26 ) 19th century, French bronze doré hunting / ‘chasse’ boar stag / sanglier cerf wall sconces / ‘appliques’after Jean Joseph de Saint-Germain (French 1719-1791)
A pair of late 19th century bronze and bronze doré hunting / ‘chasse’ wall sconces / ‘appliques’, after the éminent 18th century master founder Jean Joseph de Saint-Germain (French, 1719-1791). Both draped oak leaves and acorns, the two arms similarly decorated. One depicts a boar’s / sanglier head, the other a stag / cerf. French, circa 1880.

27 ) Very unusual 19th century French cast iron boar vase after Claude Ballin (Paris 1615-1678) enamelled to imitate porphyry and marble
A very unusual 19th century French cast iron boar handled vase, enamelled to imitate porphyry and marble, after Claude Ballin (Paris, 1615-1678), Louis XIV’S goldsmith. The handles cast with Janus heads and boars' masks, the sides with shells, Greek key and oak leaf decoration, on waisted fluted stems and square platform bases.

28 ) 19th century, French, Persian influence, elephant earthen ware / faïence jardinière / ‘cache-pot’ by Théodore Deck for Jules Viellard & Cie Théodore Deck
A rare and important, 19th century, ovoid, Persian influence, finely enamelled elephant head handles jardinière / ‘cache-pot’ with geometric, lambrequin and floral decoration by Théodore Deck for Jules Viellard & Cie of Bordeaux. French, circa 1880. A variant of this jardinière model is illustrated in Jacqueline du Pasquier 2015 book "Vieillard & Cie, Histoire de la faïencerie fine de Bordeaux", plate 51, page 77.

29 ) Rare Japanese, Hokusai, inspired elephant handled vase, by Amédée de Caranza for Jules Vieillard & Cie, of Bordeaux.
Rare Japanese, Hokusai, inspired elephant handled vase, by Amédée de Caranza for Jules Vieillard & Cie. On a blie geometric ground, with central Hokusai inspire and two elephant head handles. The design is illustrated in Jacqueline du Pasquier 2015 book "Vieillard & Cie, Histoire de la faïencerie fine de Bordeaux", plate 111, on page 142. See also Bordeaux 1986, Musée des Arts Décoratifs, exhibition catalogue 'J. Vieillard & Cie. Eclectisme et Japonisme', edited by Jacqueline du Pasquier. A Hokusai plate is in the collection of the British Museum. French, circa 1880.

30 ) An Art Nouveau stylised Borogove / boar jug / sauce boat by Mark V Marshall (English, 1843-1913) for Royal Doulton
An Art Nouveau stylised Borogove / boar stylised designed jug / sauce boat by Mark V Marshall (English, 1843-1913) for Royal Doulton Lambeth Ware. Glazed green, blue and ochre on a mushroom ground. Artist’s monogram “MVM” and factory mark to the base. English, circa 1881.

31 ) A pair of Japanese, Meiji period, cloisonne elephant handled vases
A pair of Japanese, Meiji period, cloisonne elephant handled vases, decorated with stylised flowers against geometric scroll work. Japanese, circa 1885.

32 ) A 19th century Versailles / Medici shaped Vase Sarreguemines Majolica boar head vase
A 19th century Versailles / Medici shaped Vase Sarreguemines Majolica boar head vase. The heads surround by oak leaves and acorns, the vase similarly decorated with oak leaves and acorns and the interior of the vase is of sky blue colour typical of the production of the Sarreguemines factory at this time. It bears the Sarreguemines Majolica mark and “909” hollow under cover. In “Guide de l'amateur des faïences de Sarreguemines” by Emile Decker and Christian Thevenin, number 909 is the ‘Versailles Vase’ French, circa 1886

33 ) A Japanese Meiji period woven tapestry / textile of bijin and seated scholars within Gabriel Viardot (French, 1830-1906) dragon fire screen
A Japanese Meiji period woven tapestry / textile of a seated bijin with two seated scholars within elaborately carved Gabriel Viardot (French, 1830-1906) dragon fire screen. Japanese / French, circa 1890

34 ) A French musical pepper grinder with silver boar and pheasant detail.
A French musical pepper grinder with silver boar and pheasant detail. A rosewood French la chasse musical pepper grinder with silver mountings, including a boar's head spout and pheasant. The base with a wind up music box.

35 ) Solid bronze Roman head studies/ busts with silver and gilt decoration
Solid bronze Roman head studies/ busts with silver and gilt decoration 1. Adriano 2.Antonino Pio 3. Augusto 4.Claudio 5.Commodo 6.Nerone 7.Settimio Severo 8.Tiberio 9.Tiberio 2 10.Vespasiano

36 ) Victorian English, Sheffield, 12 piece silver-plate and cut glass ‘surtout de table’ camel ornamental centrepiece
A grand Victorian English, Sheffield, 12 piece silver-plate and cut glass ‘surtout de table’ camel ornamental centrepiece, comprising epergne, a pair three-light candelabra, a pair of compotes, and pair of vases, each with three recumbent camels to the base, all on a five-piece rectangular mirror plateau. English, circa 1900.

37 ) A French musical pepper grinder with silver boar and pheasant detail.
A rosewood French “chasse” musical pepper grinder with silver mountings, including a boar's head spout, pheasant finial, on lion mask head and feet. The base with a wind up music box. French circa 1900.

38 ) A very rare French, circa 1900, rose and elephant handled vase / jardinière by Alfred Broussillon (French, 1859-1922) for Limoges maker Jean Pouyat (French, 1835-1912)
A very rare French circa 1900 vase / jardinière by Alfred Broussillon (French, 1859-1922) for Limoges maker Jean Pouyat (French, 1835-1912). Profusely decorated with roses, gilt feet and gilt elephant head handles. Signed on the side “A Broussillon”. French, circa 1900.

39 ) A circa 1900 French Majolica earthenware boar jardinière
A circa 1900 French Majolica earthenware jardinière sculpture of a boar seated beside a pool of reeds and bulrushes. Possibly Sarreguemines majolica. Marked to the base “4044”. French, circa 1905.

40 ) A Japanese Meiji period silk embroidery / textile of a river bank scene at Tamagawa near Tokyo
Japanese Meiji period silk embroidery of a river bank scene, at Tamagawa near Tokyo. Complete in original frame. The reverse bears ink label “Tamagawa Tokio”

41 ) Silver and horn caviar knife
Silver and horn caviar knife, assayed “925” Sheffield, dated 1918, with silversmith’s mark “PJM”. Possibly Peter Joseph Meek.

42 ) Early 20th century Meissen boar after Max Esser, (German, 1885 – 1943)
A white hard paste boar standing on it’s front legs, designed in 1922. by Max Esser, (German, 1885 – 1943), for the "Reineke Fuchs" centrepiece.. Marked, on underside of the base, in underglaze blue, with the Meissen ‘crossed swords’ and incised with the model number H247. German, circa 1922.

43 ) Weir & Sons boxed set of George V silver boar menu holders by Adie Brothers Ltd.
A Weir & Sons of Dublin London boxed set of four silver menu holders of boar heads by Adie Brothers Ltd., of Birmingham. Each assayed Birmingham 1925, marked “A & Bros. Ltd” and to the base registered design number “75547”. Complete with original box marked “Weir & Sons 96 Grafton Street 1,2, & 3 Wicklow Street Dublin”. English 1925. Adie Brothers were a Birmingham firm of silversmiths with London premises. They were regular exhibitors, and these are possible the work of their chief designer Fernand Piret.

44 ) “La Foret” wrought iron fire screen by Edgar William Brandt (French, 1880 - 1960)
“La Foret” an elegant hammered and patinated black wrought iron fire screen with openwork decoration depicting leaping wild boar and dear amongst an interlacing foliage of oak leaves and acorns. The decoration edged by Brandt’s Assyrian scrollwork. Stamped “E Brandt”. French, circa 1925.

45 ) A 1930’s bronze Llama by Romano Espinoza Cáceda (Peruvian, 1898-1957) from B. Campaiola Foundry
A circa 1930’s bronze of a recumbent Llama by Romano Espinoza Cáceda (Peruvian, 1898-1957). Cast in the B. Campaiola Foundry in Lima, Peru. In 1937 he participated in the 1st Hall of the Independents of Lima in the Palace of the Exhibition of the Municipality of Lima, where he presented six sculptures, highlighting: Faun and Nymph, Llamas and Tapadas.

46 ) 1960's silver plated boar's head glass pitcher Jug by Valenti
A large spherical glass pitcher jug with a silver plated boar’s head. The head with glass inlaid eyes. Marked Valenti. Spanish, circa 1960.