101 ) Wire-haired Fox Terrier Scottish Terrier oil by René Philippe Delin (Belgium, 1877-1961)
A group of four Wire-haired Fox Terriers standing in landscape setting by René Philippe Delin (Belgium, 1877-1961). Signed and dated bottom left "R Delin 1927". A Belgium artist who pupiled at the Académie Royale des Beaux-Arts - École supérieure des Arts de la Ville de Bruxelles, whose work in this painting bears a resemblance to Frederick Thomas Daws (1878-1949)

102 ) “We Two” Sealyham Terrier coloured lithograph by Cecil Charles Windsor Aldin RBA (English, 1870-1935)
“We Two”, a rare coloured lithograph of two Sealyham Terrier puppies seated on a step by Cecil Charles Windsor Aldin RBA (English, 1870-1935). Lettered in the margin top right “Published by Eyre & Spottiswoode (Publishers) Ltd., London, E.C.4 Printed in England”. The reverse bears label for “Wiseman's ltd., Dealers in Works of Art, 54 ABOVE BAR, SOUTHAMPTON” with ink description, “WE TWO CECIL ALDIN COLOUR FACSIMILE”. English, circa 1920.

103 ) A very rare 19th century Coalbrookdale Foundry style cast iron garden Setter / hound table
A very rare late 19th century, Coalbrookdale Foundry cast iron garden Setter / hound table. With grape decoration to the back, the side supports of vines and serpent, and the arms with Setter / hound head and paw feet. English circa 1890.

104 ) A 19th century Coalbrookdale Foundry style cast iron garden Setter / hound seat / bench
A late 19th century, Coalbrookdale Foundry cast iron garden Setter / hound seat / bench. Grape decoration to the back, the side supports of vines and serpent, and the arms with Setter / hound head and paw feet. English circa 1890. This is a variant of a casting design, produced circa 1844, by the Coalbrookdale Foundry. The Coalbrookdale design, number 17597, is the second oldest seat design registered and patented by the Foundry at the Public Records Office, on 6th April 1844. It further appears as seat No. 9 in their 1875 Castings Catalogue, Section III, page 249

105 ) Mid 20th century set of horn dog head handled cake forks for Le Donjon, Toulouse
A set of 12 horn carved dog head handled cake forks for the jewellery house Le Donjon in Toulouse. The set includes a horn carved dog head handled serving knife. All heads with inlaid glass eyes, and complete in original box, with label reading “Le Donjon, ARTICLES POUR CADEAUX 3, rue de Poids de Huille Toulouse”. The forks marked “INOX” (stainless steel). French, circa 1950. Le Donjon was established in 1937, par Monsieur Henri Rouzé L’Alzit,

106 ) Austrian, circa 1900, silver bronze letter opener of a Braque / Pointer
An Austrian, circa 1910, silver bronze letter opener, depicting a Braque / Pointer’s head. Marked “Austria”. Austrian, circa 1910.

107 ) French, Setter, silver metal / metal arfente knife rests / porte couteaux, circa 1900
A set of 4 French Setter silver metal / metal argente knife rests / ‘porte couteaux’ circa 1900. French, circa 1900.

108 ) Cocker Spaniel, American, 1930’s, reverse intaglio 14 carat gold set crystal brooch and pendant
A stunning large reverse intaglio coaching crystal brooch of a head study of a Cocker Spaniel. Mother of pearl backed and fascinatingly set in a 14 carat gold frame depicting the dog’s collar. The crystal was most likely carved by Ernest.M. Pradier (English 1881-1967), but American set. American, circa 1930. Reverse intaglio crystals are commonly and erroneously often called Essex Crystals.

109 ) Griffon Bruxellois, Belgium, reverse intaglio 18 carat gold set crystal brooch
A beautiful large reverse intaglio coaching crystal brooch of a head study of a Griffon Bruxellois. The pampered pet wears a blue silk bow, and it’s collar is adorned with three gold bells. Mother of pearl backed and set in an 18 carat gold ‘Gordion Knot’ style frame. The crystal was most likely carved by a member of the Pradier family, prominent carvers in Belgium at that time. Belgium, circa 1890.

110 ) A rare pair of English, Regency, Greyhound bronze sconces / candelabra
A superb and rare pair of English, Regency, bronze sconces / candelabra with recumbent Greyhounds beneath a pair of candle holders / sconces set on top of stylised scrolling foliate and tree branches. The scones with cut-glass ‘icicle’ pendant drops. On white marble bases. English, circa 1820

111 ) 19th century, French, Persian influence, elephant earthen ware / faïence jardinière / ‘cache-pot’ by Théodore Deck for Jules Viellard & Cie Théodore Deck
A rare and important, 19th century, ovoid, Persian influence, finely enamelled elephant head handles jardinière / ‘cache-pot’ with geometric, lambrequin and floral decoration by Théodore Deck for Jules Viellard & Cie of Bordeaux. French, circa 1880. A variant of this jardinière model is illustrated in Jacqueline du Pasquier 2015 book "Vieillard & Cie, Histoire de la faïencerie fine de Bordeaux", plate 51, page 77.

112 ) A circa 1870 Majolica Maltese Terrier box by George Jones (English, c.1823-1893)
A Majolica box with a Maltese Terrier recumbent upon a cobalt blue tasselled cushion by George Jones (English, c.1823-1893). English, circa 1870.

113 ) Rare Minton Majolica Japanese aesthetic movement, elephant vase, with elephant handles, circa 1890.
A rare Minton Majolica, Japanese inspired aesthetic movement vase, with elephant head handles. The body of the vase with Japanese enthused fan and bamboo decoration and Persian geometric detail to the shoulder, all in gilt and silver against cobalt background. English, circa 1890.

114 ) 19th century, Rhyton, fox head bronze vase by Maison F Barbedienne (French, 1810 – 1892) for Louis-Constant Sévin (French, 1821-1888)
A 19th century, Rhyton, fox head bronze vase with the foundry mark of Maison Ferdinand Barbedienne (1810 – 1892) for Louis-Constant Sévin (French, 1821-1888) with the foundry mark of Ferdinand Barbedienne (1810 – 1892). It is from 1862 and there is a silvered bronze version in the Orsay Museum, Paris, that same year the model was exhibited World’s Fair.

115 ) Very unusual 19th century French cast iron boar vase after Claude Ballin (Paris 1615-1678) enamelled to imitate porphyry and marble
A very unusual 19th century French cast iron boar handled vase, enamelled to imitate porphyry and marble, after Claude Ballin (Paris, 1615-1678), Louis XIV’S goldsmith. The handles cast with Janus heads and boars' masks, the sides with shells, Greek key and oak leaf decoration, on waisted fluted stems and square platform bases.

116 ) A pair of bronze doré hunting / chasse, tazza / coupes of partridge, pheasants, Setter / hounds attributable to Christophe Fratin (French, 1800-1864)
A very fine pair of bronze doré hunting / chasse, tazza / coupes attributable to Christophe Fratin (French, 1800-1864), depicting partridge, pheasants amongst foliage, the stems decorated with three Setter / hound heads, both on octagonal marble bases. The handles in the form of tree branches. French, circa 1840.

117 ) Circular reverse intaglio crystal Pug box
A circular box centred with a large finely carved, beautifully three dimensional reverse intaglio crystal of a Pug. The dog wears an elaborate studded collar with three silver bells. English, circa 1880

118 ) A silver hunting / La Chasse jewellery box by Louis Armand Rault (French, 1847-1903)
A silver hunting / chasse jewellery box by renown jeweller and sculptor Louis Armand Rault (French, 1847-1903).

119 ) An oil of English Pointer at work by Boris Stefanovitch Riabouchinsky (French, 1898-1975)
An oil on canvas of English Pointer in corn fields setting Partridge in flight by Boris Stefanovitch Riabouchinsky (French, 1898-1975). Signed and dated “B Riabouchinsky 1985”. French 1985

120 ) Oil on canvas of a pair of Italian Greyhounds by François Gabriel Guillaume Lepaulle (French, 1804-1886)
Oil on canvas of a pair standing Italian Greyhounds by François Gabriel Guillaume Lepaulle (French, 1804-1886). Signed bottom right in red paint “G Lepaulle”. French, circa 1850 Lépaulle schooled at the prestigious l’École des Beaux-Arts, exhibited at the Paris Salon from 1824 onwards, and the Universal Exhibition of 1855, then today his work can be seen in museums in Paris, Versailles, Victoria Museum in London and The Clark Art Institute, Williamstown, MA.

121 ) A pastel of “Murdoch” a Scottish Terrier puppy by Mabel Gear (English, 1898-1987)
A pastel with pencil and chalks on buff paper of a head study of the Scottish Terrier “Murdoch” by Mabel Gear (English, 1898-1987). Signed in pencil bottom right “M GEAR”, and titled bottom left “MURDOCH.”. English, circa 1960. Images are available for public use with an acknowledgement to www.hamsheregallery.com. SIMILAR REQUIRED.

122 ) Pair of 18 carat gold reverse intaglio Greyhound crystal cufflinks
A pair of 18 carat gold mother of pearl backed reverse intaglio Greyhound crystal cufflinks. Each cufflink carved with a different image of the Greyhound in coursing motion. The idea clearly derived from Eadweard Muybridge’s study of the Greyhound’s gait, conducted as part of his very famous study of various animals in motion, ca. 1878–1879. Muybridge’s work changed how artists painted the likes of Greyhounds and horses in motion. Very unusual crystals, clearly commissioned by a very proud owner. Marked to the bar and ring “18ct”, with further indecipherable poinçon marks. Complete with original gilt tooled leather box. French, circa 1885

123 ) Kings Charles Cavalier Tricolor Spaniel enamel gold stick pin by William Essex (English, 1784-1869)
Kings Charles Cavalier Tricolor Spaniel enamel gold stick pin by William Essex (English, 1784-1869). Circa 1860 and after Queen Victoria's painting of Dash, her favourite Spaniel, by Sir Edwin Landseer "The Royal Collection" today holds a substantial number of enamels by William Essex. The enamel set into a rope design setting. Signed to the reverse and dated “W. ESSEX.186?”. English circa 1860.

124 ) Greyhound photographs by Eadweard Muybridge“
Photograph by Edweard James Muybridge (1830-1904), British-American photographer and pioneer of animal sequence photography Album on the decomposition of movement, Animal Locomotion: dog This artwork is a photography from the modern period . The place of conservation of " Album on the decomposition of movement, Animal Locomotion: dog " is Musée d'Orsay, Paris, France.

125 ) A 19th century boar oval tureen by George Jones (English, c.1823-1893)
A mid-19th century Majolica oval boar’s head tureen by George Jones (English, c.1823-1893). With boar’s head knop, oval panels depicting a boar being attacked by hounds and stag head mounted handles, with all over oak leaf and acorn design. Marked to base with impressed mark and painted number. English, circa 1870.