1 ) Flatcoat Retriever and Ptarmigan oliograph for Buchanan’s Black and White Whisky after Maud Earl (English, 1864-1943)
A seated Flatcoat Retriever holding a Ptarmigan oliograph, the image famously published in Buchanan's Black & White Scotch Whisky advertisements in 1922 / 1923, after Maud Earl (English, 1864-1943). Before Buchanan’s decided on the Scottish Terrier and West Highland Terrier (Scottie and Westie) as branding for their whisky, they used all sorts of different dogs to promote their product, often commissioning paintings from the top animal painters of the day, such as here with Maud Earl. Those by Maud Earl included three Yorkshire Terriers, English Pointer, four West Highland Terriers, Scottish Terrier, three Bull Terriers and puppies in a basket. This is rare being complete in Buchanan's original black frame inscribed, top “Black & White” then bottom “Scotch Whisky”.

2 ) Oil of two Yorkshire Terrier dogs by Margaret Boden, (nee Tulloch) Scottish (1902-2001)
An oil on canvas of a seated and recumbent Yorkshire Terrier by Margaret Boden, (nee Tulloch) Scottish, (1902-2001). Signed bottom right “Margaret Boden”. The reverse bears old 1980’s exhibition label for the Society of Women Artists “at The Mall Galleries”. The canvas is marked C. Roberson & Co. Ltd. 71 Parkway London, NW1. English, circa 1980.

3 ) Oil of a Yorkshire Terrier by Margaret Boden, (nee Tulloch) Scottish (1902-2001)
An oil on canvas of a seated Yorkshire Terrier by Margaret Boden, (nee Tulloch) Scottish, (1902-2001). Signed bottom right “Margaret Boden”. The canvas is marked C. Roberson & Co. Ltd. 71 Parkway London, NW1. English, circa 1980.

4 ) Micromosaic / Micro-Mosaic / Micro Mosaic plaque of a Lewchen
Micromosaic plaque of a Lewchen A rectangular micromosic set in black vitreous paste of a recumbent pampered Lewchen / Pomeranian resting upon a rich red velvet tasselled cushion. Possibly from the works shops at 134 Via del Babuino, Rome of Luigi Cavaliere Moglia, (1813ca - 1878). A rare subject matter for a mosaic. Italian, circa 1850

5 ) Cairn Terrier oil by Alexander Forbes ARSA (Scottish, 1802 -1839)
An oil on canvas of a head study of a Cairn Terrier by Alexander Forbes ARSA (Scottish, 1802 -1839). Signed bottom left “A Forbes” and dated 1833. Alexander Forbes was known as ‘Edwin Landseer of the North’. Scottish 1833.

6 ) "In The Warren", English terriers pencil drawing by Sir Edwin Henry Landseer R.A. (1802-1873) from 1824
"In The Warren", English terriers pencil drawing by Sir Edwin Henry Landseer R.A. (1802-1873) from 1824. The drawing is illustrated, as a woodblock, ‘Fig.89’ page 132 in “The Works of Sir Edwin Landseer” by W. Comos Monkhouse titled “In The Warren (1824)”. The author refers to the dogs as ‘English terriers’. The reverse bears label for Watling Street Galleries. English, 1824. Provenance: - C W Mansel Lewis - "The Works of Sir Edwin Landseer RA” by W Cosmo Monkhouse, published in 1879 which was "illustrated by 44 steel engravings and about 200 woodcuts". - Watling Street Galleries, 116 Watling Street East, Towcester, Northamptonshire

7 ) "Dogs at Bay", English terriers pencil and chalk drawing by Sir Edwin Henry Landseer R.A. (1802-1873) from 1828
"Dogs at Bay”, a pencil drawing of two English playing with a hedgehog by Sir Edwin Henry Landseer R.A. (1802-1873) from 1824. The drawing is illustrated, as a woodblock, ‘Plate XXXII’ in “The Works of Sir Edwin Landseer” by W. Comos Monkhouse titled “Dogs at Bay”. The author refers to the dogs as ‘English terriers’. Possibly a study for “Jocko” a terrier and hedgehog commissioned for Lieut-Col Peers William, exhibited at the Royal Academy in 1828. The reverse bears label for Watling Street Galleries. English, 1828 Provenance: - Charles William Mansel Lewis - "The Works of Sir Edwin Landseer RA” by W Cosmo Monkhouse, published in 1879 which was "illustrated by 44 steel engravings and about 200 woodcuts". - Watling Street Galleries, 116 Watling Street East, Towcester, Northamptonshire

8 ) “On the Scent”, a pencil drawing of a setter by Sir Edwin Henry Landseer R.A. (1802-1873) from 1819.
A pencil drawing of a setter on the scent by Sir Edwin Henry Landseer R.A. (1802-1873). The drawing is illustrated, as a woodblock, ‘‘Fig.27 page 37 “The Works of Sir Edwin Landseer” by W. Comos Monkhouse titled “On the Scent”. That image is slightly cropped, the drawing here complete with some canine studies near the margin. The author refers to the dogs “as a cross between a pointer and setter”. It is though more likely a setter. The reverse bears label for Watling Street Galleries. English 1819. Provenance: - Charles William Mansel Lewis - "The Works of Sir Edwin Landseer RA” by W Cosmo Monkhouse, published in 1879 which was "illustrated by 44 steel engravings and about 200 woodcuts". - Watling Street Galleries, 116 Watling Street East, Towcester, Northamptonshire

9 ) English terrier pencil drawing by Sir Edwin Henry Landseer R.A. (1802-1873) from 1822
A drawing of a recumbent English terrier, with sheep huddled in the background by Sir Edwin Henry Landseer R.A. (1802-1873) from 1822. Initialled and dated bottom right “EL 1822”. The reverse bears label for Watling Street Galleries. English, 1822. Provenance: - Watling Street Galleries, 116 Watling Street East, Towcester, Northamptonshire

10 ) A circa 1905 18 carat gold, diamond ruby King Charles Cavalier brooch by Charles-Eugène Thiénot
A fabulous 18 carat gold, diamond ruby brooch of a head study of a King Charles Cavalier by Charles-Eugène Thiénot.The dog has cabochon cut ruby eyes and wears a diamond collar and bow mille grain and platinum set with 14 old cut diamonds. The reverse is inscribed “C Thiénot 3”. The clasp is further stamped and assayed. French, circa 1905. Charles-Eugène, and highly respected French jeweller, sculptor and Art Noveau artist who exhibited at the prestigious Paris Salon, circa 1900. Such pieces included canine and cat subjects. French, circa 1905

11 ) A late Victorian standing Dandie Dinmont diamond and ruby brooch
A late Victorian standing Dandie Dinmont diamond brooch. Silver set with old cut diamonds, gold open backed, with carved detail to body, legs and tail, cabochon cut ruby eye. English, circa 1880

12 ) Oil on canvas of "Lilly Rightaway" by Maud Earl (English, 1864-1943)
An image of Princess de Montglyon and Countess d'Argenteau famous " Lilly Rightaway " recumbent on a drape covered sofa. The painting was famously reproduced (page 438) in Compte Henri de Bylandt (H.A. graff van Bylandt). From the Kennel Gazette: “Other well-known inmates of Her Highness's kennels are Old Hall Shamrock, Lily Rightaway, Champion Barwell Masterpiece, Lady Clinker, and Ormskirk Iodone, all Rough-coated Collies; and Jock, and Worry of Argenteau, Fox-terriers. The kennels at Chateau d'Argenteaux, in Belgium, are well appointed, and every care and attention is given to the comfort and well-being of the animals, under the personal supervision of the Princess, who takes great interest in her pets. Her Highness was born Princess de Montglyon and Countess d'Argenteau, and is the wife of the Due d'Avaray. I am sure even these few words will be interesting to my readers about one holding an envied position amongst Doggy People, with whom she is deservedly popular. Besides the portrait of Her Highness, I am able to give pictures of some of the celebrated Collies in Her Highness's kennel.”

13 ) A pencil drawing of a Wire-haired Fox Terrier by C Redoubt, (French)
A very fine pencil drawing of a recumbent Wire-haired Fox Terrier by C Redoubt, (French), on C A Grain Canson drawing paper. Watermarked C A Grain Canson – France. French, circa 1930.

14 ) A bronze of a King Charles Spaniel by Henri Emile Adrien Trodoux (French, 19th)
A bronze of a standing King Charles Spaniel, with right leg raised, the other standing on a fan and owners glove by Henri Emile Adrien Trodoux (French, 19th). Signed on the oval base “Trodoux”. French, circa 1860.

15 ) Oil on canvas of a seated French Bulldog by Maud Earl (English, 1864-1943)
An oil on canvas of a French Bulldog seated by a stone pillar by Maud Earl (English, 1864-1943). In original ebonised frame. Signed bottom right “Maud Earl 1900”. The canvas bearing the mark of limited edition portfolio “Toys and Terriers” published by The Berlin Photographic Company in 1903. English, circa 1900.

16 ) Brabancon and Bruxellois Griffon etching by Leon Danchin (French, 1887-1939)
A limited edition etching of a seated Brabancon, standing Brabancon and recumbent Bruxellois Griffon by Leon Danchin (French, 1887 - 1938). Not lettered. Signed and numbered bottom left “Leon Damchin 7-300”. French, circa 1930

17 ) Cat & Maltese reverse intaglio locket
A rare reverse intaglio cat crystal with "Maltese" dog crystal to the reverse. Set in Gold locket, both crystals framed in old cut Diamonds. Reverse intaglio crystals are commonly and erroneously often called Essex Crystals

18 ) 19th century French bronze doré boar inkwell
A 19th century French bronze doré boar inkwell set on a black marble veined pin tray. The boar with inlaid eyes.

19 ) A Barr Flight & Barr Worcester inkwell set depicting a Spaniel / Setter
A Barr Flight & Barr Worcester lidded single inkwell set depicting a recumbent red and white Spaniel / Setter. With marbled veined finish and mercurie oxide gilt decoration, imitating Italian scagliola marble, the inkwell provides for two quills and a central candle. The scagliola finishes were popular by the maker from around 1800 to 1820. The painting of the Spaniel / Setter is possibly by Enoch Doe (English, ca. 1785 - fl. 1851). On the base the hand written script marks read, beneath a crown, “Barr Flight & Barr Worcester manufactured to their majesties Prince of Wales & Royal Family”. This is considered to be the most elaborate of Flight and Barr porcelain marks. Together with the maker’s mark, in the same hand. Then incised ‘173’. English, circa 1815.

20 ) French Greyhound knife rests / porte couteaux & place settings, circa 1950's
A set of 12 French running Greyhound silver metal / metal argente knife rests / ‘porte couteaux’ unusually facilitating as place settings, circa 1950's, Each Greyhound mounted on a rectangular teak base. Complete in their beautifully velvet lined original box. In the style of Edouard-Marcel Sandoz (1881 – 1971). French, circa 1950.

21 ) An Austrian ‘Vienna’ / ‘Wiener’ bronze Dachshund bell push / ringer, circa 1900
An Austrian ‘Vienna’ / ‘Wiener’ bronze bell push / ringer, in the form of two Dachshund puppies in a pouch. This was perhaps inspired after the Austrian animal painter Carl Reichert’s (1836-1918), baskets of puppies and kittens. Austrian circa 1900. These beautifully made bronze bell pushes were used by the wealthy and aristocratic Viennese households to call their staff.

22 ) An Austrian ‘Vienna’ / ‘Wiener’ bronze Dachshund & cat bell push / ringer, circa 1900
An Austrian ‘Vienna’ / ‘Wiener’ bronze bell push / ringer, in the form of a Dachshund dancing with a cat. Austrian, circa 1900. These beautifully made bronze bell pushes were used by the wealthy and aristocratic Viennese households to call their staff.

23 ) An Austrian ‘Vienna’ / ‘Wiener’ bronze French Bulldog bell push / ringer, circa 1900
An Austrian ‘Vienna’ / ‘Wiener’ bronze bell push / ringer, in the form of a seated French Bulldog. Austrian, circa 1900. These beautifully made bronze bell pushes were used by the wealthy and aristocratic Viennese households to call their staff.

24 ) A porcelain Greyhound and hare by Jacob Petit (French, 1796-1865)
A porcelain standing Greyhound with a hare between its legs by Jacob Petit (French, 1796-1865). Signed on the base “JP”. Jacob Petit (French, 1796-1865) was one of the most famous French porcelain manufacturers of the 19th century. He began studying painting at Gros, then left Paris for England which gave him the taste for decorative objects. On his return to France in 1830, he published a book of interior decoration. His greatest interest was though in porcelain. By 1838 he bought Weill Baruch, in Fontainebleau. In 1850, he merged his two factories in Avon, but some years later, in 1862, he retires from Paradise Street Poissonière, transferring its business to one of his workers, Jacquemain.

25 ) A Gordon Setter oil by Margarethe Schönermark (Wolfenbüttel 1873 - 1951 Remagen)
An oil of a seated Gordon Setter in a garden in front of a wall by Margarethe Schönermark (Wolfenbüttel 1873 - 1951 Remagen). Signed bottom left “M Schönermark” German, circa 1900