|
51 )
19th century, French, Persian influence, elephant earthen ware / faïence jardinière / ‘cache-pot’ by Théodore Deck for Jules Viellard & Cie Théodore Deck A rare and important, 19th century, ovoid, Persian influence, finely enamelled elephant head handles jardinière / ‘cache-pot’ with geometric, lambrequin and floral decoration by Théodore Deck for Jules Viellard & Cie of Bordeaux. French, circa 1880.
A variant of this jardinière model is illustrated in Jacqueline du Pasquier 2015 book "Vieillard & Cie, Histoire de la faïencerie fine de Bordeaux", plate 51, page 77.
|
Paintings |
Other |
Yr: 1880 |
|
|
|
56 )
A pair of bronze doré hunting / chasse, tazza / coupes of partridge, pheasants, Setter / hounds attributable to Christophe Fratin (French, 1800-1864) A very fine pair of bronze doré hunting / chasse, tazza / coupes attributable to Christophe Fratin (French, 1800-1864), depicting partridge, pheasants amongst foliage, the stems decorated with three Setter / hound heads, both on octagonal marble bases. The handles in the form of tree branches. French, circa 1840.
|
Objets D'Art |
Setter |
Artist: Christophe Fratin |
Yr: 1840 |
|
|
|
58 )
Oil on canvas of a pair of Italian Greyhounds by François Gabriel Guillaume Lepaulle (French, 1804-1886)
Oil on canvas of a pair standing Italian Greyhounds by François Gabriel Guillaume Lepaulle (French, 1804-1886). Signed bottom right in red paint “G Lepaulleâ€. French, circa 1850
Lépaulle schooled at the prestigious l’École des Beaux-Arts, exhibited at the Paris Salon from 1824 onwards, and the Universal Exhibition of 1855, then today his work can be seen in museums in Paris, Versailles, Victoria Museum in London and The Clark Art Institute, Williamstown, MA.
|
Paintings |
Greyhound |
Artist: François Gabriel Guillaume Lepaulle |
Yr: 1850 |
|
|
|
59 )
Pair of 18 carat gold reverse intaglio Greyhound crystal cufflinks A pair of 18 carat gold mother of pearl backed reverse intaglio Greyhound crystal cufflinks. Each cufflink carved with a different image of the Greyhound in coursing motion.
The idea clearly derived from Eadweard Muybridge’s study of the Greyhound’s gait, conducted as part of his very famous study of various animals in motion, ca. 1878–1879. Muybridge’s work changed how artists painted the likes of Greyhounds and horses in motion. Very unusual crystals, clearly commissioned by a very proud owner. Marked to the bar and ring “18ctâ€, with further indecipherable poinçon marks. Complete with original gilt tooled leather box.
French, circa 1885
|
Reverse Intaglios |
Greyhound |
Yr: 1885 |
|
|
|
71 )
French Bulldog oil by Nicolas Stanislas-Auguste Vimar (French, 1851-1916)
An oil on canvas of a white French Bulldog proudly seated on a cane chair hung with a coat by Nicolas Stanislas-Auguste Vimar (French, 1851-1916). Signed and dated bottom left "A Vimar". This Bulldog appears in another work by the artist which today can be seen in the Musée des Beaux-Arts de Marseille, and is illustrated in "Le Peintre et L'Animal en France au XIXème Siècle" by Elisabeth Hardouin-Fugier, Les Editions de L'Amateur, 2001. French, circa 1900.
|
Paintings |
French Bulldog |
Artist: Auguste Vimar |
Yr: 1900 |
|
|
|
72 )
“Say Good Night!†Groupil & Co photogravure of Princess Margaret and Prince Arthur as Princess and Prince of Connaught, published by B. Brooks & Sons after Charles Burton Barber (English, 1845-1894)
“Say Good Night!†a rare signed artist proof, Groupil & Co photogravure of Princess Margaret and Prince Arthur as Princess and Prince of Connaught, published by B. Brooks & Sons, after Charles Burton Barber (English, 1845-1894). The Princess, to the left, pictured standing holding a doll in right hand, with left hand extended towards her brother, Prince Arthur who pets a one of the Queen Victoria’s Collies. With a Terrier to the right and a toy horse on wheels to the left, within the Queen’s sitting-room. Signed bottom left “Burton Barberâ€. Lettered “London Published June 1st 1886 by B. Brooks & Sons, 171 Strandâ€. English 186
|
Paintings |
Other |
Artist: Charles Burton Barber |
Yr: 1860 |
|
|
|
75 )
19th century oil of Hackney Carriage horses by Albert Clark (English, 1843 – 1892) A 19th century oil on canvas of a pair of harnessed Hackney Carriage horses and terrier within a stable yard Albert Clark (English, 1843 – 1892). The horse wearing bridle, collar,saddle, bellyband all highly decorated with gilt fittings. Signed, in red, bottom left. English, circa 1860.
Albert Clark was regularly commissioned to produce paintings of race horses, shire horse and such carriage horses. As a London equestrian and local to the Islington Agricultural Hall, Albert Clark also had the accolade of producing portraits for the Islington Horse Show prize winners.
|
Paintings |
Coaching |
Artist: Albert Clark |
Yr: 1860 |
|
|
|