1 ) Art Nouveau French 18 carat gold and gem set Setter brooch STOLEN
An 18 carat, circa 1900 French Art Nouveau gold brooch collet set with two old cut diamonds and three sapphires depicting a finely worked Setter’ head. French circa 1900

2 ) A gouache Sealyham Terriers by Reuben Ward Binks (English, 1880 - 1950)
A gouache on paper of three head studies of the Sealyham Terrier by Reuben Ward Binks (English, 1880 - 1950). Titled “SEALYHAMS”. Signed and dated bottom right "R W Binks 1922". English 1922.

3 ) Oil of lady and Spitz by Gabriel Spat Chişināu (Moldavië 1890-1967)
Oil on paper of an elegant Parisian holding her Spitz by Gabriel Spat Chişināu (Moldavië 1890-1967). Painted during the artist’s residence in Paris between 1919 and 1942. Signed. French, circa 1930’s.

4 ) Art Deco bronze Pekingese bookends by Alexandre Kéléty (Hungarian, 1918-1940)
A pair of Art Deco, 1930’s bronze and marble Pekingese bronze bookends by Alexandre Kéléty (Hungarian, 1918-1940). Each dog signed “A. Kéléty”. Made whilst the artist was living in France. French 1930.

5 ) Irish Terrier dry-point etching “Playmates” by Marguerite Kirmse (English, 1885 -1954)
A dry-point etching, “Playmates” of two Wire-haired Fox Terrier puppies playing with a stick by Marguerite Kirmse (English, 1885 -1954). Published Spring, 1925. In pencil, titled “Playmates” and signed bottom right “Marguerite Kirmse”. The reverse bears gallery label for “Arthur Ackermann & Son, Bond Street, London”. American 1925.

6 ) A 19th century pair of silver plated King Charles Cavalier Spaniel salts
A 19th century pair of silver plated King Charles Cavalier Spaniel salts, the dogs seated by gilt lined bowls. These King Charles Cavalier no doubt modelled on the Queens favourite and famed Spaniel ‘Dash’. Circa 1860.

7 ) “Les Compagnons du Saltinbanque” oil of Poodle and monkey, circus performers, by Joseph Édouard Stevens (Belgium, 1816-1892).
An oil on canvas of travelling circus entertainers, Poodle and monkey dressed to perform, by Joseph Édouard Stevens (Belgium, 1816-1892). Signed and dated bottom right “J Stevens 87”. The reverse bears exhibition label ‘L'art Belge-Luxembourg” exhibition label’, titled “Les compagnons du Saltinbanque” by “Jos Stevens” lent by “M Warnaut” of “rue de la concorde 51” in Brussels. Travelling circus entertainers was a popular theme for Joseph Stevens. Belgium, 1887.

8 ) The Pekingese “ ” by Miss Dorothy S Hallet (English, fl 1913-1934).
Pastel on buff paper of a head study of the Pekingese “ ” by Miss Dorothy S Hallet (English, fl 1913-1934). Signed, bottom right “Dorothy S Hallet” and titled bottom left “ “. The Pekingese breed was on of the artist’s most favourite, and one in which Dorothy Hallett excelled.

9 ) A King Charles Cavalier inkwell by Jacob Petit (French, 1796-1868)
A King Charles Cavalier inkwell by the famous Parisian 19th sculpture, Jacob Petit (French, 1796-1868). Petit worked at the porcelain factory at Sèvres as a painter. With his brother Mardochée he bought a porcelain factory in Fontainebleau in 1830. French, circa 1880.

10 ) Gilt 1930’s Pointer cufflinks by the New Jersey firm of Krementz & Co
A set of double sided 1930’s Pointer cufflinks by the New Jersey firm of Krementz & Co. Withsilver pattern boarders and the silver plated bases marked “KREMENTZ”. American, circa 1930’s.

11 ) Pencil and watercolour sketch of “Benny” a Pug by Charles Frederick Tunnicliffe R.A. (English, 1901 – 1979)
Pencil and watercolour sketch of “Benny” a fawn Pug standing in garden by Charles Frederick Tunnicliffe R.A. (English, 1901 – 1979). The prepatory drawing for Tunnicliffe watercolour of “Benny”. Signed bottom right “C F Tunnicliffe”. English, circa 1966. Provenance: Tunnicliffe travelled to Belgrave Place, SW1 around 1966 to sketch the pug Benny. He then executed the watercolour at his studio in Anglesea and sent the picture back to London . It has remained in the family by descent since then.

12 ) Watercolour of “Benny” a Pug by Charles Frederick Tunnicliffe R.A. (English, 1901 – 1979)
Watercolour of “Benny” a fawn Pug standing in garden by Charles Frederick Tunnicliffe R.A. (English, 1901 – 1979). Signed bottom right “C F Tunnicliffe”. English, circa 1966. Provenance: Tunnicliffe travelled to Belgrave Place, SW1 around 1966 to sketch the pug Benny. He then executed the watercolour at his studio in Anglesea and sent the picture back to London . It has remained in the family by descent since then.

13 ) Oil of a Manchester Terrier by William Arnold Woodhouse (English, 1857-1939)
Oil on canvas of a head and shoulders study of a Manchester Terrier by William Arnold Woodhouse (English, 1857-1939). Signed and dated “W Woodhouse -83-“. English, 1883.

14 ) Suckling silver gilt Sealyham Terrier brooch
Silver gilt Sealyham Terrier made by Suckling Ltd of Birmingham after circa 1925. From a series of breeds by the Birmingham maker that included, Setter, Sealyham, Scottish Terrier, Wire-haired Fox Terrier, and Airedale. Each clearly modelled from a show Champion of the 1920s.

15 ) Suckling silver gilt Scottish Terrier brooch
Silver gilt Scottish Terrier by Suckling Ltd of Birmingham after circa 1925. From a series of breeds by the Birmingham maker that included, Setter, Sealyham, Scottish Terrier, Wire-haired Fox Terrier, and Airedale. Each clearly modelled from a show Champion of the 1920s.

16 ) A 19th century blue and white Spode Verona pattern dog bowl
A Spode Verona pattern dog bowl, printed in underglazed blue. Circa 1860

17 ) A dry-point aquatint etching of a Sealyham Terrier and a Skye Terrier by Kurt Meyer Eberhardt (German, 1895 - 1957).
A dry-point aquatint etching of a Sealyham Terrier and a Skye Terrier appearing by curtaining by Kurt Meyer Eberhardt (German, 1895 - 1957). Signed in the margin in pencil bottom right "K M Eberhardt". German circa 1925

18 ) 19th century oil on canvas of a Norfolk Terrier type by Henry Frederick Lucas-Lucas (1845-1943).
An oil on canvas of a seated Norfolk Terrier type by Henry Frederick Lucas-Lucas (1845-1943). Titled, signed and dated bottom right, “Study by H.F. Lucas Lucas 189”.Though these were at this time principally working dogs, this fluffy Norfolk was not. Note for example the expensive collar. English, circa 1899.

19 ) A dry-point etching of a Pointer by Marcel Moisand (French, 1874-1903)
A limited edition dry-point etching of a Pointer at work on the edge of a thicket by Marcel Moisand (French, 1874-1903), published by . Signed in pencil bottom right “M Moisand” and numbered “27/50”. The reverse bears the publishers / gallery label “ADOLPHE LE GROUPY EDITEUR D’ESTAMPES LECAPLAIN ET Cie SUCCrs 5,Boulevard de la Madeleine Paris_1er”. French, circa 1900.

20 ) 'Art Deco' 1926 French Bulldog watercolour by Heinrich Engel (1876-1951)
An 'Art Deco' watercolour with gouache highlights of a seated French Bulldog by Heinrich Engel (1876-1951). Signed bottom right “Heinz Engel” and dated “1926”. The reverse bears pencil script and Prague, Czechoslovakian framers gallery label of “Joseph Bruzek”.

21 ) “Francoeur de Meilissa” English Setter bronze by Richard Fath (French, 1900-1952)
A bronze of the English Setter “Francoeur de Meilissa”, at work, by Richard Fath (French, 1900-1952). Signed “FATH” and stamped “BRONZE”. Fath produced the model in terracotta together with smaller bronze variants. A ‘master bronze’ version is illustrated in “Portraits de Chiens Richard Fath 1900-1952 by Richard-Camille Fath, and “Jours de Chasse No 35” Spring of 2009. French, circa 1940.

22 ) Early 20th century German / Buchholz & Zelt Wire-haired Fox Terrier place name holders
Six early 20th century German ‘800’ silver Wire-haired Fox Terrier place name holders. Retailed by Buchholz & Zelt of New York are of interest. Marked “B & Z 800 Germany”. German, circa 1900

23 ) Early 20th century 14 ct gold Sloan & Co broach / pin of three Wire-haired Fox Terriers.
Early 20th century 14 ct gold Sloan & Co broach of three leased Wire-haired Fox Terriers broach wearing red enamel collars. Stamped with the trademark of “Sloan & Co” and marked “14”. American, circa 1925.

24 ) A pair of West Highland Terrier bronze candlesticks / sconces, English late 19th century
A pair of bronze seated West Highland Terriers holding sconces, with brass detail, and the dogs set with glass eyes. This Terrier model is clearly inspired by Sir Edwin Landseer’s image of “Scratch” depicted in his 1839 famous painting of "Dignity and Impudence" commissioned by Jacob Bell. ("Dignity and Impudence" is today in the collection of the Tate Gallery, London).English, circa 1870.

25 ) A bronze Poodle inkwell, French, circa 1890
A seated Poodle with hinged head revealing inkwell. The dog, with Lion cut holds a large shell, the pen rest holding a large. Glass inlaid eyes, complete with original inkwell. French, circa 1890.