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55 )
“We Two†Sealyham Terrier coloured lithograph by Cecil Charles Windsor Aldin RBA (English, 1870-1935) “We Twoâ€, a rare coloured lithograph of two Sealyham Terrier puppies seated on a step by Cecil Charles Windsor Aldin RBA (English, 1870-1935). Lettered in the margin top right “Published by Eyre & Spottiswoode (Publishers) Ltd., London, E.C.4 Printed in Englandâ€. The reverse bears label for “Wiseman's ltd., Dealers in Works of Art, 54 ABOVE BAR, SOUTHAMPTON†with ink description, “WE TWO CECIL ALDIN COLOUR FACSIMILEâ€. English, circa 1920.
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Other |
Sealyham Terrier |
Yr: 1920 |
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59 )
A metal shafted cane with holly handle sleeved in silver with a Setter's head A metal shafted cane with holly handle sleeved in silver with a Setter's head, the dog wearing a oak leaf collar, and set with cabochon eyes.
Assayed with the Austro-Hungarian Empire mark used for 800 purity silver from 1st March 1872 1st May 1922, and the assay mark "WB" being silver mark used in Vienna circa 1900. Stamped with a further indecipherable mark.
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Other |
Setter |
Yr: 1900 |
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66 )
Very rare 19th century cast iron garden Setter / hound seat / bench by the James Stephens Iron Works of Galway 1851. A very rare mid-19th century cast iron garden Setter / hound seat / bench by the James Stephens Iron Works of Galway, dated 1851. With grape decoration to the back, the side supports of vines and serpent, and the arms with Setter / hound head and paw feet. Irish 1851
This is a variant of a casting design produced circa 1844, by the Coalbrookdale Foundry. The Coalbrookdale design, number 17597, is the second oldest seat design registered and patented by the Foundry at the Public Records Office, on 6th April 1844. It further appears as seat No. 9 in their 1875 Castings Catalogue, Section III, page 249
James Stephens’ foundry was on Merchant’s Road and they were responsible in 1851 for the cast-ironwork Lough Athalia Bridge, (one of the finest of its kind in Ireland), and iron work to the roof of the Galway terminus.
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Other |
Setter |
Yr: 1851 |
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72 )
A Japanese Meiji period silk embroidery / textile of a St Bernard A Japanese Meiji period embroidery in fine silk thread on brown silk of a recumbent St. Bernard in short and tall grasses. Possibly inspired after a painting by Alexander Pope (American, 1848-1924). And possibly Sozayemon Nishimura of Kyoto and Tokyo purveyor to His Imperial Japanese Majesty's household.
Japanese circa 1905.
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Other |
St. Bernard |
Yr: 1905 |
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