76 ) Ink with heightening on paper of Black and White Scottish Terrier by Arthur Wardle RI RBC PS (1864-1949)
A ink drawing with white heightening on buff paper of two inquisitive Scottish Terriers, one Black, one White, and a curled hedgehog by Arthur Wardle RI RBC PS (1864-1949). Signed bottom middle, in ink, “Arthur Wardle”. English, circa 1900.

77 ) Ink with heightening on paper of a tri-colour Smooth-haired Fox Terrier by Arthur Wardle RI RBC PS (1864-1949)
A ink drawing with on buff paper of a fine tri-colour Smooth-haired Fox Terrier, with white and tan heightened coat, standing over a riding crop by Arthur Wardle RI RBC PS (1864-1949). Signed to the right, in ink, “Arthur Wardle”. English, circa 1900.

78 ) Ink with heightening on paper of an Irish Terrier by Arthur Wardle RI RBC PS (1864-1949)
A ink drawing with on buff paper of a fine Irish Terrier, with red heightened coat, standing over a riding crop by Arthur Wardle RI RBC PS (1864-1949). Signed bottom middle, in ink, “Arthur Wardle”. English, circa 1900.

79 ) Miniature oil on panel of a Springer Spaniel by Robert Morley, R.B.A. (English 1857-1941)
A miniature in oil on panel of a standing Springer Spaniel waiting attentively at a closed door by Robert Morley, R.B.A. (English 1857-1941). Initialled bottom left “R.M.” English, circa 1890.

80 ) Miniature oil on panel of a Springer Spaniel by Robert Morley, R.B.A. (English 1857-1941)
A miniature in oil on panel of a standing Springer Spaniel waiting attentively at a closed door by Robert Morley, R.B.A. (English 1857-1941).Initialled bottom right “R.M.” English, circa 1890.

81 ) An oil a lady, her hunter and Bichon by Charles Augustus Henry Lutyens RA (English, 1829-1915
An oil on Wood & Co canvas of a lady, her hunter and Bichon by Charles Augustus Henry Lutyens RA (English, 1829-1915). Signed bottom left “C Lutyens” and dated “79”. The canvas stencilled to the reverse “ WOOD & Co - 190 - BROMPTON ROAD / LONDON S.W.’”. Then a partly legible label to the reverse reads “3rd daughter of Lawrence …” English 1879.

82 ) “Micky” Irish Wolfhound dry-point etching by Cecil Charles Windsor Aldin RBA (English, 1870-1935)
“Micky”, a dry-point etching of the artist’s Irish Wolfhound, his head over the sofa by Cecil Charles Windsor Aldin RBA (English, 1870-1935). Numbered in the margin, in pencil, bottom left, “27/100” and signed bottom right “Cecil Aldin”. The reverse base label “Original Etching Irish Wolfhound Herbert Dicksee R.E. The Horner Galleries (F.J.Horner) THE CATHEDRAL CORNER 2, Church Street, Sheffield Telephone 26214 Established in 1886.English, circa 1925.

83 ) An oil on canvas of a Yorkshire Terrier by Henry Crowther (fl early 20th, English)
An oil on canvas of a head study of a Yorkshire Terrier, by Henry Crowther (fl early 20th, English). Signed and dated bottom left "H Crowther 1914". The canvas stencilled “WINDSOR & NEWTON’S ARTIST’S CANVAS LONDON W.” English 1914.

84 ) “Lusette” Pug oil by Ida Eléonora Davida von Schulzenheim (Swedish, 1859–1940)
“Lusette” an oil on a “Panneau Hollandais de Valle” panel of a Pug seated at a red draped covered table by Ida Eléonora Davida von Schulzenheim (Swedish, 1859–1940). Titled top right, “Lusette.” and signed and dated bottom right E. Schulzenheim – 91”. The reverse stencilled “PANNEAU HOLLANDAIS DE VALLE PARIS” and another “E. PICANT -14- Rue de Bas PARIS”. French 1891.

85 ) A 1930’s bronze Llama by Romano Espinoza Cáceda (Peruvian, 1898-1957) from B. Campaiola Foundry
A circa 1930’s bronze of a recumbent Llama by Romano Espinoza Cáceda (Peruvian, 1898-1957). Cast in the B. Campaiola Foundry in Lima, Peru. In 1937 he participated in the 1st Hall of the Independents of Lima in the Palace of the Exhibition of the Municipality of Lima, where he presented six sculptures, highlighting: Faun and Nymph, Llamas and Tapadas.

86 ) Oil of a Pug by Carl Gerber (German, 1839 - 1866)
An oil on panel of a seated Pug by Carl Gerber (German, 1839 - 1866). Signed middle left “C Gerber”. German, circa 1860.

87 ) “The Black Piper”, Labrador by William Goadby Lawerence (American, 1913 - 2002)
An oil on canvas of a young seated black Labrador, titled “The black Piper” by William Goadby Lawerence (American, 1913 - 2002). Signed bottom left “Wm Goadby Lawerence”. Inscribed in ink to the reverse “THE BLACK PIPER Wm Goadby Lawerence, Navesink River Road, Red Bank, NJ”. American, circa 1960.

88 ) A 20th century pair of silver bronze boar sconces
A 20th century pair of silver bronze sconces in the form of a boar’s head.

89 ) A very rare pair of Aesthetic Movement English Toy Spaniel / King Charles Spaniel console brackets / wall shelves
A very rare pair of Aesthetic Movement console brackets / wall shelves, with carved English Toy Spaniel / King Charles Spaniel head studies, scalloped shelves, stylized details and ebonised painting. English, circa 1880.

90 ) Yorkshire Terrier oil by Joseph Bail (French, 1862-1921)
An oil on panel of a recumbent Yorkshire Terrier wearing a blue satin bow by Joseph Bail (French, 1862-1921). Signed bottom right “Bail Joseph”.

91 ) 19th century, Staffordshire Bull Terrier oil by Richard Hermann Strebel (German, 1861 - 1946)
An oil on canvas of a Staffordshire Bull Terrier proudly standing beside a silver headed walking cane before a wall by Richard Hermann Strebel (German, 1861 - 1946). Signed and dated, in red, bottom right “Richard Strebel 86”. German 1886.

92 ) Terrier oil by Rudolf Carl Huber (Austrian, 1839 - 1896)
A very fine oil of a terrier seated on velvet covering before a floral display by Rudolf Carl Huber (Austrian, 1839 - 1896). The pampered pet wears a pink silk bow, with a silver bowl and waits expectedly besides his owner’s gloves and cane for a walk. Signed “R Carl Huber” and dated 66/5, May, 1866. The reverse bears Vienna gallery label. Austrian 1866.

93 ) Rare Japanese, Hokusai, inspired elephant handled vase, by Amédée de Caranza for Jules Vieillard & Cie, of Bordeaux.
Rare Japanese, Hokusai, inspired elephant handled vase, by Amédée de Caranza for Jules Vieillard & Cie. On a blie geometric ground, with central Hokusai inspire and two elephant head handles. The design is illustrated in Jacqueline du Pasquier 2015 book "Vieillard & Cie, Histoire de la faïencerie fine de Bordeaux", plate 111, on page 142. See also Bordeaux 1986, Musée des Arts Décoratifs, exhibition catalogue 'J. Vieillard & Cie. Eclectisme et Japonisme', edited by Jacqueline du Pasquier. A Hokusai plate is in the collection of the British Museum. French, circa 1880.

94 ) 19th century, French, Persian influence, elephant earthen ware / faïence jardinière / ‘cache-pot’ by Théodore Deck for Jules Viellard & Cie Théodore Deck
A rare and important, 19th century, ovoid, Persian influence, finely enamelled elephant head handles jardinière / ‘cache-pot’ with geometric, lambrequin and floral decoration by Théodore Deck for Jules Viellard & Cie of Bordeaux. French, circa 1880. A variant of this jardinière model is illustrated in Jacqueline du Pasquier 2015 book "Vieillard & Cie, Histoire de la faïencerie fine de Bordeaux", plate 51, page 77.

95 ) Circa 1910, Austrian rock crystal French Bulldog decanter
A rock crystal decanter in the form of a seated French Bulldog. The silver plated dog's head set with double inlaid glass eyes. Austrian, circa 1910.

96 ) "Faithful to the Last" / "The Empty Chair", a Scottish Deerhound engraving after Briton Riviere, RA (British, 1840-1920)
An artist’s proof, "Faithful to the Last" a mixed media engraving after Briton Riviere, RA (British, 1840-1920) 1860 oil. Also known as "The Empty Chair". A Scottish Deerhound stands by his master's empty chair. Signed in pencil, bottom left “Briton Riviere".

97 ) Circa 1910, French 18 carat gold Levrier / Greyhound / Whippet pendant
A French 18 carat gold pendant of a Levrier / Greyhound / Whippet standing amongst acanthus leaves. Inscribed to the reverse “26 Juillet 1912”. French, circa 1912.

98 ) The Irish Terrier “Fire-flyer”, enamel stick pin by John William Bailey (English, 1831 – 1914)
A enamel stick pin of a head study of the Irish Terrier “Fire-flyer” by John William Bailey (English, 1831 – 1914). Titled, signed and dated to the reverse “Fire-flyer J. W. Bailey 1895. English, 1895 Interestingly in 1895 Ludwig Beckmann reported that already in 1847 in Ireland they had started to breed an independent terrier, the ancestor of the current Irish Terrier.

99 ) Hackney Carriage horse attributable to Gustave Manz (German / American 1865-1946)
Hackney Carriage horse attributable to Gustave Manz (German / American 1865-1946). This diamond horse sits on a gold riding crop with lovely platinum detailing.

100 ) "Fire worshippers"dry-point etching by Herbert Thomas Dicksee (1862-1942)
"Fire worshippers", a pencil signed artist's proof dry-point etching of a King Charles Cavalier Spaniel and a Scottish Deerhound by Herbert Thomas Dicksee R.E (1862-1942. Exhibited, 1899 at the Royal Academy, exhibit number 1515. Lettered middle bottom "London, Published 1899, by C E Clifford & Co., 21 Haymarket SW", beneath signed in pencil "Herbert Dicksee". It was first published, 1899, by printsellers C E Clifford & Co., of 200 Piccadilly, later of 21 Haymarket. Frost and Reed further published the work in 1906. There is an example of the etching in the National Trust property, Tyntesfield, North Somerset. In original black ebonised frame. English, 1899.

1) Pittsburgh - April 2006 - "Carnegie Museum's Antiques Show dusts off its old fashioned image with new ideas for collectors"

2) Palm Beach Daily News - April 2005 - This regular supplement to the Palm Beach Daily News reviews the popular Hamshere Gallery stall at the 2005 Palm Beach Jewellery and Antique Show.

3) Japanese Jewellery & Minatures Magazine - 2004 - Highlights from the London Olympia show 2004.

4) The Labrador Quarterly - Spring 2004 - "Dual Champion Banchory Bolo" by John Hamshere

5) The Derby - 2002 - This article looks at the fashion of equestrian and sporting related jewellery through the ages.

6) Country Life - July 2002 - "Hounds of Love" - Jennifer Guerrini-Maraldi