J Emms”. English, circa 1885.

116 ) A pair of snow scene carriage / coaching / four-in- hand oils by Henry Thomas Alken Snr. (English, 1785 – 1851)
A pair of oils depicting Royal Mail coaches in snowy landscapes by Henry Thomas Alken Snr. (English, 1785 – 1851). The fully-laden coaches wear the correct Royal Mail livery, black with red doors and lower panels, Post Office-red wheels, and The Royal Coat of Arms on the door with the name of the town at the end of the coach’s route.

117 ) Mid 19th century night scene of a Royal Mail carriage / coaching / four-in- hand oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of a Royal Mail carriage progressing at speed at night by Charles Cooper Henderson (English, 1803-1877). The coach displays the correct Royal Mail livery with a black with red door and lower panels, Post Office-red wheels, and The Royal Coat of Arms on the door. Signed with a discreet monogram on one of the packages on the roof "CH". Complete in original Hay & Lyall gilt frame. The reverse bears the remnants of the framer’s label “Hay & Lyall, Decorators, Carvers, Gilders & Printsellers to the Queen, 73 Union Street Aberdeen, established 1811”. Hay received his Royal Appointment as Carver & Gilder to Queen Victoria at Aberdeen in 1846. English, circa 1850.

118 ) Mid 19th century English Louth-London Royal Mail coaching oil by Charles Cooper Henderson (English, 1803-1877)
A mid 19th century oil on canvas of the Louth London Royal Mail coach crossing countryside by Charles Cooper Henderson (English, 1803-1877). The coach wearing the correct Royal Mail livery, black with red door and lower panels, Post Office red wheels, and The Royal Coat of Arms on the door. Signed with discreet monogram to one of the packages on the roof "CH". Complete in original Hay & Lyall gilt frame. The reverse bears the remnants of the framer’s label “Hay & Lyall, Decorators, Carvers, Gilders & Printsellers to the Queen, 73 Union Street Aberdeen, established 1811”. Hay received his Royal Appointment as Carver & Gilder to Queen Victoria at Aberdeen in 1846. English, circa 1850.

119 ) Victorian reverse intaglio carriage / coaching / four-in-hand diamond and gold set crystal brooch
A stunning reverse intaglio coaching crystal brooch of a Royal Mail coach on the road. Mother of pearl backed, in a superb diamond open backed silver set and gold mount. English, circa 1880. Reverse intaglio crystals are commonly and erroneously often called Essex Crystals.

120 ) An Art Nouveau stylised Borogove / boar jug / sauce boat by Mark V Marshall (English, 1843-1913) for Royal Doulton
An Art Nouveau stylised Borogove / boar stylised designed jug / sauce boat by Mark V Marshall (English, 1843-1913) for Royal Doulton Lambeth Ware. Glazed green, blue and ochre on a mushroom ground. Artist’s monogram “MVM” and factory mark to the base. English, circa 1881.

121 ) Victorian English, Sheffield, 12 piece silver-plate and cut glass ‘surtout de table’ camel ornamental centrepiece
A grand Victorian English, Sheffield, 12 piece silver-plate and cut glass ‘surtout de table’ camel ornamental centrepiece, comprising epergne, a pair three-light candelabra, a pair of compotes, and pair of vases, each with three recumbent camels to the base, all on a five-piece rectangular mirror plateau. English, circa 1900.

122 ) A sleeping Yorkshire Terrier oil by Franklin Whiting Rogers (American, 1854-1917)
An oil on canvas of a Yorkshire Terrier asleep on a red drape by Franklin Whiting Rogers (American, 1854-1917). In the background a wine glass. Signed and dated bottom right “F W Rogers 1880”. American 1880.

123 ) English, 19th century watercolour and wash of four Spitz dogs.
A late 19th century sepia tone watercolour of four Spitz dogs, one standing, one seated, and two recumbent. English, circa 1880.

124 ) English provincial school, 19th century, King Charles Cavalier type Spaniel oil
A large, English provincial school, late 19th century oil on canvas of a King Charles Cavalier type Spaniel. English, 1880

125 ) Maltese gouache and pastel by Juliusz Jakub Grosse Jr. (Polish, 1861–1933)
A gouache and pastel of a Maltese recumbent upon a brown velvet covered table by Juliusz Jakub Grosse Jr. (Polish, 1861–1933). Signed “J Grosse”, with dedication and dated 1876. Polish, 1876.